Perry Kate Very very predictable, including the post credit scene !!!

BroadcastChic Excellent, a Must See

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

kidboots "The Hoodlum" saw Mary desperately trying to diversify her screen persona - for the last couple of years fans had kept her as Rebecca, the poor little rich girl and a little princess. She was also getting the enviable reputation of only having the best directors and technicians on her films, but as far as she was concerned it was no secret - if you want the best (Marshall Neilan, Frances Marion) you pay the best. The reviewers noticed, especially on her film "The Hoodlum" where they commended both her and Paramount for never being better. They also couldn't see Mary, who had now been on top for almost six years, as abdicating her throne soon.Amy's (Pickford) grandfather, Mr. Guthrie, is a hard headed business man and the apple doesn't fall far from the tree as Amy rules the house with tantrums and terrorizing the servants and the poor cat. When contrary Amy decides at the last minute that she doesn't wish to accompany her granddaddy on his European holiday he banishes her to her father's care when father takes up residence in the heart of the Bowery. The film's by line is a bit misleading "a spoiled young girl forced to fight for survival in the slums and alleys"!! giving the impression that much of the film is about her effort of trying to fit in with her new found acquaintances. There are some funny scenes regarding her initial feelings at being forced to give up her Park Avenue luxuries for survival in the slums (there is a scene where Amy imagines she is living in a pig sty - it was handled better in "Poor Little Rich Girl") but almost the next scene shows her as the leader of the gang, shooting craps with loaded dice, dancing a shimmy for the entertainment of the street and the funny but inevitable police chase. A funny scene shows Amy bewailing the fact that she is coming last in the class whereas at the start a wheedling tutor told her the only person smarter than herself was her grand daddy!!There is also a slum scene of dramatic reality - when Amy is taken by a little girl to visit her sick mother you see a drunkard's room with a swag of dirty rags for a bed and a sick woman with crawling bugs on her pillow. Into this monstrous poverty comes a "stranger on the third floor" - it is Amy's grand-daddy who in his disguise as old Mr. Cooper is horrified by Amy's "hoodlum ways". Amy has also caught the eye of William Turner (Kenneth Harlan) who is working on an undercover dossier on the crooked business practices of Mr. Guthrie who was responsible for sending him to prison on a falsified charge.It all climaxes back at Park Avenue when Amy and William are caught raiding the safe for the incriminating ledgers, Mr. Guthrie is back, a completely changed man vowing to continue his good works among the city poor. No other reviewer has mentioned what little Dishy is doing in the millionaire's house - there must have been a sequence in which Guthrie adopted the little boy and bought him home to his palatial house but it is missing now. Dishy was played by Buddy Messinger who had been part of a child acting troupe (Virginia Lee Corbin, Francis Carpenter etc) who had starred in a series of "kid pix" directed by the Franklin brothers. They were hugely popular and Mary must have seen what a rapport Sidney Franklin had with children because his direction of Mary and the slum kids is the best part of the movie!!

wes-connors Bratty young Mary Pickford (as Amy Burke) lives a life filled with tantrums in her fancy Fifth Avenue mansion, while wealthy grandfather Ralph Lewis (as Alexander Guthrie) wheels and deals. At first, Ms. Pickford is thrilled when Mr. Lewis announces a trip to Europe. She wants to go shopping. For no particular reason, Pickford decides she doesn't want to travel. It could be a woman's prerogative, or Pickford may be missing writer daddy Dwight Crittendon (as John Burke), an apparent sociologist. When her father suddenly returns, Pickford moves with him to slummy Craigen Street, where he plans to work on a book.So, Pickford goes from pampered rich girl to street hoodlum - it's a struggle, but Pickford's plucky.Previously, one of Mr. Lewis' business endeavors required the jailing of an innocent man, arousing bachelor Kenneth Harlan (as John Graham). Mr. Harlan turns out to be one of Pickford's ghetto neighbors. Pickford thinks Harlan might make good husband material, unaware he is plotting against her grandfather, who canceled his trip to Europe and has also moved into the area. "The Hoodlum" is hospitable Pickford fare. Her "little girl" character is broadly played, and provides salvation. Some of the early sequences are not pieced together well; for example, Pickford's father should have returned before she declined the European trip.And, the early running time plays more painful than funny (especially for animals), and out of place.But, once the story moves to an artificially created poor side of town, the film becomes quite visually strong. Scene-stealing street kid Melvin "Buddie" Messinger (as Dish Lowry) looks like the template for an early Mickey Rooney. Pickford's director Sidney Franklin, photographer Charles Rosher, and editor Edward McDermott combine camera shots and coordinate personnel to marvelous effect; their screen is incredibly alive. Though this is not one of Pickford's strongest overall characterizations, she excels in several sequences; a highlight features her lost in a bluesy-tinted New York City rainstorm, without an umbrella.******* The Hoodlum (8/31/19) Sidney Franklin ~ Mary Pickford, Ralph Lewis, Kenneth Harlan, Buddy Messinger

bkoganbing When I sat down to watch The Hoodlum quite frankly I was expecting a gangster film of sorts even though it starred Mary Pickford. It was not what I thought it would be given the title, but it was a chance for Mary to show off her considerable talent and appeal.The Hoodlum finds Mary the granddaughter of Ralph Lewis a John D. Rockefeller like tycoon who gives her whatever she needs. The mansion she lives in looks very much modeled on the Rockefeller Estate in Pocantico Hills in Tarrytown, New York. She's spoiled and bored and after a tiff with granddad, goes to live with her father on Craigen Street in the middle of a slum in the inner city. But father who is writing a sociological urban treatise has precious little time for her also, so Mary learns the ways of Craigen Street very fast.If Mary Pickford wasn't America's Sweetheart she might well have been called America's Imp from this film. In The Hoodlum she gets to show off her considerable comedic talents when fleeing from the law. The family chauffeur 'let' her drive the car and her speeding results in a hilarious car chase with the local law. And her second chase seen with a city cop after she cleans the clocks of the other kids in a crap game is worthy of anything Mack Sennett or Charlie Chaplin might have done in their films.The Hoodlum is a different take on Mary Pickford and one her considerable legion of fans should not miss.

Neal99 Mary Pickford's appeal as `America's Sweetheart' is very clear in this film. While many of her fellow actors use an excessively theatrical style, she is totally natural. She inhabits her character completely and, contrary to the stereotype of her films, that character is anything but sweet for most of the movie. In fact, much of the delight of watching her is in enjoying her bad behavior!Another impressive facet of the film is the authentic-looking slum where Amy Burke (Pickford's character) spends most of her time. Although created at a Hollywood studio, the slum almost smells like old New York.The film does employ some ethnic stereotypes common at the time – but the poor characters are generally treated with affection, while the rich are seen as uncaring and in need of enlightenment. Also, it seems notable that Amy associates with ALL the kids of the slum neighborhood, not just those of her own ethnic group.