The Blackout

1997 "The darkest secrets are the ones we hide from ourselves"
5.4| 1h38m| R| en| More Info
Released: 11 June 1997 Released
Producted By: Les Films Number One
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.

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Reviews

Matialth Good concept, poorly executed.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
mifunesamurai Madman Hopper could be right as he captures the decline of an ego actor, Matty, who loses a lover and falls into the bottomless pit of booze and drugs. He wakes up from this blackout to find himself in a mystery. Only Ferrara can convince top line actors to appear in his sleaze plotless movies that send you into a void of meaningful trash art!
jrgirones What is real stimulating about an Abel Ferrara movie is that, whether you like it or not, it'll never leave you indifferent. In my point of view, "The Blackout" is not among the better ones, I'd even call it a failure, but has some great moments and several points of interest. After all, it comes from Ferrara, one of the most personal looks in cinema today, and what comes from a great director, even if it's not that good, at least it's worth trying. Be aware: it's difficult to come into "The Blackout" because it's basically confusing (too much I have to say). But even if it's not well handled, this style is coherent with the argument as far as Ferrara wants to bring to images the point of view of an alcoholic during a monumental hangover. If you are capable of going through the first thirty minutes, you'll be rewarded with an stimulating reflection about addiction and the limits between fiction and reality: the key of the main character's enigmatic hangover seems to be found in the filming of an experimental movie... another excuse to reflect on the dark side of movie making and the status of the director. Try it. Maybe you'll like it or maybe you'll end leaving it in the middle, but at least, this film will make you react in some way, which is not very usual in cinema today.
bob6 The storyline of this film is not really easy to follow and understand as usual with Ferrara. Actually, he has something very sad to communicate: the end of movies and movie theaters he thinks will be replaced by video. (Internet should help the video killing the movie.) Ferrara does not see it as a bad thing (as I understood) but points it out as a natural evolution of the 'moving pictures' arts. Denis Hopper finally has a great role.
eman-3 "Video is the future!" So tells us madman Hopper. He could be right, if you take to drugs and booze. Only Abel Ferrare can attract big time actors for sleaze and plotless movies. So open up and enter the void where you may find meaning to this interesting piece of art trash!