CheerupSilver Very Cool!!!

ReaderKenka Let's be realistic.

Ploydsge just watch it!

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

row333au because this film is a poetry...the developing prose of the story with the abstract implying ideas (specially the suggestive narrative story telling) that synchronize in the rhythmical scenes and intense drama of passion, along the scripts playing with language from polite to vulgar.... and then there's how it's filmed rich in emotion from all the characters even by the by-standers, with an almost accurate period movie where past early after turn of the 20th century we get to glimpse travel.... but at always this film remain or kept itself simplistic in style despite the intricate weaving and integrating of the art of old world romance, dark mystery movie and sarcastic humour in suppress comedy, while the drama of human conflicts and aspirations are all in one (it all depends on your receptors at the time of watching)... or very accessible to watch...and then there is the way of how contrasting dimensional realities (but naturally looked at as life) becomes romantic even in the hindsight tragic of titanic (distasteful exploitation of as soon as that event happened)... and then on top of even another dimension is that the story is focus on the fantasy element - huge passionate erotic romantic narration that are all base to the "keep coming back to that ultimate one-night stand" which is the center of the plot....For instance: life in the smelters or foundry, the peasantry lower working families of rural mining processor towns, the intrigues and the theatrics of salacious subject matter have driven the pheasant existence of workers who could only dream of what's life in opulence, of experiencing real passionate romantic escapade in the midst of luxury even as a servitude (instead of just daily toiling and working to meet the basic necessity in the back-draft of small rural factory town)... sexual passion with a sensual stranger in forms of flashbacks that make one wonder of life beyond the town.... the main character's fantasy is now the town's.... whereby it begins to represent the workers' escape of a humdrum life, as all they want is to be entertained with stories of concocted true events or fantastic lies well put together..... which really is the component (patronizing crowd audience) and what is binding to the elements (the story telling or narrative) of the film...what really is surprising and very much what makes treasure of the film is between Olivier Martinez and Aitana Sanchez-Gijon chemistry and real genuine passion, that's hard to fake sensual romantic intensity, as much as naturally born sexiness, sex appeal and good looks cannot be faked either....

MARIO GAUCI My first from this Spanish director noted for his erotic films and, while this element is certainly at the forefront of his preoccupations here, it is presented in a generally restrained and tasteful way.The film's plot is an interesting, even original one: in 1912, a happily-married but poor French mine-worker wins a race and the once-in-a-lifetime prize he receives is to witness the historic launching of the ill-fated "Titanic". In the hotel where he stays for one night, he ends up sharing his room with a beautiful young girl who tells him that she will be working as a chambermaid on the ship. When he returns home - and especially after learning of the tragedy that befell the "Titanic" - he becomes obsessed with his memory of the girl and, to appease his curious and envious colleagues, he concocts stories of their various sexcapades in the hotel, on the docks and even aboard the ship itself! Of course, his devoted wife is not pleased when she learns about this (despite rumors that she had been unfaithful with her husband's boss in his absence!) but soon changes her mind when she realizes that the tall stories her husband tells in the local bar are turning a profit and have also made him something of a celebrity! In fact, they are subsequently visited by a traveling showman who specializes in tragic love stories revolving around historical calamities (such as the eruption of Vesuvius at the time of the Roman Empire) who proposes to take the couple under his wing, with the promise that the husband's monologues will eventually play in front of a wide audience in theatre houses across the country. And, as in every fable, it all comes true - except that one day the chambermaid, who is alive and well and not as pure as the husband professes, attends one of his performances...The twist ending is delightful, taking the plot's aura of fantasy, romance and nostalgia as far as it can go. Indeed, the entire film was a pleasant surprise for me and I will surely be renting on DVD two of the director's more typical 'carnal comedies' - THE AGES OF LULU (1990) and JAMON, JAMON (1992) - somewhere down the line...

btflstrngr920 As a new Olivier Martinez fan, I have clamored to get my hands on most of everything he's done. I bought this movie through Amazon.com along with 'Mon Homme' and 'The Roman Spring Of Mrs. Stone.'Anyway, this movie was very different from the very famous 'Titanic' movie made in 1997, as well. The story begins as Horty (Martinez) wins some kind of contest from his boss and he gets a free ticket to South Hampton to watch the Titanic set sail. When he arrives in South Hampton, he goes to the hotel he is staying at and is shown to his room. Suddenly, this chambermaid from the Titanic comes to his door and tells him that she has no where to stay and asks if she could sleep in his room for just the one night. Horty reluctantly, if I remember correctly that is, offers his room and his bed to the chambermaid while he tries to sleep in the chair. After they both settle down, she invites him into the bed just to sleep. He has this romantic dream about her, but when he wakes up she is already gone. He goes outside to watch the Titanic set sail, and sees that a photographer is taking her picture. After she walks away, he goes up to this photographer and asks to have her picture. When he comes home, his friends want to know what happened while he was there. He tells them that the chambermaid, named Marie, stayed in his room for the night. Obviously they were intrigued, and wouldn't believe that nothing happened between them. So, Horty gives in and starts to tell this elaborate story, making it up as he goes along. His wife overhears his stories, and believes that he cheated on her. He tells her that everything is made up and nothing happened. He eventually finds out that that Titanic sank, and figures Marie must have died. Somehow, this acting troupe comes along and wants Horty to make it into a play because he stories about the chambermaid named Marie are so popular in the town he lives in. He and his wife decide to go along and do it, because they need the money. One night as he's about to tell the story, he realizes that this person, Marie, is in the audience! I'll have to stop here, so I won't spoil it for you...This movie is a very good movie, and worth watching! It's not really even about the Titanic, the ship is in the details, but really its about Horty's fantasies about what could have happened the night he spent with a chambermaid named Marie.

NJMoon Perhaps one of the most intriguing stories to board the Titanic craze is this exquisite tale of a foundry worker and a chambermaid. Never actually setting foot on the famed vessel itself, the action centers on a night in a Southampton hotel the night before the ill-fated vessel left England for the first and last time. That night, roomless title maid Marie who works for the line not the hotel) knocks on the door of handsome Horty, who has won a contest at the French foundry where he works and is rewarded with a trip to see the eventful sailing. Because Horty's boss has eyes for his lovely wife Zoe, she remains at home, leaving Marie and Horty to their own devices. Horty returns home having been faithful, but is unsure if his wife has done the same. From then on, Horty's barroom revelations of his encounter with Titanic and maid become more and more embroidered. Both to anger Zoe and to please his audience, Horty's stories become nothing short of hallucinatory. After the liner's sinking, Horty's fate is sealed as a virtual one man show, relating what is now nearly all fiction, including his presence on the ship the night it went down.But the fickle hand of fate that took the Titanic to a watery grave has just as unexpected plans for Horty and Zoe, who now "plays" Marie in a full-length stage production of Horty's story. The final act of this impressive motion picture is just as dramatic and humbling in it's way as the story of the liner itself.Director J.J. Bigas Luna peppers this French language feature with water imagery, forshadowing the Titanic's fate and a crucial plot point for Marie and Horty. A letterbox video release is terrific except for that the subtitles are a bit small. See it on a bigscreen TV. Although, there's no sinking to gape at, the human drama is also of titanic size.