ThiefHott Too much of everything

GazerRise Fantastic!

Comwayon A Disappointing Continuation

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

zardoz-13 Carlo Lizzani's "The Hills Run Red" is a Spaghetti western courtesy of well-known, international producer Dino de Laurentiis of "Conan" and "King Kong" fame who provided some better-than-average production values for this six-shooting saga. Dino went on to do several other Spaghettis, some with American talent like Burt Reynolds in Sergio Corbucci's "Navajo Joe," James Garner in the brilliant "Man Named Sledge" and Chuck Connors in Burt Kennedy's "The Deserter." "The Hills Run Red" opens not long after the American Civil War has ended. Two ex-Confederate soldiers now in civilian clothes are driving a covered wagon hell-bent-for-leather across rock-strewn Texas terrain with a band of Union troopers bearing down on them. Ken Seagull (Nando Gazzolo of "Django Shoots First") and Jerry Brewster (Thomas Hunter of "Battle of the Commandos") decide to split up and see if their luck improves. They draw cards to determine who stays and who bails. Unfortunately, Jerry loses the bet. Ken dives off the wagon with his saddle bags stuffed full with $600-thousand dollars in Union money. Ken manages to escape while the Union soldiers ride after Jerry. The wagon hits a rock, and Jerry is thrown off it. The horses break away from the wagon, and the careening wagon plunges over a cliff. The soldiers sift through the debris of the smashed-up covered wagon but they find no money. They rough Jerry up, and he serves five miserable, back-breaking years at hard labor in Fort Wilson. All of this happens in the first half-hour. Freed from prison, Jerry leaves with his holsters empty because the Federals refuse to return his six-guns. No sooner has Jerry left prison than an informant sends Ken a telegram about Jerry's release. Jerry rides away to his home and finds it abandoned, dust on the furniture everywhere and nobody about the premises. He locates his wife's diary and learns that she struggled to raise his son Tim (Loris Loddi of "The Grand Silence") despite encroaching poverty and not a cent of help from Seagull. About that time, gunmen start shooting up Jerry's property. In the barn, Jerry is surprised to find another gun, Winnie Getz (Dan Duryea of "Winchester 73") tosses him a revolver, with which Jerry dispatches two gunmen. Later, after the gunfight, Jerry demands to know Getz's business. Getz suggests that if he took something back to Ken that would convince him that Jerry is dead that he might get himself a job. Jerry's eyes light up because he has something that would persuade Ken that he has perished. Jerry, it seems, has a tattoo on his left forearm engraved with his wife's name. When Getz takes the circle of skin to Ken, he believes that Jerry is dead and hires on Getz despite the admonitions of his second-in-command Garcia Mendez (Henry Silva of "Johnny Cool") decked on in black leather and chewing the scenery as an insane gunslinger.When we see Ken next, he is a wealthy horse breeder with a large herd of horses. Meanwhile, Jerry adopts different name, Houston, and rides into Austin where he wins a bundle of money at dice and learns that Ken uses the name Milton and owns two-thirds of the land around Austin. Moreover, Ken wants to take over Austin; for example, his trigger-happy gunmen have killed the only sheriff and everybody is too afraid to stand up to him until Jerry arrives in town. The saloon owner Horner (Geoffrey Copleston of "Superargo Versus Diabolicus") explains that they need a man like Jerry to help them defend themselves from Milton. Jerry takes the idea under consideration while he rides out to meet Ken. On the along he stumbles onto a little boy who can knock rocks out of the air with his slingshot. Jerry is shocked when the child uses his good luck gesture of licking his thumb and drawing a circle in the air. About that time, Garcia intervenes and forces Jerry to fight more of Ken's gunmen. Beaten and battered and on the ground, Jerry looks up after the fight and see Garcia put a gun to his head. When he urges the Mexican cutthroat to kill him, Garcia laughs and takes him to Milton's ranch where he lets him recover in an equipment shed. The irony is that Jerry has come back to square matters with Ken, but Ken doesn't know it. Jerry overhears that Ken is moving two-thirds of his horse herd to Abilene. Jerry sneaks back into town and arranges a reception for Ken's riders. The ensuing shoot'em up in a pass and the flaming balls of brush that Jerry's men rain down on Ken's gunmen is a sight to see. Predictably, Ken attacks the town and drives everybody out. The inevitable gun battle between Ken and Jerry follows.Lizzani never lets the grass grow under anybody's boots in this fast-moving 90 minute horse opera. He is no Sergio Leone, but he has an imaginative eye for interesting camera angles, particularly in the fight between Jerry and Garcia's gunmen. The coffin on the wagon in the big shoot-out scene in town is well photographed from a variety of angles. This is a big, sprawling revenge western with scores of tough-looking galoots getting gunned down left, right, center, and sideways. Spaghetti westerns fans will find this one is above-average. The scenarists could have done a better job with Dan Duryea's mysterious gunman and his revelation after the finale."The Hills Run Red" has one goof and that knocks off at least a star from my rating. During the fast opening wagon chase, the filmmakers show us the Union troops riding in hot pursuit and it the far right side of the 2:35.1 letterboxed shape you can spot a wagon identical to the one being driven hell-bent-for-leather in the distance with no horses. Presumably, the producers had a second wagon modified to handle a camera and forgot to move the real wagon out of the shot.

spider89119 This movie is a very good revenge tale told in great spaghetti western fashion. There's plenty of action, violence, over-the-top emotion, and some great music from Ennio Morricone.The best performance in the movie comes from Henry Silva as uber-creep Mendez. You can almost see the slime oozing out of him. As an added bonus Thomas Hunter has a few funny lines thanks to some strange bad dubbing, and his facial expressions go along with it very well, adding to the unintentional humor. Nicoletta Machiavelli is hauntingly beautiful as Mary Ann.The ending is a great action packed "against all odds" showdown with lots of suspense, bullets, and dynamite.Overall, this is a very engaging and entertaining film which I wholeheartedly recommend to all hardcore fans of Italian westerns.

jamesm123 This is an unusually-structured western, but a very satisfying one. TCM played a nice letterboxed print of this, and it was a surprisingly-engrossing revenge drama. Some unexpected violence in the several shoot-outs made this more brutal than usual for a mid-sixties western.

iaido Basic plot involves Brewster taking the fall for his robbing partner Seagull and after being released from prison (which includes having to stand upright in a small barb wire cage) finds that his partner (now known as Milton) has taken the loot and prospered as an evil land baron. Not only that, but Brewster's wife has died in poverty and his young son believes him too be dead. It abandons logic and sense in favor of over the top abstract moments, lots of scenery chewing, like the expressionistic yelling on Brewster's behalf, and typical throwaway action. Fair supporting roles for Henry Silva as the Mexican henchman, with the wondrously cliched name Garcia Mendez, and Dan Duryea as the angel of mercy, Getts. Kudos to Milton/Seagull's line `I wanna' see you spit out your soul, Brewster.', and director Carlo Lizzani's pseudonym, Lee W. Beaver. The finale, like the film, is ridiculous, but fun and effective, involving Brewster and Gett's alone against a posse of bad guys, a ghost town, and some conveniently available dynamite.