The Ghastly Ones

1968 "Mad creatures of the night existing only for sensual sadistic moments of human slaughter!"
3.8| 1h21m| en| More Info
Released: 06 September 1968 Released
Producted By: ASA Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Three sisters must spend three nights on an eerie island to inherit their father's fortune. A deformed man leads them to the estate where horrors await.

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Reviews

SnoReptilePlenty Memorable, crazy movie
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Janis One of the most extraordinary films you will see this year. Take that as you want.
tomgillespie2002 Three sisters travel to their late father's mansion where they are to spend three nights together with their respective husbands, before they are eligible to hear the will (read to them by a man wearing make-up to rival Ramses' from Blood Feast (1963)). Also there are the two housekeepers, Martha (Veronica Radburn) and Ruth (Maggie Rogers), and Martha's deformed and dim-witted son Colin (Hal Borske), who we see murder two people at the beginning of the film. After a night of pompous partying, one of the couples, Veronica (Eileen Hayes) and Bill (Don Williams), find a dead rabbit in their bed (which was previously seen being eaten alive by Colin) with a note attached reading 'blessed are the meek, for they shall inherit."Directed by exploitation and horror hack Andy Milligan, The Ghastly Ones (titled Blood Rites in the UK and placed on the Video Nasty list) is a fine example as to why he is considered one of the worst directors of all time, commonly placed in the same category of Edward D. Wood, Jr. and Herschell Gordon Lewis. He began his career in small-time off- Broadway production during the 1950's, and his experience in that medium is evident here as, unlike most trashy horror films, the film is almost unbearably wordy, as the main characters have their mundane conversations between the brief moments of gore. Saying that, I would much rather be listening to conversation than watching overlong stalking scenes or disco dancing which was so prevalent as running-time-filler in Grindhouse movies.However, the movie is a massive bore, and even with the slender running- time of 70 minutes, I checked how long there was remaining at least three or four times. The awful, clunky camera-work, added to the fact that the film stock was so poor I could barely make out faces, gave me a headache. When the moments of inevitable gore come, the film is given a little relief, as the scenes of pitch-fork impaling and disembowelment are so bad it does give the film a little charm. It would work quite nice as a double-bill with the aforementioned Blood Feast, as they are both short, amateurish, and most notably, s**t.www.the-wrath-of-blog.blogspot.com
BA_Harrison In order to qualify for their inheritance, three sisters and their husbands must spend three nights of married bliss in their creepy ancestral home on Crenshaw Island, which is staffed by two old-maids and a mentally challenged (and dentally-challenged) hunchback; in time-honoured tradition, this cheesy set-up results in several gruesome murders.Staten Island splatter-movie pioneer Andy Milligan threw this hackneyed 16mm mess together in 1968 for a budget of around $10,000 and unsurprisingly the result is amateurish in the extreme, with dreadful hand-held camera-work, lousy acting, enthusiastic but rudimentary gore on a par with the worst work of fellow gore legend H.G. Lewis, and a thoroughly unconvincing Victorian setting (it might take place around the early 1900s, but the dialogue and hairstyles suggest otherwise).The period setting of the piece does however allow Milligan to fully indulge in his passion for dressmaking, and a lot more time and attention was clearly spent on his costumes than on either the script or effects. During the film's many drawn out scenes of dull conversation, viewers get plenty of opportunity to admire Andy's prowess with needle and thread, but unless you're a seamstress into splatter, or a tailor who digs trash, then I doubt that this particular aspect of the film will be of much interest.In fact, save for the enjoyably bad death scenes, a spot of dead rabbit munching, and three pairs of boobies, there is virtually nothing to recommend The Ghastly Ones (unless, like me, you're determined to watch all of the official UK video nasties no matter how bad they are).
S James M The Ghastly Ones (1968) is a shocking film.Still banned in the United Kingdom to this day, the film remains a spectacular horror story. I watched the film many years ago when it was shown on TV, and I must say that I thoroughly enjoyed it.A very gory and horrific, violent film it is, but very enjoyable.I would recommend this film to anyone who is looking for a goodnight scare.
MADMANMARZ Andy Milligan was a film maker out of Staten Island New York who made films of very low quality but managed to be entertainig anyway. Ghastly Ones has a great premise about three sisters who go to a private island for the reading of their father's will. Soon the sisters and their husbands begin getting brutally murdered! IS the killer the weird mute hunchback brother of the housekeeper?? Or is it someone else??? The script is actually a lot of fun and so are the murders. The camera work and photography damage the film from living up to it's potential. The acting and story are above average and I liked the ending a lot. The opening murder has nothing to do with the rest of the film either. Still Ghastly Ones is worth a look!!