Exoticalot
People are voting emotionally.
Comwayon
A Disappointing Continuation
TaryBiggBall
It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Lollivan
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
hanaholman-00334
I was excited to see this movie after watching the mysterious-looking trailer, but I must say I wasn't very impressed and have a lot of mixed emotions in regard to it. The first 20-30 minutes of the film reminded me somewhat of a horror movie. The style of the production was super dark-toned and the music sounded like what you hear before something super terrible is about to happen. To make the vibe so creepy made it very uncomfortable and difficult to watch. On top of that, there isn't much dialogue. So, if you aren't familiar with Lincoln's life, you'd be lost throughout the entire film considering there are no explanations whatsoever. Abraham barely spoke, nor did he even seem to have much of a personality through the whole film, which was disappointing to watch.
One thing I did enjoy and believe to be very clever was the scene of the field of cows, where one is lying dead. I thought it was a very good foreshadow for what was to come a few scenes afterwards. Also, regardless of the lack of dialogue, it is easy to tell that Abraham loved both his mothers and step-mother. That was a beautiful thing to watch unfold.
The first couple of scenes feature a narrative voice which I assumed to be Abraham's. I'm still not clear on if it was his voice or his cousin's voice who we meet later on, but regardless, the voice was very inaccurate to me. It was very southern, and Abraham Lincoln's voice has never been described as southern. It is more high-pitched and Midwestern, like Daniel Day-Lewis's voice for him in Spielberg's Lincoln (2012). The word "pappy" was used to describe Thomas Lincoln a few times, and I really can't imagine Abraham calling his father that. Pappy is too endearing, and it is far too southern sounding.
They did a somewhat decent job on historical accuracy. Lincoln's relationship with his dad is accurate seeing as they were never close, but it seems unhealthier than what's been depicted in other Lincoln films, like John Cromwell's Abe Lincoln in Illinois (1940), where there's one scene of his father making a comment about Abraham reading. In this one, there's a scene where Thomas grabs Abraham by the collar and sort of drags him. I've also never heard anything about the Lincoln family taking in a boy to live with them, so that was odd as well.
I had hopes for it seeing this considering there aren't any other films depicting Abraham Lincoln as a child the whole way through. But overall, I would not recommend someone to watch this. There are plenty of other movies on Lincoln that are much more enjoyable to watch, and a lot more can be learned from them.
Ikepickerel
.....is the word that came to mind numerous times throughout the film, and captain Castile reviewed it best. I would add that although I thought I had a grasp of pioneer living, I now know I didn't have a clue! I kept relating all the hardships shown in that era juxtaposed to how pampered we live today, and yet have the gall to complain about someone taking our parking spot! We owe it to ourselves to watch this wonderful snapshot, if not for the Lincoln history, then for the lesson learned/relearned of how wonderfully blessed we are to live in this time of aplenty, and maybe stand up for right and wrong, and try to maintain a grip on the America we grew up with!
captaincastile
This is one of the most extraordinary films I have ever seen. I've been pondering the experience for a couple of days. I really don't know how to express what I thought and felt while watching it. I fear that whatever I say will sound plastic, and it was not plastic at all. It was real. It fell just short of being living flesh.To start, I felt like I was really there with young Lincoln and his family. It was like visiting with them. The feeling became deeper as the film progressed.Black and white was the perfect choice for this film. The cinematography was in a class by itself. Orson Wells did not do any better when he filmed Citizen Kane.Many of the camera angles were new to me; and yet they were as comfortable as old shoes. The sound was just as extraordinary. The wind in the trees, the birds chirping in the fields all combined with the skilled use of the camera and drew me in.I've seen, as far as I know, every film ever made about Lincoln. He has been one of my heroes since I was a child. But, I've never seen one that covered his early childhood in such depth. Not necessarily depth of historical detail, but depth of experience; what he lived, thought and felt as a boy.I was surprised and pleased to see something of his early school years. And yes, they prayed in school and the teacher taught from the Bible. The one room schoolhouse was, to the best of my knowledge, accurately portrayed.If you question the reality of Christian teaching in early American schools, I suggest you Google up a copy of the first editions of McGuffey's Readers. You'll find them to be full of Christianity. That's the first editions; 1836 - 37. Not the later editions when the "gutting" of Christian teaching and principals was already having it's effect. More's the pity.The two women in young Lincoln's life were of course his two mothers.To watch Lincoln's mother touch and stroke his face and tousled hair was perhaps the most heart touching portrayal of a mother's love I have ever seen in film. Words were not needed; the love in her eyes and the touch of her hand said it all. No wonder Lincoln gave her so much praise.Following his mother's death, his step-mother eventually became just as close to him. She too, was an extraordinary woman.I disagree with the short shrift many film critics have given to Lincoln's father. He played as large a part in shaping Lincoln's character as did his two mothers. Lincoln Sr. is well represented here; and deservedly so.When I was a boy there was a time I would have given anything to hear my father say to me what Abe's father says to him toward the end of the film. Of course I won't give it away, but I'll tell you it's worth waiting for.I don't know if anyone connected with the film will ever read this, but if they do, I want to express my thanks and let you know I'm grateful for for work and care you put into "The Better Angels." I can honestly say that I think I'm a bit better for having seen it.If you have not yet see this work of love, please do. I think you'll consider it to be time very well spent.
jdesando
"The mystic chords of memory will swell when again touched, as surely they will be, by the better angels of our nature." Abe Lincoln If writer-director A. J. Edwards wanted to show in his biopic, The Better Angels, the influence of angelic women on young Abe Lincoln, he succeeded. This minimalist, dialogue-spare depiction of Lincoln's early life in the woods of Indiana is rife with beautiful shots of trees and sunlight, not to mention a pristine cabin, but mostly it is filled with the love and direction given by Nancy (Brit Marling) and Sarah Lincoln (Diane Kruger).Not much to do out there in the frontier but cut wood and think about ways to be a better human being. While the women chat with Abe about life, Tom Lincoln (Jason Clarke), his dad, contributes a considerable amount to Abe's tough mindedness, largely by testing Abe's patience with dad's harsh discipline.While this less-than-epic activity occurs, it is encased in gorgeous photography, black and white crisp, with light streaming through tall trees, frequently at low angle to emphasize the child's point of view. You could almost say it's a copy of Terrence Malick's work, and you'd be right because the ethereal cinematography of that master (Tree of Life, Badlands, for example) no doubt influenced Edwards, whose film is produced by Malick and with whom he has worked.On the other hand, the poetic images could be off putting for those who accuse Malick of being pretentious or just interested in painting rather than telling a story. I go where a director wants to take me—in this case, to a lyrical feeling about the early life of an immortalized leader.Although The Better Angels is mostly impressionism, symbolic shots couched in terse language, be it by actors or voice-over, the picture of young Abe up to his rural schooling seems spot on for the intense, brilliant, iconic president we have come to know. I'm impressed."All that I am, or hope to be, I owe to my angel mother" Abe Lincoln