The Big Wheel

1949 "Roaring at you with mile-a-minute thrills!"
5.6| 1h32m| NR| en| More Info
Released: 04 November 1949 Released
Producted By: Samuel H. Stiefel Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The ambitious son of an accomplished race driver struggles to outrun his father's legacy and achieve his own successes.

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Samuel H. Stiefel Productions

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Reviews

Hellen I like the storyline of this show,it attract me so much
NekoHomey Purely Joyful Movie!
Lancoor A very feeble attempt at affirmatie action
Comwayon A Disappointing Continuation
kapelusznik18 ****SPOILERS*** A 28 year old Mickey Rooney shines in this car racing flick as brash and so full of himself Billy Coy who until a fatal accident of his best friend and fellow racer Happy Lee, Steve Brodie, that Billy was unjustifiably blamed for turned his life around for the better. Up until then Billy was following in the footsteps of his late dad the legendary race car driver Cannonball Coy. It was Cannonball who after a night of boozing and womanizing drove, dead drunk behind the wheel, in the Indianapolis 500 and ended up smashing his car into a wall killing himself. It was the tragic death of Lucky and being blamed for it that had Billy at first quit car racing then return to it with a whole new attitude.Starting from the bottom on the east coast circuit Billy worked himself up to become one of the few drivers to compete in the Indianapolis 500 within a year of his so-called retirement from racing. It was no easy task for Billy in him facing like what a crumb he was earlier in the movie in his relationship with those he worked with and competed against on the race track. Now brought down to earth and at the same time humanized from his experience Billy was ready to make it to the top of the car racing world in the big race that his father Cannonball Coy lost his life in 17 years ago. That with his mom Mary, Spring Byington, and top mechanic and boss now step-father Arthur "Red" Stanley in attendance.***SPOILERS*** Heart stopping and tremendous racing sequences especially those of the Indianapolis 500 race with a re-born as well as born-again Billy going all out to win the big race despite his car catching fires in the final lap with him in the lead. Risking a fiery death Billy floors the peddle to the medal to get to the finish line where the checked flag is waiting to be wagged as the leading car crossed it. Totally surprised and heart-felt ending with Billy and the audience, at the race track and watching the movie, finding out that the saying "Winning isn't everything it's the only thing" wasn't all that it was cranked up to be from the driver who won the race.
bkoganbing Mickey Rooney's first film after leaving MGM was this independent production for United Artists, The Big Wheel. This is a racetrack story done with hardly the budget of Le Mans or Grand Prix or even MGM's racing story To Please A Lady that Clark Gable did with Barbara Stanwyck two years later. Still it has a nice cast with good location shooting at various racetracks climaxing of course with Indianapolis 500.The Mick's got a lot to prove, he's the son of a racing legend who lived a fast life, died at the Indianapolis 500 and left widow Spring Byington to raise Mickey by herself. She's had of late though Thomas Mitchell who was her husband's old mechanic and he's now courting Byington.Because of his attitude Rooney doesn't win many friends at the racing circuit. When Steve Brodie is killed, a lot of the drivers especially Michael O'Shea blame Rooney. And it comes out a lot of them disliked his father for some of the same personality traits and more.Mickey's got two girls in this one, Mary Hatcher daughter of race car owner Richard Lane and sultry singer Lina Romay. He has to the end of the picture to figure out which one is really in his corner.The Big Wheel is not a great picture, but it was better than some of what Rooney was doing after World War II at MGM. For the most part they still saw him as a kid over there. The Big Wheel let Mickey Rooney grow up and for that it should be considered a milestone film in his career.
Snow Leopard Mickey Rooney gets a character well-suited to his abilities, and the good atmosphere at garages and auto racing tracks also helps make this a solid B-melodrama. The story follows a familiar pattern, but the setting is different enough to make it interesting.Rooney plays the son of a race driver who wants to establish a racing career of his own. The character goes through a number of changes as his fortunes ebb and flow, and Rooney makes him believable at each stage. He had the ability to be sympathetic when necessary, and he also had the knack of making a character turn abrasive in a believable fashion. Here, it helps to flesh out a familiar plot.Most of the other characters are one-dimensional, and are only there to give Rooney something to play off of. An exception is Thomas Mitchell, whose skill at playing seemingly simple roles makes the garage owner into a believable character in his own right.The auto racing settings are interesting, and although the racing sequences rely on stock footage, they are still enjoyable. The story takes Rooney's character from hot rods to midget racers to the Indianapolis-style cars. It was set in what was then the present, and race fans in its audiences probably could have spotted some familiar cars. Now, it is also of interest as a decent recreation of the Indy racers of its day.
Neeho Perhaps the fondest memories of my father's life were those involving his one and only entry in the Indy 500 from 1949, the event chronicled in this movie.My dad, George Lynch, crashed after the first lap, hitting the wall in the first turn near the camera bay. The event is captured in the film, with the racetrack announcer calling his name. Figures that my dad's one and only Indy mishap is captured forever on film.