ReaderKenka
Let's be realistic.
Comwayon
A Disappointing Continuation
Bob
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
davidgarnes
This 1949 film, just before Roy Rogers and Co. moved on to TV, has some fine color cinematography, particularly of the Iverson ranch (used in countless westerns) and great, sweeping shots of the wild horse herd that figures importantly throughout the film. It's quite lovely in that regard and captures the beauty and speed of the supposedly "untamed" steeds.The plot is a bit more complicated here than in most RR films, with several unexpected turns, all tightly directed. Roy and Dale are engaging as always, though Pat Brady's appeal eludes. There are fewer musical numbers in this film than usual, though the Sons of the Pioneers are featured.See it for the scenery and the beauty of the horses, and for more drama than is usually served in a Roy/Dale flick.
wes-connors
Wild horses are used to smuggle diamonds across the border from Mexico to the United States. The jewels are hidden in horseshoes. Meanwhile, well-known horse trainer Roy Rogers (as Roy Rogers) goes to work at the "Circle B" ranch owned by singing cowgirl Dale Evans (as Stormy Billings). They make pretty music together, although Mr. Rogers prefers closer companionship with his horse "Trigger". The smartest horse in the movies gets involved with the smugglers by mating with a mare they use to transport their diamonds. The union produces "Trigger Jr." and provides Rogers and his horse with danger and adventure...Director Quentin Tarantino elevated this "Trucolor" western by citing it for a discussion on films, which makes this an interesting watch. However, "The Golden Stallion" is more ordinary than revelatory. Most Rogers pictures are pleasant, and it's possible to elevate any one of them, at any moment. Here, you have a great scene - where Rogers "takes the rap" for a crime, to save Trigger from a death sentence. Rogers' lie is blatant, but acceptable. Unfortunately, the film leaves the potential for a good morality story right there. Neither Rogers nor Trigger committed the crime, which the script never gets around to resolving.***** The Golden Stallion (11/15/49) William Witney ~ Roy Rogers, Dale Evans, Pat Brady, Douglas Evans
bozey45
This well done b-western, entertaining and with just the right musical touches, has probably the best views of the oft used Iverson Movie Ranch. Tru-color images of this area add to the beauty of this filming location with its famous rock formations, flat stage coach chase roads, just right for the herd of horses to run across; the Iverson ranch, sadly mostly covered today by condos, apartments, and houses at least retains a lot of the rock formations to remind what a great location this once was for filming. Plus Roy, Dale, Estelita, and Pat Brady and the wonderful Foy Willing and the Riders of the Purple Sage are great as expected. In my view, the Iverson Ranch and the horses are the real stars of this film.
fennessy-2
Hard to believe, but this Roy Rogers vehicle is one of Quentin Tarantino's favorite movies. It was directed by prolific B-movie/serial specialist, William Witney, and co-stars Dale Evans and Trigger, "The Smartest Horse in the Movies." The storyline revolves around a diamond smuggling operation in which Trigger is enlisted to replace the stallion of the title when she goes missing. Trigger was separated from Rogers in the first place when he took the fall for his "best friend" following a (false) accusation of murder. Had he not done so, Trigger would have been killed in an instant. Along the way, Rogers and Evans pitch a little woo, the bad guys are outsmarted and Trigger and the stallion produce a foal, Trigger Jr. (star of an eponymous sequel released in 1950).In the New York Times article, "Watching Movies With Quentin Tarantino" (9/15/00), he discusses the film in depth, finding the relationship between Rogers and Trigger particularly moving: "You know, in some movies, a cowboy might go to jail to save his best friend from being shot down dead. Well, Trigger is Roy's best friend. It's the easiest leap to have him do that here, yet it's so powerful and so unexpected. What's great is that you buy it, you absolutely buy it, and I don't know that I really would buy it from anybody else but Roy and Trigger."It should be noted that "The Golden Stallion" is one of Rogers' more "mature" efforts, and that it's more of a drama than a musical. Although it doesn't seem to have much in common with his own work, Tarantino fanatics are sure to want to check it out to see why he holds Witney -- along with Rogers, Evans and Trigger -- in such high esteem (see also "The Eyes of Texas" from 1948).
