The Annunciation

1984
6.4| 1h39m| en| More Info
Released: 20 September 1984 Released
Producted By: Mafilm
Country: Hungary
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Annunciation (in Hungarian: Angyali üdvözlet) is a Hungarian film directed by András Jeles in 1984, based on The Tragedy of Man (1861) by Imre Madách. When Adam (Péter Bocsor) and Eve (Júlia Mérő), having succumbed to Lucifer's temptation, are cast out of the Garden of Eden, Adam holds Lucifer (Eszter Gyalog) to his promise, reminding him that "You said I would know everything!". So Lucifer grants Adam a dream of the world to come. And what a bizarre dream: Adam becomes Miltiades in Athens; a knight called Tancred in Byzantium; Kepler in Prague; Danton in revolutionary Paris; and a nameless suitor in Victorian London. Guided by a deceptively sweet but ultimately contemptuous Lucifer, Adam confronts an endless procession of the horror of the human story... rapists and concubines, betrayal and savagery, mindless cruelty and fanaticism.

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Reviews

Exoticalot People are voting emotionally.
GazerRise Fantastic!
Yash Wade Close shines in drama with strong language, adult themes.
Kimball Exactly the movie you think it is, but not the movie you want it to be.
gummo_rabbit One of the most ambitious films I have ever seen and it delivers throughout. The visuals are stunning, the score plays a significant role in the atmosphere and the use of child actors adds fundamental new meaning to the original stage play. It's a philosophical view on good and evil and tackles the big questions of life via poetry, history and surrealism. Though made to look like a dream, it touches on profound questions of reality.One scene which was particularly though-provoking was the one in which a woman gives birth while standing above an open grave. The cycle of life and death, hinted at by the quote from Ecclesiastes right at the beginning, is here taken to its visual extreme. This harrowing image is followed by a very serene sequence, portraying the eternal peace of the deceased.In all of this the choice for child actors adds extra layers of meaning. Their very age seems to comment on the issues shown: death, violence, injustice and so on. There is a lot of blood and a lot of lust shown on screen, but the actors are still playing hide and seek and let's pretend in real life. It's that mixture of playful innocence and adult history, adorned with some of the most beautiful literary quotes, which gives this film its daring and unique style.One of the themes running through the film is the question of how we look at the world, at ourselves and at history. The movie challenges us to open up and accept unusual viewpoints, which is what all great art does, in my opinion. It's necessary, especially when confronted with violence and injustice and forced to look for solutions.I do admit it's trying at times and it was mostly out of curiosity to see this remarkable achievement all the way through that I watched the whole thing. Still, it left me with an impression unlike anything else I have seen before. I wonder what the actors think of the film now that they have all grown up and how they look back on their experience in making it. Maybe it felt just like a dream.
hahnerpeter I am afraid that nobody will understand this movie unless he or she doesn't know one of the greatest Hungarian dramatic play of the XIXth century: The Tragedy of Man, written by Imre Madách. The plot: after the loss of the garden of Eden, Lucifer, the demon of Denial shows to Adam and Eve the different ages of mankind, to prove them that there is no reason for them to live. In their dream they live for a while in ancient Egypt, Greece, Rome, in medieval Byzantium, in the revolutionary Paris, etc. This is a romantic and pessimistic vision -- with a strange, optimistic ending. The director of this movie had a great idea: he has chosen not grown up actors and actresses, but little boys and girls, so the plot is even more complex, more poetic and more visionary. A beautiful movie to watch -- but if you don't know the drama of Madách, perhaps you won't understand everything. Anyway, it is worth the time!
ganymede_901 This is a beautiful and daring adaptation of a classic piece of Hungarian theatre. The play was originally written as "The Tragedy of Man" and to this date is regarded as Imre Madách's masterpiece. The first time I read the play, I was amazed by the breadth and scope of it and actually thought "This will never make it to screen - it's too big."For more information on the play, see: http://en.wikipedia.org/wiki/Imre_Mad%C3%A1ch - warning, the Wiki article contains spoilers.I now own a copy of it and enjoy it every time I watch it. The movie adaptation can be a bit daunting for those who have not read the play, so in my opinion, reading it is defiantly recommended.I only have two issues with the movie:1) Only ten of the original fifteen acts are included.2) The entire cast is children. An interesting conceit, but not really necessary as the original protagonists were written in standard mode, ie: kings, nuns, soldiers, etc. were portrayed as adults.Overall, a very good movie with terrific locations, photography and acting from it's young cast.
hrm114 This is probably one of the most dense films ever made. For that reason, Angyali üdvözlet will find a very small audience. But if there is one thing that this film does very well it is creating some very good surreal visuals - and this is not to be understated. Surrealist film lovers should make this a must see.At its core, the film is about Lucifer's premonition of the tragedy of mankind as told to Adam and Eve in a dream after they are banned from Eden. The dream starts at Athens, where Adam, Eve and their son find themselves at the wrong end of the first form of democracy, which is an irrational mob rule - they are the "royals" and when Adam fails to deliver the wishes of the people, he is killed.Adam later finds himself in Byzantium as what I can only speculate, a Roman soldier. At this point, the film kind of becomes confusing to anyone who isn't highly educated in European history. So after this, the film is technically very hard to follow, but visually, it's a kind of surreal experience. It goes to periods in the history of western civilization which are some of the most bloody and repressive. Lucifers plan here in telling these premonitions to Adam and Eve was to try to get them to end their lives, because if they did, it would prevent all of these future tragedies from happening.There are times where you can tell that the film was probably rushed through post production. But overall, it's a miracle that such a film was made in the first place. It's a cast composed entirely of children, but they do quite well at taking direction from Jeles. You can tell that their performances were a kind of "you stand there" kind of thing. While Adam, Eve and Lucifer are the only characters with character, the supporting cast's mechanical performances create an appropriate contrast and set the mood of the film quite effectively.My biggest problem with the film is the VHS transfer; it's terrible. I can only hope that in the future this film is given proper distribution. But it is so obscure I doubt it ever will.