The Glass Slipper

1955 "A screenful of romance, music, spectacular in radiant COLOR"
6.4| 1h33m| en| More Info
Released: 24 March 1955 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Musical adaptation of the story of Cinderella and her magical trip to the prince's ball.

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Reviews

Redwarmin This movie is the proof that the world is becoming a sick and dumb place
Nonureva Really Surprised!
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
chelseacduran They tried to do a rendition of classic and didn't come out too well. The ballet is pretty. Caron, as usual, is strikingly beautiful. However those are the highest points. They make the Ella (Cinderella) character seem like she has developmental or mental issues.. She doesn't seem to understand normal day to day interactions or behaviors, throws tantrums and they made her talk in a deeper slow cadence. Somewhat disappointed. This Ella character just wasn't up to snuff especially for Caron. Also, Wilding seems too old to be the prince. I guess my expectations were just too high. If I was 10 I may have liked it but as an adult it's not my favorite.
Armand after so many decades, it could be naive and pink. in fact, more than part of a period, it is a lovely movie. not only for charming Leslie Carol role, not only for choreographic moments - too long for contemporary sensitivity - but for the translation of fairy tale soul. for the not real young Charming Prince, for a remarkable cast and a fine humor, for the mixture of emotion and joy , for the image of Cinderella, little more complex, for the extraordinary inspiration inspiration to remember old motifs in a delicate, precise manner. I admit - it is the Leslie Caron film despite my admiration for performance of Estelle Winwood .but in same measure, more important, it is a lovely story. for each age.
edwagreen Disappointing rendition of the faithful classic. It appeared to me that they were taking the express in this film.Leslie Caron, as Cinderella, comes off as an embittered waif. The parts of her wicked stepmother and step-sisters are grossly under- written. The latter three hardly say anything.The real life of the film is the performance of veteran pro Estelle Winwood, who portrays the fairy godmother with a delightful touch. Kind as they come, she is also into stealing items.Caron, as always, sings beautifully, but there is an almost- like contempt in all her actions. The Cinderella we came to love was anything but this.
phillindholm "The Glass Slipper" is a modern interpretation of the classic fairy tale. And it's a good one. Leslie Caron is cast as Ella, a girl almost destroyed by the death of her mother and the lack of understanding shown her by her insensitive stepmother (Elsa Lanchester) and haughty stepsisters ("Gunsmoke's" Amanda Blake, and Lisa Daniels.) The local villagers are likewise indifferent to her, and (as narrator Walter Pigeon dryly observes), her spirit is in danger of being broken as a result. Enter local "madwoman/kleptomaniac" Estelle Winwood, who, simply by reaching out to the defiant girl, gives her confidence and hope. Yes, she's the film's equivalent of the fairy godmother, and she is wonderful in the part. Although the prince (a mature Michael Wilding) leaves a bit to be desired in the ''Charming''department, he is perfectly all right otherwise. Keenan Wynn is wasted as his companion, but Barry Jones is amusing as the prince's father, and Miss Lanchester makes a suitably nasty stepmother. what of Leslie Caron? Well, she goes from neglected little spitfire to luminous princess effortlessly, and her appearance at the ball is a treat. The ballet sequences do tend to slow the film down, but Miss Caron did begin her career as a dancer, and she has a grace few others could match. The music by Bronislau Kaper perfectly enhances the mood, as does the modest but tasteful production. Strangely enough, this could be called the original "Ever After", because, except for a delightful twist at the end, the tale is told as if it could have happened. All in all, a captivating version of "Cinderella", and one which will linger in your memory.