Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

blitzebill Never heard of this little gem until tripping over it on TCM.A jolly good story about growing up the hard way.And making one's way in the formative years of a young man's life in the late 19th c.Dean Stockwell and Leo G. Carroll make this film tick.This film shows why Stockwell was a worthwhile commodity in Hollywood.Carroll was one of the best character actors in the business.Great performances.You will laugh and never want it to end.Highly recommended.The "final exam" is a surprise.

wes-connors In 1896 New Jersey, wealthy small city editor Leon Ames (as Samuel H. Stover) learns delinquent Dean Stockwell (as John Humperdink Stover) has just been "fired" (expelled) from school, for blowing up the chemistry lab. At home, young teenage Stockwell paints a snooty neighbor's prize horse green (don't adjust your color, it does look blue). Described as both a "heathen" and an "anarchist," Stockwell is sent to picturesque "Lawrenceville School" where he plans to "own" the school. After a stimulating buggy ride, the binding around Stockwell's suitcase magically disappears - causing his belongings to spill out in front of six house-mates, posed by director William A. Wellman to block his entrance to "Green House"...All bigger than Stockwell, the laughing delinquents are led by bully Darryl Hickman (as George "Tough" McCarty), who is caressing a pussycat. In all likelihood, director Wellman is having some fun with this assignment. Also note Stockwell's roommate Danny Mummert (as "Butsey" White) is quite logically introduced from their bedroom window, rather than on the stoop. The four other lads are Alan Dinehart III (as "The Coffee Colored Angel"), David Bair (as "The White Mountain Canary"), Jerry Mickelsen (as "Cheyenne" Baxter), Eddie LeRoy (as "Polar" Beckstein) - they don't have a lot to do, but the nicknames are great. Determining Stockwell is not there to sell "removable underwear," Mr. Hickman dubs him "Dink"...Stockwell has a rough year, but does receive some sympathy from roommate Mummert. Another friendship is formed when Stockwell meets school-skipping Scotty Beckett (as "The Tennessee Shad"). Playing his entire part with a toothpick in his mouth, Mr. Beckett looks like his just walked out of a Norman Rockwell painting. After a bizarre summer vacation - wherein Stockwell and his rich friends play a surreal joke on young Elinor Donahue (as Connie Brown) and some other girls while the black-eyed director's son Tim tolls church bells - Stockwell will join Beckett at "Kennedy House" and finally resolve his Hickman problem. And in 1897's class, we meet hungry Little "Big Man" Donn Gift (as Joshua Montgomery Sneed)...Wise Leo G. Carroll teaches us all a lesson as house-master Hopkins ("The Old Roman"), and Wellman maneuvers the young actors exceptionally well. Working with his award-winning "Battleground" photographer Paul C. Vogel and the MGM team, Wellman handles "The Happy Years" like he's bringing a turn of the century painting to life. It exudes a Norman Rockwell quality, shot in beautiful Technicolor - without looking real, it appears authentic. Drawing from his youthful experiences and adult directorial skills, Wellman stages scenes with skillful simplicity. Never given the power and glory of 1890s peers like John Ford and Alfred Hitchcock, director Wellman could make classics out of arguably unlikely assignments, like this...********* The Happy Years (7/7/50) William A. Wellman ~ Dean Stockwell, Darryl Hickman, Scotty Beckett, Leo G. Carroll

JKearse I attended the Lawrenceville School in the 1970's and 80's. The school had changed in many ways, but there were many things that were still true about the school. The film itself was well done. The Cinematography, acting, and screenplay were especially memorable. In fact, the child actors created one of the best ensembles I have ever seen in a movie about children. I wasn't impressed with the adults except Leo G. Carroll who as always did an exceptional job in the role of 'The Old Roman'. The 40's Technicolor made every frame look like a postcard. Unfortunately, the film was lost for many years, thought to be destroyed in the MGM fire, but it was rediscovered while I attended Lawrenceville. The film is rarely seen on television and has never appeared on video as far as I know. By the way, Gerunds and Gerundives in Latin are not as difficult to distinguish as the screenplay makes out, but it made for some great scenes.

robmohar I remember, as a little guy, stumbling across this movie one summer afternoon on the local TV channel. I then waited for it to show up again, which it did a couple more times. It never came out on VHS or DVD, but I was lucky enough to buy the 16mm MGM reels at an estate sale. I hadn't seen the movie for 35 years, and had a great time showing it to my children. The movie has many small, seemingly insignificant moments that together create characters we can't help but care about: the wash basin, the toothpick, "Follow the Esplanade", gerund vs. gerundive, the ear, "Maude Adams", the goal posts (before and after), the pancakes. When Dink has his last talk with The Old Roman, the story's true meaning hits us like a McCarty tackle. This is a wonderful movie.