Aneesa Wardle
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Marva
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Darin
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
haganthomas-1
I am not sure what the purpose of this film, The Heart Of Me, a remade The Wings Of The Dove also starring Helena Bonham Carter is but it is pale in comparison however more true to life it could be. Where Wings is heart wrenching Heart is shocking and maybe just a romantic vehicle for Paul Bettany to inspire all possible fans. The Heart Of Me and The Wings Of The Dove are kind of like the double play of Dangerous Liaisons, which I prefer, to Valmont. However if you like romantic tragedy or character weakness with listen dialog The Heart of Me is quite possible for you. Helena Bonham Carter normally a fairly good actress in these period pieces seems absolutely lost and not sure what her character is to accomplish and she comes across that way, unsympathetic where in Wings on course she has the part in her hands. Olivia Williams new to me acquits herself well but still Paul Bettany seems to be the target or missing portion of The Heart Of Me not sure his character is growing or coming out of hiding. Therefore my conclusion is Bettany vehicle not near as good as Linus Roache vehicle, The Wings Of The Dove. Still worth a look for shock value and character assessment.
abi_sheldon
The players outdid their director in mining the emotional significance of this story. In the first place, i checked this one out because of Paul Bettany--encouraged in the venture by a comment that Helena Bonham-Carter goes into new dimensions with her character, Dinah Burkett. Which she does. A love story with ugly triangle is not easy territory in which to find people particularly appealing. All three of the forces in this triangle are profoundly and consistently themselves, however. And that alone is appealing. Bettany, Bonham-Carter and Williams all cover a heart-wrenching range of human feeling--not just the big stuff (anguish, desire), but the subtleties as well (self-doubt, tenderness, quiet resentment). Too bad the music behind them is exemplary of the concept "sugar-coated". Or, more generously, sort of like wilted lettuce. The look of the film honorably frames each moment of this powerfully acted story. The art direction is as crystalline as the score is murky. Since one cannot "tune out" the way a film looks, the audience wins big-time in this regard. Eleanor Bron, by the way, who plays the rather monstrous mother (a woman of her place, class and time), has shown up recently also in "Wimbledon". I love to see her. She was totally great in "Women in Love" when she was young. I hope there is more of her over-the-top comedy out there for me to find. Happy trails . . . .
peter-300
This film reminded me of those drawing room dramas that used to play in English theatres in the 1940s and 1950s - like a Noel Coward, with more sex but not a trace of wit. The characters are not engaging, and are played without much in the way of flair. Williams is starchy, Bonham-Carter is flighty but weary (the usual thing - I think this probably just how she is in the flesh), Bettany is agonisingly caught between the two. His is the best performance of the three, but his skilful portrayal of suffering is not enough to carry the piece. This was an odd adaptation for the BBC et al to plump for. Surely there are still better period novels out there still awaiting adaptation for the screen.
olly1508
This film played to a packed audience at the closing night of the London Film Festival last week. The story of an upper class English man falling passionately in love with his wife's sister was so involving I completely forgot myself for the duration of the film (and from what I could see,so did the rest of the audience). It is a flawless film. Intensely moving. The complex characterisations were handled with immense integrity. One of the wonderful things about it was that during the course of the story I both liked and disliked all the characters. By the end it is impossible to judge them, only appreciate what they had gone through. A most wonderful and uplifting film. Paul Bettany is a discovery. An actor of immense subtlety who is not afraid to play a character who appears simply weak on the surface but is actually very complex. A very detailed and brave performance. Olivia Williams is transformed by the character. She plays Madeline, a woman who lives by the strict rules of her class. No emotion is allowed to get in the way of how this class organises their lives and Madeline respects that. When we see her years later in life, Williams makes us utterly believe the immense changes that she has endured. Madeline must forgive her sister Dinah for her betrayal. This seems impossible given what Madeline has endured at the hands of her sister, yet Williams makes us believe in that forgiveness. This was a great lesson to me. To see how you must move on in your life. Helena Bonham Carter is more vulnerable, sensitive and outrageous than I have ever seen her. Her character is on a knife edge. She falls passionately in love with her brother- in- law and from that moment on the film takes you on an emotional roller-coaster ride that I still can't get out of my mind. The film also has one of the best scores I've heard in ages - romantic and tuneful without being slushy or sentimental. It's also a ravishing looking film (maybe that's why I cant get it out of my mind) and yet the powerful images never interfere with the story but add to it all the time. Real cinema.
