The Beach Party at the Threshold of Hell

2006
3.8| 1h30m| R| en| More Info
Released: 23 June 2006 Released
Producted By: Strategic Film Partners
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse, Tex Kennedy, two robotic ex-secret service agents, and a female cannibal journey to find a famously dangerous area known as the "Threshold of Hell" to gain access to a radio tower to unite the survivors of the apocalypse.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Strategic Film Partners

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

2hotFeature one of my absolute favorites!
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Chuck G. (flaminghat) There I was, minding my own business, fishing for cheesy movies to watch whilst enjoying a late night drinking session. I'd stumbled upon a listing of post-apocalyptic 'classics' and knew I'd hit the jackpot. One of the movies in that list had an intriguing title: 'Beach Party at the Threshold of Hell'. My eye caught, after doing a little research I decided to give it a shot. Couldn't be worse than 'Roller Blade 7', after all...Wow...alright, before I explain why this movie induced violent paroxysms of laughter, I will cover its so-called 'weak points'. Yes it's cheap: there's one scene that was apparently beyond the scope of the makers' budget and/or abilities so it was animated, the costumes are usually jeans and t-shirts cut up, everything takes place in basically one location and the cast is not 'diverse', consisting mostly of the creators in the acting roles. It jumps around and inserts documentary sequences and character introductions that break up the action. It's done in a documentary style that will harsh many a buzz of those used to more straightforward storytelling. If you're Tarantino, Rodriguez or Ritchie apparently that's all well and good, but I digress. There may be further 'negatives', but even the ones mentioned aren't negative to me, so forgive me if something's left out. However, now you must again forgive me as I rub my hands together with devious relish and explain why all that doesn't matter, or at least doesn't make the film any less enjoyable.First and foremost, it made me laugh louder and harder than anything has for a long time. The dialog is great and the gags hit their mark. You do have to possess a sick sense of humor and love of irony to truly enjoy it, but with those two qualifications this movie will take you to fine places. I would love to point out specific things, but honestly, they won't be as funny if you are expecting them. The only one I'll touch is one of the funniest sequences involving some difficulties with a chainsaw. That's all you're gonna get. Just trust me on this, if you're a sicko, your gut will be a-bustin'.Now to address those alleged weaknesses: the documentary style does slow it down, sure, but it's a comedy. It's not an action-packed thrill-ride that needs to move quickly. It was pulled off very well and allowed for the inclusion of some very good and funny cameos, such as Jane Seymour as the last President, Tony Hale (of 'Arrested Development' as Buster) as a biographer and Richard Riehle (who played Tom in 'Office Space') as the narrator. Some may think the documentary bits padding, but I truly think it adds an element of tongue-in-cheek quirkiness to the proceedings, and while perhaps the characters could have been introduced in other ways, I thought their way was far more interesting than characters busting into monologue or ill-fitting dialog. Some may think it a rip-off of other directors, but I say thee 'nay'. What they did always felt more like respectful hat-tips than straight rips, though there were many. The whole feel of the movie is very Dr. Strangelove meets Pulp Fiction, and I say that as a means of description, not really to compare this film to those others. Even at its most serious it doesn't take itself a bit seriously, but it's imaginative and well-written enough not to spiral off into pure goofiness. Campy, yes, insipid, no.Bad acting? I have seen bad acting (I've seen 'Men of Honor'), and with a cast of primarily amateurs the acting is actually very good. Hell, even Daniel Baldwin didn't suck, and that's saying something! But the actors had a lot to work with and had reason to do a good job, for the script, again particularly the dialog, is excellent. I'm not even going to qualify that with a 'for a low-budget movie' or anything. It is just GOOD. It's sharp, and is sharply delivered. The characters are weird but cool and well-played. These are not the typical post-apocalyptica stereotypes, but something altogether different and, dare I say, brilliant. What else do you need? But wait, there's more!There's blood and gore, as one would expect of post-apocalyptic fare, and quite a bit, but done well (though certainly not tastefully) and death scenes that would look cheesy are given the 'go to black' or 'blood spatter on lens' treatment, avoiding the typical groan-and-eye-roll moments that plague horror movies. It's also done with great sick humor. For instance, a spine gets pulled and in later scenes you can still see it lying on the ground as other situations play out in the same area. The much poo'd-upon animated sequence is actually cool, and a smart move on the makers' part. I'd much rather see animation, adding more quirk to the quirky, than hokey live-action. As opposed to simply axing the bit, they use it to make their movie even weirder. I for one dig it and applaud them for it.I could go on, but this beast needs to be wrapped up. In summary, I think 'Beach Party' is simply a great movie, funny and wrong in all the right ways. It stands up against the best the big companies have to offer, and with a fraction of a fraction of the budget. It's a fine example of what indie developers can do with heart and inspiration. If you want big budget fluff, look elsewhere. I for one will not miss you. If you want a to spend a hour-and-a-half chortling and feeling like a misanthrope for doing so, please, for the love of all that is sick and unholy, look this movie up, then tell someone else. That's the only way to make sure that movies like this continue to be made, as they damn well ought to be.
backman-1 Saw the film at the LA Film Festival and had a great time. It's not a Hollywood film, it's very much an independent spirit and as such the story telling is not your traditional formulaic arc. It feels like a historical chronicle of the end of the world and the rebuilding afterwards with sections of narrative dialog.There is a fascinating array of characters and character work presented in the piece.The visual effects are amazing when you consider what is achieved on a micro budget. The filmmakers have taken imagination and creativity over a big budget. I particularly enjoyed the digital effects with the introduction of each character and the use of narration and biography writers to frame the story.I loved it and am looking forward to the next installment.
lemoncurry11 I caught the premiere of "The Beach Party at the Threshold of Hell" on Friday night as part of the L.A. Film festival and was highly entertained. This film is a breath of fresh air with a truly original vision at a time when the majority of movies labeled as 'independent' have begun to fall into the same bloated budget, formulaic naval-gazing as their studio-backed counterparts. Beach Party feels like the next generation of the Bruce Campbell style of horror/comedies that have all but disappeared in the wake of special-effects-heavy shock and gore fests. Not quite a horror but not quite a comedy, Beach Party's characters are offbeat and the story line is so unique that it comes across more like a cult film in the making. This film is an intelligent, eye-catching and campy alternative to the cookie-cutter action flicks that flood the screens this time of year. It's a fun ride and, judging by the packed house and the crowd's reaction at the premiere, this film has successfully addressed an audience that has long been overlooked by the studios.
Optiville I attended the world premiere of this film at the 2006 Los Angeles Film Festival and enjoyed what I saw very much. It is hard to explain this movie to someone who hasn't seen it...and I think that is a good thing, as it needs to be experienced to appreciate it for what it really is. This film is a completely visceral experience from beginning to end. The use of sound, special effects, on-screen graphics, etc. engage all of your senses and really draw you into what is happening on-screen. For first-time filmmakers, the creators of this (soon to be) trilogy should be lauded for their decision to employ numerous ambitious techniques to produce a successful, dark, funny, apocalyptic tale. Job well done for all parties involved! :) :) :)