SnoReptilePlenty Memorable, crazy movie

Rpgcatech Disapointment

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

fwomp That man you just passed on the street, the one wearing four layers of clothing and a month's worth of human smell stench? Yeah him. Do you know who he is? Or what his history might be? These are the questions that suddenly plague New York director and documentarian Linda Hattendorf. Seeing one of these nameless faces wandering near where she lived, Linda decided to place her lens on him. His name, she quickly learns, is Jimmy Mirikitani, and his story is almost too much to believe.A sidewalk artist who's specialty involved drawing Japanese cats and portraits of his wartime experiences, Jimmy is a complex and talented man. And when the 9/11 attacks occur only a few blocks away from Jimmy's normal homeless home-spot, Linda takes him in so that he doesn't have to choke on the dust littering the skies immediately after the collapse of the twin towers. The attacks on the twin towers also begin echoing prejudices against Muslim Americans, a prejudice that Jimmy is far too familiar with.As Linda's cameras continue to record Jimmy's life, we learn that not only was Jimmy a peace loving man before WW II, but he also was an up-and-coming artist ...until he and his family were forced into Japanese internment camps in California. Everything was stripped away from Jimmy, including (or so he thought) his U.S. citizenship. As Linda tries to help Jimmy both mentally and financially, she runs up against Jimmy's anger and distrust of the government. Jimmy constantly refuses her requests to find out if he's eligible for social security, often sparking outbursts against the U.S. bureaucracy. His anger, it soon become apparent, is due to his internment time, his forced signing of documents relinquishing his U.S. citizen status (even though he was born in Sacramento, California), and the WW II bombing of his beloved Hiroshima (his hometown).In his 80s, Jimmy also doesn't know what's happened to his family. He soon learns that he has plenty living in California. But opening up to them is not an easy road as his obvious mental illness intrudes upon his better judgement.It is a poignant and memorable documentary for the simple reason that a person took the time to get to know this homeless man and uncovered a goldmine of information about an incredible person and an artist. His images are strikingly beautiful and haunting, hearkening back to his time in the internment camps and his early career as a hopeful artist.The story is what really sticks with you, too. As we watch Linda (the documentary maker) uncover layer after layer of this unique man, we don't pity him but, instead, begin to UNDERSTAND him. That's a huge revelation. We understand why Jimmy is so angry. Why he's so reluctant to get close to people. And why, eventually, he comes out of his lonesome cocoon. It is a rebirth worth watching ...and enjoying

tavm New York documentary filmmaker Linda Hattendorf should be proud of what she did in filming Asian-American artist Jimmy Mirikitani, his paintings, and his telling the stories of his life of living in an internment camp during World War II. This Sacramento-born, Hiroshima-raised artist is frank and occasionally profane in his feelings of what the American government had done to him especially when he had to sign his U. S. citizenship away, which explains why he initially refuses Social Security. Taking place before and after 9/11, Mirikitani experiences some deja vu when he watches television reports of Arab-Americans being treated like second-class citizens. But with Linda's help, he also talks on the phone with his sister who he lost contact with during the war and discovers a poet daughter of a cousin named Janice, who lives in San Francisco. He also gets his own apartment and starts teaching an art class. The most touching scenes come at the end when he and Linda travel back to where he was interned at Tule Lake. Essential viewing for anyone wanting to know how narrow-minded the American government was during World War II and how far we've come since then. Oh, and the title refers to the many cats he paints.

jw schoonen I have seen this movie during the Rotterdam Film festival. The film is a sort of interview like movie/documentary about a Japanese artist (Mr Mirikitani) that was send to an American concentration camp for Japanese immigrants after the pearl harbor attack WWII.After this period he is in the USA but loses his identity/social number etc. He manages to do some work here and there as a cook but eventually goes to living in the streets of new york where he makes drawings/paintings mostly cats (but actually he draws anything). a female reporter (Linda Hattendorf) makes a documentary of his life and then the terrorist attacks (9-11) take place at the world trade center.As ashes and toxic fumes on ground zero emerge, Mr Mirikitani has no place to stay and the female reporter decides to take him into her apartment which creates a lot of hilarious moments ... it is a film with a lot of grief, happiness and humor. that's why i would recommend it to anyone that likes an emotional story with a lot of humor. Probably I fail to make a lot of details in this review and maybe have some facts in wrong perspective but just go see the movie for yourself and give your meaning here too!

haknight When film maker Linda Hattendorf stumbles upon Japanese-American artist Jimmy Mirikitani on the streets of Soho, he is huddled for warmth under the awning of a Deli, drawing charming, stylized, joyful pictures of cats. They get acquainted, and she starts filming. The morning of 9-11 she rescues him from the horror and chaos of the streets, and he comes to live with her. They make the "Odd Couple" look tame, and she continues to unravel the stories of his life from his birth in Sacramento 80 years before, to his growing up in Hiroshima, to his return to the U.S. just before WWII---and just in time to be carted off to one of the "internment camps" for Japanese Americans. The film follows Jimmy as he reveals more and more of his past, and follows Hattendorf as she helps him put together a life off the streets, and eventually to a reunion of internees at the Tule Lake Camp in California. This is a loving portrait, exquisitely filmed and told in a way that unfolds without pretense. Even when Jimmy draws parallels between his family's tragedy at Hiroshima and the tragedy of American stereotyping and anti-Arab sentiment after 9-11, the film is not heavy-handed or "preachy." It is simply lovely and poignant.Hattendorf set out to film this interesting character (and wonderful artist---he calls himself a "grand master," and not without reason) and ended up giving him a new existence and helping him tie up many of the "loose ends" of his life---and letting us get to know both of them intimately and without judgment.This is the simple art of film making and story telling at its best.