Peereddi
I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.
Curapedi
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
mark.waltz
As other writers have said, all that seems to remain of this film is the greatly edited 53 minute TV version of what was once nearly 20 minutes longer. Certain details and characters mentioned make no sense because of these cuts, but if you pay close enough attention, you can get past that error in judgment and make a bit of sense of what remains. The first question that came to my mind is "Who is Jimmy Valentine, and why is everybody trying to find him?" That is covered with the opening segment that shows a quaint small town where everybody knows everybody, nobody seems to fight, and even the chickens can cross the road without fear of not getting successfully to the other side. But the identity of this mystery man is questioned, with the only information provided that Jimmy Valentine was once the greatest cracksman (safe cracker) that the country had ever seen, and for some unknown reason, everybody thinks that he's hiding out in this quaint hamlet.National radio personality Dennis O'Keefe arrives in town with the intention of exposing the real identity of Valentine, accompanied by his wise-cracking girlfriend Gloria Dickson who places a bet with him that he will not be able to find out whom Valentine is posing as. Local radio station owner Roman Bohnen and his enthusiastic daughter Ruth Terry welcome O'Keefe to town, and this creates some tension between the wisecracking Dickson and the barely past teenaged Terry who makes her interest in O'Keefe known from the start. Then there's O'Keefe's mysteriously creepy assistant (George E. Stone) who just looks odd from the start, various other villagers determined to keep their criminal pasts a secret, and several murders that occur within a short period of time that all seem to point at the elusive Jimmy Valentine. This thriller comedy might be short on details thanks to the edited footage, but provides plenty of laughs and excitement with what remains, with a few nice twists at the end. I'd gladly give up my much edited copy to find the original full print, and might even be willing to up my rating when I do, because most of this film is rather good, if just badly chopped up for no other reason than station identification and those dreaded TV commercials.
JohnHowardReid
Not copyrighted by Republic Pictures Corp. No recorded New York opening. U.S. release: 31 March 1942. Australian release through Associated-British Empire Films: 30 July 1942. Australian release length: 6,651 feet. 74 minutes.Title of condensed (to 53 minutes) TV version: UNFORGOTTEN CRIME.COMMENT: Who said that DVD and online sites of all descriptions were going to bring back all our favorite films in all their original glory? This certainly hasn't happened with "The Affairs of Jimmy Valentine". Brilliantly directed and superbly photographed, all we have in the mutilated Public Domain DVD version is an indication of the "B" masterpiece that Republic originally released. Unfortunately, Republic failed to copyright the film and this meant that anybody - even you and me - could make copies of the movie and sell these copies in any form we wished, including whole and entire or cut to ribbons. So beware, and don't bother to look at the cut-to-ribbons "Unforgotten Crime". Someone, somewhere, must have a copy of the real "Affairs of Jimmy Valentine". Just look at that cast line-up. And photographed by John Alton too!
bkoganbing
I might have raided The Affairs Of Jimmy Valentine a bit higher on the scale had it not had about a third of the film gutted for television. Watching this you have to fill in too many blank spaces.There's a radio contest where Dennis O'Keefe is accepting the challenge of Gloria Dickson to find the infamous Jimmy Valentine, safecracker of the gaslight era who disappeared after doing his bit for burglary in the TR-Taft years of the 20th century. $10,000.00 is at stake for O'Keefe as he arrives at a small midwestern town where not too terribly much has happened, only thanks to the contest the eyes of the nation are on this place where Jimmy Valentine was last heard from.O'Keefe meets lots of resistance especially from city editor Roman Bohnen although he gets an admirer in Bohnen's daughter Ruth Terry. But a couple of murders are committed in the search for the legendary safecracker with the sandpaper fingers or that's how the famous Gus Edwards song goes.Suspense is let right out of the bag when we find out right away who did those murders. Still The Affairs Of Jimmy Valentine is a pleasant enough film with a cast of familiar character players from the studio era of Hollywood.Though why I didn't hear the Edwards song is a mystery.
goblinhairedguy
In his landmark tome "B Movies", the normally reserved film historian Don Miller heaps two pages of praise on this small-town comedy-mystery, calling it the apogee of Republic Pictures' output. Unfortunately, it was not a success at the box office, and was cut to a mere 54 minutes for second feature and television distribution under the title "Unforgotten Crime". This is the version in circulation today (if anyone stumbles upon the full version, please inform!) -- obviously, much of the story set-up is missing, causing some of the plot and character motivations to be fuzzy. Nonetheless, it's still a boisterous and clever little programmer, with an infectiously enthusiastic cast of b-movie stalwarts. Much of the pleasure comes from the odd romantic triangle of womanizing (self-) promoter Dennis O'Keefe, the lively but naive teenager (Ruth Terry) who immediately goes gaga over him, and his sophisticated co-worker (Gloria Dickson), who radiates plenty of Eve Ardenish attitude and sarcasm. This was one of noir master John Alton's earliest gigs as cinematographer, and although it's not the most suitable material, he manages to give a striking pulp-magazine-cover aura to the crime scenes. In fact, one scene of mayhem involving a sexy manicurist is quite jarring amid the lighthearted Mayberry-like atmosphere. Director Vorhaus and Alton later teamed up for the more appropriately cynical "Bury Me Dead" and "The Spiritualist".
