Incannerax
What a waste of my time!!!
Iseerphia
All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.
ActuallyGlimmer
The best films of this genre always show a path and provide a takeaway for being a better person.
Bessie Smyth
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
insomniac_rod
Santo, the favorite Mexican action hero (besides Mario Almada) gets into a new and more dangerous quest. This time he should face a super evil villain who is not the diabolical ax as suggested but oh well, you hve to watch it to understand!. Santo's origin and purpose is explained although not in a satisfying manner but it should please some die hard fans. Think about "Batman Begins" but in a less fashion way. Santo looks badass and even when walking slowly while investigating inside the castle. He has now more magic tricks. As if his wrestling techniques weren't enough! Sure, you can say all you want about the cheese factor but this time it tried to be less obvious. I mean, the direction, cinematography, and f/x were intended to be stylish and that's always something good.Not the best Santo effort but it's a great addition to his great legacy.
poe426
Significant entry in the Santo canon because it manages (through the use of time travel, back to the year 1603) to provide our hero with an origin story. Like The Phantom ("the first costumed super hero") and The Green Hornet (a descendant of none other than The Lone Ranger), El Santo comes from a long line of masked heroes. (As with the origin of The Lone Ranger- as shown in the television episode, ENTER THE LONE RANGER-, Santo1603 never shows his face. He first appears wearing a silver domino mask and later, during a duel, is careful not to present his mug to the camera. Huerta, like other performers before him- Clayton Moore as The Lone Ranger, who rarely appeared in public sans mask, or Harpo Marx, who wouldn't speak in public- understood the value of Image... and so hid his own from view.) The only real problem I had with this one was the time travel angle: I would've preferred a straight period-piece telling of his origin. A quibble, perhaps, but a quibble, nonetheless.
jjjjjjjjjjjjj-4
The most straight forward & linear Santo film I've seen. Much like Italian horror films of that period. Enjoyable despite its lack of really quirky elements common to Santo films. The special effects are typically dreadful and funny.If Mario Bava directed a Santo film it might look like thisSlow at times & with an annoying near constant therimin squeal; at least the wrestling matches are connected to the plot.Another annoyance is the amount & quality of "day for night" filter filming. This was, of course, a common failure in many B&W films & TV shows of that period.Time travel technique copied from Roger Corman's THE UNDEAD.Love the beehive hair!Not enough beautiful women, unlike most Santo films
Brian Lindsey
This B&W adventure isn't quite as enjoyably goofy as most of the other Santo titles recently brought to DVD, but true fans of El Enmascarado de Plata will definitely want to check it out. In EL HACHA DIABOLICA ("The Diabolical Axe"), the wrestling superhero not only faces a most unusual villain but has his origin explained as well. Finally, the question "Where did Santo come from?" (at least the luchadore's movie incarnation) is answered. Turns out he's the Mexican version of America's purple-suited crimefighter The Phantom, inheriting the superhero mantle down through the ages. And did you know that Santo's wrestling costume has magical properties? These revelations occur in the shoddiest-looking cave set in film history - it's just badly painted plywood and a little stucco. (Yes, even the caves in EEGAH! and DEATH CURSE OF TARTU were better.) The rubber bats used here make the critters in SCARS OF DRACULA look like CGI.
