The Apostle

1997 "The hardest soul to save was his own."
7.2| 2h14m| PG-13| en| More Info
Released: 19 December 1997 Released
Producted By: Butcher's Run Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

After his happy life spins out of control, a preacher from Texas changes his name, goes to Louisiana and starts preaching on the radio.

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Reviews

Develiker terrible... so disappointed.
Smartorhypo Highly Overrated But Still Good
Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
mark.waltz Over zealous Christians are going to mist likely take this drama about a Pentecostal preacher as a slap in the face of passionate, soul-saving organized religion. It takes a slam dunk look at the way big religion has dumped an over powering feel of judgmentalism on the typical sinner who has turned their backs on religion, either worshiping independently or becoming atheist, agnostic or even involved in satanism. It is Robert Duvall's powerful performance that guides this character study of a flawed man who may have done more harm than good, needing to open his eyes to his own missing spiritual deficiencies and view the world through a larger telescope rather than the binoculars of obsessive bible thumping that doesn't understand the damage it has caused.I have begun to believe that obsessive Christianity is a step to madness, taking on hot topics in sometimes violent ways. Committing sins to stop sins, so to speak, all through as they say over "Holy ghost power". Duvall is certainly on the verge of losing his sanity, like he does with his own church, tossed out for living in sin with equally religious Farrah Fawcett. Duvall continues to pray and praise as he walks down the street, and while that's not enough to make him certifiable, his open sinning yet preaching against similar transgressions. The worship scenes can get rather uncomfortable, reminding me of why I turned to independent spirituality rather than the big halls that had such foot stomping energy that it would make a rise on the Richter scale.In spite of my own personal uncomfortable feeling towards these over the top forms of worship that go way too far. "No speaking in tongues!", the radio station manager warns Duvall when he convinces him to take him on as a religious talk show host. Duvall's journey becomes intriguing to watch, and that's what makes this film less cringe-worthy. This didn't convince me to return to public worship, but it didn't dissuade me from my spiritual emotions, either.
grantss An engaging story driven by a very powerful performance from Robert Duvall.The story of a minister in a evangelical Christian church who starts a new life after committing a crime. Interesting and engaging story as we see the man's life destroyed and then see him rebuild it, and see the effect he has on others. Superb performance by Robert Duvall in the lead role (though we have come to expect that from him). Very believable as the preacher, with mannerisms, doctrine etc very well researched.While having an interesting plot (written by Duvall) and also being well-directed (by Duvall), the movie isn't too profound, which is disappointing. I was waiting for that moment of clarity, but it never came.It is all about the journey, not the destination, in this case.
caseynicholson When this movie came out in 1997, I was a young man who had just found his way into church for the first time in my adult life. I specifically was someone who had always been turned off to church and faith because I had grown up in a place where often times churches were charismatic, a style that never interested me very much. When I was nineteen I started attending a Presbyterian church that was a whole different atmosphere than what I had always known. The service was very structured and organized, and a long story short I found myself at home in a place with a much more reserved style of worship experience.But with that going on in my personal life at the time, it made it difficult for me to want to see "The Apostle", a film that to me looked like it was promoting the style of religion that I had struggled with all my life. So I never saw the film when it was in theaters or while it was still popular.Fast forward to 2014, and I've matured a fair bit. I still have my own preferences about church and religion, but I am not as judgmental as I once was. And so with that in mind, I sat down to watch this film on Netflix a couple of weeks ago.What I found in "The Apostle" was a delightful film, one that is evangelical in its own way, and one that certainly does portray the charismatic church style that I struggled with so much in my youth. But whereas in 1997 I might have had a visceral reaction to that, in 2014 I was able to sit down and watch the film and view it as art. And boy am I glad that I did.Robert Duvall gives a dynamic performance in this movie. It's impossible to see him as himself, because he completely becomes the character. As the movie progresses Duvall has several extended scenes where he's preaching in church, and the performance is amazing. Regardless of whether one appreciates the Christian faith or the charismatic movement, Duvall makes the viewer believe that he is the preacher. It's a bit eerie in a sense, and some might find it uncomfortable given the subject matter--but then you realize that this is the same guy from "The Godfather" movies, and that's when it hits you that this is an amazing feat of acting in a well made film.All that said, "The Apostle" may be a bit foreign and hard to watch for some people who have an averse reaction to matters of faith or who are uncomfortable with Christianity. But even those folks should be able to appreciate the film for its artistic expression, if they can just get past the religious element (which is of course the dominant theme of the film).If you are able to appreciate the film, either as a work of art or as an evangelical film in its own right, then you may agree that it deserves a high rating. Thus my 9/10 stars.
LeonLouisRicci This is one of those rare Performances that seems to transcend Acting. Robert Duvall is the Apostille, one might say. A firebrand force, a Jesus Juggernaut, a Preacher who will not be denied. He will invoke Jesus' Name until it literally drives Satan away holding his ears.The trouble, as far as this Movie goes, it may drive Viewers away with its relentless Bible Thumping and sing-song Religious Rants, most shouted at supreme volume, with or without the aid of a microphone or Amplitude Modulation. There is so much of this and it is so intense that it almost, but not quite, leaves the more subtle, sublime elements drowning in a Sea of self-indulgence.There is much to admire in this singular effort from the Producer/Writer/Star/Director. The backdrops all have a realism of Rural, Southern Americana and the Cast are all fitting and the combination of Pros and Extras add an almost Documentary feel. Much praise and much Screen time is given to Stylistic Sermonizing by the Apostille and although it is totally believable and compelling, there maybe just too much of a Good thing.Overall, this gallant effort is not without its Sins and is quite an Excellent Character Study. A bit of editing and just a little restraint may have made this a Masterpiece.