Texas Lady

1955 "WOMANLY WILES WERE HER WEAPONS!"
5.5| 1h22m| en| More Info
Released: 23 November 1955 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Synopsis

Claudette Colbert plays Prudence Webb, who arrives in the wide-open town of Fort Ralston, Texas, to assume control of her late father's newspaper. Her first major print crusade is aimed at gambler Chris Mooney (Barry Sullivan), whom Prudence holds responsible for her dad's suicide. She then takes aim at a couple of crooked cattle barons (Ray Collins and Walter Sande), who'd like nothing better than to put Prudence out of the way for keeps.

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Reviews

SincereFinest disgusting, overrated, pointless
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Staci Frederick Blistering performances.
jjnxn-1 This was Claudette Colbert's second to last theatrical feature and if this was the quality of scripts she was being offered at that time it's no wonder she stayed away six years between this and Parrish. First of all she belongs in some urbane urban setting not the Old West and try though she might she is out of place there. Additionally she and Barry Sullivan, always a dull leading man no matter his costar, go together like oil and water sharing zero romantic chemistry. The script is ordinary and the direction not terribly exciting plus the film is soft and fuzzy with over-bright color. If you like Claudette or westerns it's okay but don't expect anything above the routine.
bkoganbing Texas Lady marked Claudette Colbert's one and only western and I think this RKO film was probably something that they might have had Barbara Stanwyck in mind for. Colbert though she gave a decent performer really is not a western type. I suspect she wanted at least one on her film resume and took Texas Lady which was an inflated B film.After learning the game of poker for years, Colbert takes Barry Sullivan on and beats him handily. Sullivan, a gentleman riverboat gambler had cleaned out her father who had embezzled money and then lost his ill gotten gains at the poker table and promptly killed himself. After restoring the family honor, Claudette goes to Texas where she's inherited a newspaper.The paper is the paid for rag of the owners of the local Ponderosa, Ray Collins and Walter Sande. Claudette starts agitating for a railroad spur to come to town. But that will mean less dependency on the cattle barons and new people settling. The plot here has certain similarities to The Man Who Shot Liberty Valance. Claudette also gets some attention from fast draw deputy Gregory Walcott who kills a couple of small ranchers in the service Collins and Sande.In the meantime Sullivan comes to town as his reputation is shot to all heck on the riverboat scene. Being both southerners to the manor born they find a lot in common.Texas Lady was a decent enough western, but it looks like it was edited considerably down and a lot of the story doesn't really make sense. And Colbert is just not well cast in westerns. But her fans might like it. It sure is a far cry from the comedies she did in the Thirties and Forties.
MartinHafer I read one review where they said that this was Claudette Colbert's last movie. In fact, she made several made for TV films as well as the film "Parrish" after she made "Texas Lady". Just thought I should set the record straight on this. However, this same reviewer was right--everyone seemed VERY old in this film and perhaps it was in an effort to make Colbert seem younger.The film begins with Colbert beating Barry Sullivan in poker and taking control of his newspaper in Texas. It seems that Colbert has been looking forward to beating Sullivan, as she blames him for ruining her father--who was a gambling addict. Regardless, she heads west to assume control of the paper. When she arrives, she finds some mighty unfriendly folks. Later, when you find out who comes to your rescue and why, you'll most likely groan--it's THAT dumb.All in all, a stale film that simply is beneath the many talents of Colbert. It's not a terrible film bit it certainly is a poor one--with a romance that comes from out of left field and a script that never, ever packs any excitement. A sad little film.
Christopher Bentley One of the contributors to IMDb has mentioned that it'd be OK to watch this film when the weather was awful and there was nothing better to do. Well, I've just watched it on a stunning October afternoon as the Friday afternoon movie on Channel 4. How could I not have done in view of the fact that, apparently, Ms. Colbert was a favourite of my grandfather's?I can see what S. H. Scheuer was getting at in his 'Movies On TV' when he said that C.C. was miscast in the lead role. Maybe Bette Davis or Barbara Stanwyck would have been better and given the character the edge that it needed.As one called Chris myself I felt - with all the mentions of the name 'Chris', as if I were watching a film version of one of those 'stories all about your child' books one sees advertised in mail-order leaflets. Was the script-writer being paid per 'Chris', or something?The Chris Mooney character was asked of his future plans. I thought, humorously, that a re-naming to Jake, or something one would ordinarily hear more often in the context of a Western, might not have come amiss. Alternatively, 'Texas Lady' could have the alternate title 'A Man Named Chris'!If your name's Chris you'll love this movie for all the unintentional humour. Otherwise it has little to commend it.One of the stars I have given it is for the 'Chrisses', BTW.