Linbeymusol Wonderful character development!

Bereamic Awesome Movie

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Scott LeBrun Nicely plotted period horror tale that just goes to show the kind of talent that the legendary Boris Karloff possessed. As directed by Roy William Neill, it's great fun, with a fine supporting cast, an adequate pace, thunderous music, and respectable atmosphere. It leads to a solid action climax and a satisfying denouement. This may not be one of Karloffs' better known vehicles, but it does deserve more exposure.Karloff plays twin brothers (one good and one evil, naturally) who have a nasty family prophecy hanging over their heads, seemingly solved when a room inside their castle is sealed up. Also helping matters is the fact that Anton, the nice younger twin, travels the world for a while before being summoned home by his brother, a cruel despot who abuses his position of power. This leads to a great twist, but it won't be revealed here. Gregor, the evil twin, has his eye on beautiful young Thea (the radiant Marian Marsh), and intends to marry her despite the fact that she's already attached to another man, Lt. Lussan (Robert Allen), whom he frames for murder."The Black Room" does have its assets, but chief among them are the dual Karloff performances; he's superb at creating two very different personalities. His delicious villainy when he plays Gregor easily rivals his equally compelling turn in "The Body Snatcher" a decade later. Also doing creditable work are Thurston Hall, Katherine DeMille, John Buckler, and Henry Kolker. The dog, Thor, is great too.Highly recommended to Karloff fans.Eight out of 10.

LCShackley If you're going to have a plot involving an evil twin, who could do it better than Boris?The evil Baron Gregor, who has a habit of luring women from the local village and then "disposing" of them, has a public relations problem. Everyone hates him, and he seems to spend most of his day fending off assassins. So why not invite his nice twin, Anton, to come for a visit, let the villagers meet the "good guy," and then take his place? Clever old Gregor, and of course he wants the hand (and other bits) of the lovely Thea as part of the deal.There are plenty of horror-movie clichés, such as Balkan military uniforms, sealed rooms, terrified peasants, scary hounds, and of course the storming of the castle. But there are some really wonderful touches here and there: like the shot when Thea's father sees Gregor/Anton in the mirror, or the look on Thea's face when they announce her lover's sentence.And at the center is the great Boris, doing wonderful characterizations as the two brothers. Along with "The Body Snatcher," I would rate this film at the top of Karloff's performances.

Hitchcoc Boris Karloff plays dual roles in this very suspenseful and fun horror film. Twins are born with a curse on them. It is prophesied that the younger (by a few minutes) brother will kill the older. The Count becomes a horror to his subjects, using women and committing murder at will. The villagers have little to say; he has isolated themselves. In their forties the two are reunited when a plot is developed to seize land and combine two royal entities. The other factor is a beautiful young woman who the Count lusts after. She is the apple of her father's eye and loves a young lieutenant. Another significant entity in all this is the title "Black Room." It was bricked up because of the prophecy, but the Baron has built a death chamber in it for the disposing of bodies. He tosses them down a sort of well. The whole plot is quite good and the acting is excellent. Also, the suspense is very good because there is a need for the prophecy to be fulfilled. The screenplay and direction work very well and Karloff pulls off both roles to perfection. This is well worth the effort.

Bill357 When I was a boy people didn't own many videotapes. All the big Hollywood blockbusters were about twenty bucks each (eighties money) and every kid I knew had a collection of bargain tapes recorded in SP mode. One of my absolute favorites was the Goodtimes Home Video release of The Black Room.In my humble opinion this is the best horror film of the thirties, even better than the much touted Universal horrors. The first time I watched it, I was almost instantly mesmerized by the look and feel of this movie and by the incredible dual performance by Boris Karloff. The script is simple, to the point, and brilliant with a great ironic twist ending.The idea of a serial murderer trysting with young unmarried women and filling a pit with their corpses seems very daring for it's time. This is one of the few purely psychological horror films of the era but with a foreboding Gothic atmosphere and plenty of superstition that gives it the feel of the supernatural.Interesting note: The scene where Gregor (masquerading as Anton) is confronted by Anton's dog and treated cruelly by it's seemingly beloved master is repeated decades later in Karloff's Black Sabbath where he returns home having been turned into a vampire.