The Dance of Reality

2014
7.5| 2h10m| NR| en| More Info
Released: 23 May 2014 Released
Producted By: Caméra One
Country: France
Budget: 0
Revenue: 0
Official Website: http://www.ladanza.cl/en
Synopsis

“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

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Reviews

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Yash Wade Close shines in drama with strong language, adult themes.
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
morrison-dylan-fan Despite having seen his name mentioned in connection to "off-beat" cinema for years,I have somehow never got round to seeing a title by writer/directing auteur Alejandro Jodorowsky.With a poll being held on IMDb's Classic Film board for the best titles of 2014,I felt that it was the perfect time to witness Jodorowsky's first film in 23 years.The plot:Fearing that his sons girl-like long hair is stopping him from "manning up", Jaime takes his young son Alejandro to the barbers.Ignoring the pleas from his wife Sara,Jaime attempts to harden the boy up by teaching him about how a man should behaviour,from kicking beggars to the curb,to taking raw slaps across the face,and having a filling done with no anaesthetic.Worshipping Stalin (to the point where he has a Pop star-style poster on his wall!) Jaime becomes part of an underground group of communists which includes clowns,lesbians and fellow Jewish residence who are noticing an increasing amount of anti-Semitism in the village.Feeling that military president Carlos Ibáñez del Campo's grip on power is gaining strength,the group decide that they must assassinate Campo,so that communist rule can finally take over.Taking on the task of killing Campo,Jaime waves goodbye to his family & the small village,as he travels to the big city for his target.As Jaime sets his sights on Campo,he finds himself taking part in a dance on the very edge of reality.View on the film:Towering above the movie as an on-screen narrator,writer/director Alejandro Jodorowsky brings his autobiography to life by offering a blend of enchanting surrealism and stark,harsh Drama.Backed by a wonderfully strange circus score from Alejandro's son Adan) Jodorowsky elegantly uses Fantasy to build an atmosphere where the viewer is never completely sure over what is real and what is imagination.Filmed on location in his childhood village,Jodorowsky and cinematographer Jean-Marie Dreujou use decaying blues & reds to show the light that Alejandro is desperate to find in the darkness.Along with the eye-catching costumes designed by Alejandro's wife Pascale Montandon-Jodorowsky, (when ol' Alejandro makes a flick,it's a family day out!)Jodorowsky stops the audience from ever being able to settle down,thanks to packing the title with explosively bonkers touches which go from Alejandro's mum only being able to speak in operetta,to Alejandro's mum curing her husband's illness by peeing on him.Keeping the title at a child's eye view Jodorowsky keeps away from sentimentalising any area of this allegorical childhood,with every slap from Jaime and anti-Semitic remark from the village cutting a piece out of Alejandro's heart.Whilst Jodorowsky shows Jaime to never feel love towards anyone other than Stalin,Jodorowsky uses the final 30 minutes to offer a sliver of epiphany,as Jaime finds his dreams being left to fade in the fields with the wild horses.Although the final 30 minutes of Jodorowsky's 130 minute canvas do offer the chance to focus on Jaime's inner feelings,Jodorowsky's final flight-of-Fantasy's sadly lose a bit of there bounce,due to the electrifying Jaime/Alejandro relationship not being there as a launch pad.Making this a full-on family affair, Brontis Jodorowsky slides the movie into a warped psychoanalysis world that would make Freud's head explode,as Brontis gives a superb performance as his dads dad.Given the hardest of rides possible by his dad, (with a scene involving his testicles V an electric cable being a real moment for the family album!) Brontis matches Jaime's blunt,brutal treatment towards his son,with an oddly quiet assertive manner,with Brontis showing loneliness in Jaime's eyes,as his assassination dreams turn to a fading memory.Not even being 10 years old when making the title, Jeremias Herskovits gives an extraordinary performance as Alejandro,with Herskoits keeping the character away from being sickly sweet,by showing Alejandro's tears of terror from the pain caused by his dad,with tears of joy from the Fantasy's that he is making,as Alejandro takes his feet off the dance floor of reality.
Ashutosh Mishra Actually, "Dance Of Reality" is the first Jodorowsky film that i watched and i am speechless or i should say absorbed completely by his mesmerizing cinema. I don't know why but i was teary during some scenes even though they had no resemblance to my life. The metaphors he used, the symbolism or allegoric substances he portrayed throughout his film are phenomenal and top notch. This director is insane but amazing, every scene sings a new song and has multiple interpretations. Its not a film that i would recommend to anyone but for those who have a taste for good but weird cinema, give it a try you will not be disappointed. Direction is perfect, background score is superb. Performances are breathtaking. However some video effects were not that good but since it's a art film, one could neglect that aspect.Watch it, understand it, feel it. After all its Jodorowsky's Cinema. Brutal, surreal, funny and satirical. 10 out of 10
HEFILM The film sets up a style of the director himself literally embracing his younger self and talking to the camera and his younger self in the midst of things going on. Add to this his comical intense cruel-to-be- kind, father and his mother who sings all her dialog and you have a unique narrative that is funny strange and compelling for the first third of the film. But then the story shifts to only the dad's story taking care of a horse and this section bogs down, as other sections tend to whenever the older and younger self aren't part of the action at all. And mom's singing gets a little tiresome as well though her singing voice is very good. Music in the film is uniformly fine. Then you get into some graphic nudity, urination and torture scenes, all of which seem to go on forever, and I fell out of love with it.But it's almost redeemed by a final section where finally the older and younger director/character return for a farewell scene involving a dock and a boat. If this does turn out to be his last film it's one of the great film exits in history.So it's too bad the script loses focus right in the middle and that the whole thing feels way too long. Might be a film that plays better if you don't watch it all in one sitting.Visuals are typically vivid but now have a video quality that the HD "photography" that is distracting at first when comparing the richer film colors of his earlier work.A worthy film that unfortunately can't sustain a strong first third.
luke-eberhardt I could pretty much say that for every other film from Alejandro Jodorowsky. Lucky enough I was able to familiarize myself with his previous films; 'El Topo' and 'The Holy Mountain' a month ago, before hearing his latest 'The Dance of Reality' will play at the Melbourne Internation Film Festival; direct from its Cannes premiere.I can't really recommend this to you if you aren't very familiar with Jodorowsky's other films. He always if not Often plays on Allegories; El Topo appears as an allegorical Western playing on a very mystic and strange backdrop full of religious ideals and encounters, while also exploring how much of this comes from human deeds on a spiritual journey to enlightenment. I'd gladly revisit that film again and consider it his "Masterpiece". 'The Holy Mountain' on the other hand has just as much of a cult following as 'El Topo' does, Instead That film focuses on spiritual conflict and pilgrimage to attain a spiritual level greater than man above the solar system's landscape. Both films have even been noted to be part of the ever wondrous hippie generation. Jodorowsky truly is an icon for what he achieved expressing within his films; very Avent-Garde spiritual understanding within our mind's visions giving greater tones to such surrealist imagery of psychedelia. Sure enough his films aren't for everyone and must be approached with a curious and Adult mind to fully understand.'The Dance of Reality' marks Jodorowsky's first film in almost 23 years. Its an autobiographical film based upon the Jodorowsky's memoir of he name. The Film focuses on his upbringing in Chile, Young Alejandro (Jeremías Herskovits) is a curious boy trying to understand the values of life and childhood. His Father Jaime (Brontis Jodorowsky) is very strict, arrogant and abusive due to his obsession with communism and Stalin, he teaches the young Alejandro the meaning of manhood growing up and the lessons in life. His Mother; Sara (Pamela Flores, all her dialogue is sung) is more gracious and loving towards both Alejandro and Jaime. The plot seems to focus on both father and son character development. Alajandro is growing up to becoming a fine young lad with good moral values taught by both his parents. Jaime on the Other hand thinks he can do anything within his power and might but eventually ends losing is all not learning his lesson from such reckless deeds, eventually trying get out the hard way. The 84 year old 'Jodorowsky' himself, serves as the film's narrator or spiritual guidance to his younger self.In some way 'Dance of Reality' explores Jodorowsky's allegory of life and childhood as well as his old man's mistakes. You could say most of these themes have already been explored when looking back at 'El Topo', Although that film was more a metaphor for Jodorowsky's upbringing. 'Dance of Reality' directly takes Jodorowsky's native Chile setting and brings it up close examining his childhood and early spiritual understanding as well as what type of person his father was.This film mainly has many of the similar motifs and symbolism found within Jodorowsky's other films (e.g. limbless or missing limbed humans and visible genitalia, Why? Cause he can!). Psychedelia and surreal imagery play a significant parts within the films substance. The narrative is easy to understand from a direct perspective rather than an exercise on the weird and wonderful. The film for one is fascinating, very engaging and self centered. The character development of Alajandro and Jaime is so drawn in; its hard to distinguish the line of fantasy and reality. Supporting and minor characters also play memorable roles in this film. I guess it was worth the wait for Jodorowsky's first release in years.I can see this film being praised and divided by critics and audiences alike. Jodorowsky shows things within his films that even the most repentant or squeamish mind may find uncomfortable to watch. If given the right audience were to view this film they won't be disappointed. This film is Unlike anything I've ever seen; it has left me Awe Struck, amazed disturbed at the same time. One Thing for certain is Alejandro Jodorowsky is like no other film maker thats ever lived