Skunkyrate Gripping story with well-crafted characters

GetPapa Far from Perfect, Far from Terrible

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Coventry Severe and merciless penalties should be given to people who dare to write a screenplay that is titled "The Executioner" and then subsequently deliver a film that is indescribably boring and almost doesn't contain any action whatsoever; let alone executions! I read in a few reviews that this is the more intelligent espionage thriller… You know, the type of film that gives realistic insights in the true world of secret agents rather than the contemporary James Bond movies that were all about stunts, flamboyance and gadgetry. Well, it may or may not be true that "The Executioner" is realistic but it's certainly NOT entertaining and certainly NOT the least bit memorable, unlike the vast majority of James Bond episodes. To make things even worse: the movie starts out extremely promising, with Peppard strolling around in the garden of a luxurious villa where just a bloody massacre took place. There are bloodied corpses left, right and at the bottom of the pool. Unfortunately, the boring 100 minutes that follow are a giant flashback clarifying the building up towards this massacre. American actor George Peppard depicts British secret agent John Shay. He explains at least a dozen times that his Yankee accent comes from the fact that he was raised in America. Shay suspects that his colleague Adam Booth is a double- agent who betrays the Queen by passing secret information to the Russians. Shay's superiors don't believe him, or perhaps they are protecting Booth, and he even gets suspended. Shay remains certain that he's right and seeks for further evidence in Greece, although it may also just be that he's jealous, because Booth is married to the beautiful Sarah with whom Shay once had an affair. "The Executioner" is a long – seemingly endless, in fact – and dreadfully tedious series of pointless dialogues and newly introduced characters of which you don't know who they are and why they are relevant to the plot. There isn't any suspense or mystery, and you don't feel the least bit connected with any of the lead characters, especially John Shay because he behaves like an arrogant and stubborn little boy. I was never a big fan of George Peppard, apart from his roles in the movies "Damnation Alley" and "Race for the Yankee Zephyr". His performance here is one of the most monotonous and indifferent I've ever seen. I can't write anything positive about "The Executioner", except that Judy Geeson is cute and that it's always a pleasure to watch Charles Gray (although his role is immensely dull as well)

drystyx 1970 was about the time that spy movies became nonsense, as this one shows.Nonsense was in earlier movies. A lot of noir movies were based on this. No plot, no motivation, no story, just one liners and writers contriving excuses to kill people in a movie for no reason, and then claim there was a reason.That's pretty much what happens in this spy movie. George Peppard suspects the husband of a girl he loves to be a spy. We have no idea why, and we have no idea why the characters in the spy ring do what they do. Merely for effect. Once you get past this, that the plot doesn't exist and there is no motivation, the rest is easier to watch.It is full of almost every spy cliché there is, and these were already clichés well before 1970.The "personal" motivations of private lives plays out better than the "plot" angle, and that's what you would watch this one for.

robert-temple-1 Sam Wanamaker did a very good job of directing this excellent Cold War spy drama, back in the days when no one imagined the Cold War would ever end. The story is essentially British, so the excuse for using the American star George Peppard in the lead is that 'he grew up in America', hence has the accent. Peppard was always good in these parts as the good guy struggling against the forces of darkness, whether Nazis or Communists. He is romantically involved with the popular ingénue actress of the day, Judy Geeson. Sam must have thought she looked a bit too cute in real life, so he stuck some studious spectacles on her face to give her a bit of gravitas. Judy really was extremely cute, and a very sweet-natured person as well. I met her back then along with her parents and sister, and what a 'cute clan' they all were. They were great art lovers and liked to go to private views, which is how I met them all together like that. They had a particular favourite artist whom they always patronised, but I can't remember who he was. Judy's greatest asset was that lovely look around her eyes, which made her such an irresistible sight for any camera, or any fellow, for that matter. Good old Oscar Homolka is here called upon for the n-th time to play a defecting Russian spy, and does even better than usual. Joan Collins does a good job of acting, playing a difficult and amorous ex-lover (type casting?), and generally Sam could be said to get the best out of his actors because he was one himself, so he knew how to treat them and understood the pressures they were under. This is a rollicking good tale of the times, not as sophisticated and profound as le Carré of course, then then who was? There are the usual deceptions, twists, double-crosses and triple-crosses, all good stuff.

gridoon2018 "The Executioner" opens in an unusual (especially for its time) fashion: with the aftermath of a violent action sequence which will only be seen near the end of the movie; then the story leading up to this is told in long flashbacks. It's a serious, dark spy thriller with lots and lots of plot twists; there is one character who may be a double, a triple, or even a quadruple agent! The main hero, well played by George Peppard, is not a cut-and-dried good guy; in fact, it is suggested that he often lets his feelings cloud his judgment. The supporting cast (yes, even Joan Collins!) is also very good, and Judy Geeson shines as Peppard's quirky, supportive girlfriend. The locations include London, Istanbul, Athens and Corfu, but they're not meant to be glamorous, they're just part of the exhaustive and exhausting spy business. An undeservedly neglected film. *** out of 4.