The Great White Hype

1996 "If you can't find the perfect contender....make one."
5.5| 1h31m| R| en| More Info
Released: 03 May 1996 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

When the champ's promoter, Rev. Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The problem is that he isn't a boxer anymore and he's white. However, once Rev. Sultan convinces him to fight, he goes into heavy training while the confident champ takes it easy and falls out of shape.

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Reviews

Interesteg What makes it different from others?
Manthast Absolutely amazing
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
queenondi I laughed at every scene in this movie! I happened to catch this one while channel surfing for nothing in particular, so I missed the opening moments. Being that I was 19 when this came out, the god awful patterned & silken pants suits ON MEN totally made sense to me. And despite the fact that in one scene, when the lead actress had her strongest scene, that glorious moment was overshadowed by "Shut Up" "B--!" from 2 different male actors-I still give this movie a thumbs up. Aside from that, it's truly worth your time if you want to escape into giggles & chortles for about 90 minutes. I mean, everything in this movie is absolutely absurd and can't possibly be reality. (Well except for the exploitative world of pugilism and debauchery-everything else is conjecture.)
Robert J. Maxwell Money corrupts and absolute money corrupts absolutely. Some of the lines go something like this. "I get my brains beat out and what I got for it? Two Rolls Royces!" "Well, that ain't bad." "But you got EIGHT!" It's a boxing satire in which opportunistic promoter Samuel L. Jackson, as a loud and beturbaned fakir, living in a gilded palace and surrounded by double-D trophies, decides that revenue is falling because nobody wants to pay to see two black guys beating each other up in the ring. The solution? Find some white guy who doesn't have a chance and match them up in Las Vegas.The white guy is Peter Berg, Golden Gloves champ from some years ago who has gone on to a career in heavy metal in Cleveland without ever having fought professionally. Being a rock star isn't as bad as it might be. After a set, back in his crowded dressing room, his assistants usher groupies in one at a time for his appraisal. He shakes his head twice and nods on the third try, and she goes down on him while Jackson makes his pitch.It's pretty amusing. Flagrant hypocrisy often is. Molière did it better in "Tartuffe" but this is no slouch. I laughed out loud, sometimes at business that was going on in the background. The non-Irish Berg enters the ring wearing a kilt, accompanied by "Danny Boy" on the pipes and a couple of dwarfs dressed as leprechauns. He's a Buddhist who is only fighting to relieve the "homeless situation in America and the United States as well." There are a lot of B stories and some of them are lost in the shuffle. Jon Lovitz disappears half way through. Some of the pauses for laughter are too long, suggesting the movie isn't quite as funny as its makers thought it might be. And it does go over the top with aimless slapstick at times.Yet it IS funny from time to time and if you can put up with a lot of noise and rushing around it's worth catching. None of the performances can be faulted.
elshikh4 The situation is perfect. It's one of the movies where there is nothing bad to refer to. It's about only one match and how it exposes the contradictions of this world; which's here the community of boxing. I loved how the whole characters declare something moral while achieving their hidden, damn materialistic, aims. In fact the shown scene is for America when money is god, and 99 % of the Americans are so godly! The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang – 1992). It was so good to an extent forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what Oliver Stone's surely heavier, louder and longer movie (Any Given Sunday) stretched and overload 3 years later, and in focused nice way as well. (The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again (except for Damon Wayans running after the ice cream's van of course !). Finally, do I smell a point of view in the title about how the great hype is "white" in the first place ?!
TheDarkestLotus Awesome movie. I was laughin this whole movie because i personally love jokes about racism and stereotypes, why, because people take themselves too damn seriously. The outcome of this movie was cool. And since i am a boxing fan, i lovethe aspect of the corruption i do see in boxing today.9/10