The House That Would Not Die

1977 "What terrible secrets are locked in the walls of the old Campbell house? What accounts for the sounds of a violent struggle and a woman's scream?"
5.6| 1h14m| NR| en| More Info
Released: 01 January 1977 Released
Producted By: Aaron Spelling Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A tale of witchcraft, black magic and a haunted house in the Amish country.

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Director

Producted By

Aaron Spelling Productions

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Reviews

SpuffyWeb Sadly Over-hyped
Fairaher The film makes a home in your brain and the only cure is to see it again.
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Seraherrera The movie is wonderful and true, an act of love in all its contradictions and complexity
Putzberger As any fan of classic film and cheeseball TV knows, Barbara Stanwyck was one durable dame. The woman who conquered the corporate world in 1933's "Baby Face" and blasted gun-toting outlaws on "The Big Valley" is more than a match for the wind machines and bad actors who challenge her in this cheapo 1970 made-for, which is why it's ultimately not that scary or suspenseful. It's also hampered by a cobwebbed ghost story plot -- a maiden aunt and her dewy young niece move into an old house only to learn (oh no!) that it's haunted. Still, it's always fun to hang out with Babs, so "The House that Wouldn't Die" isn't a complete waste of time. It's like decaffeinated coffee, a short, mild indulgence that won't keep you awake at night.Miss Stanwyck plays Ruth, a career Washington bureaucrat who takes a sabbatical (Civil Service rules must have been a lot more relaxed during the Nixon administration) and moves to a late distant relative's house near where her fluttery niece Sarah, played by Kitty Wynn, plans to attend college. If Stanwyck is above this sort of downmarket Gothic, Wynn is perfect for it since she seems born to play wide-eyed, helpless young ingénues -- the only time her voice rises above a quivering whisper is when she screams, which she does enough to wake the dead. The dead, however, don't seem to appreciate the intrusion so they start possessing various characters and making them act homicidal. Having apparently exhausted the budget on Babs' salary and nifty wardrobe (the cranberry pantsuit she dons toward the end of the flick is particularly chic), the producers could only afford a single special effect -- a megawatt wind machine which gets switched onto high every time one of the undead makes an appearance. This motif is a bit too indicative, but it's also the only way you'll know that Richard Egan, who plays Babs' romantic interest, has transformed from gentlemanly anthropology professor next door to malevolent spirit. His facial expression doesn't change otherwise. Rounding out this intrepid quartet is someone named Michael Anderson Jr. as Professor Egan's swishy grad student and Kitty's chaste love interest. The movie could be unwatchably dull but isn't, thanks to Babs' stalwart presence. However, it could be atmospherically creepy but isn't, thanks to Egan's granite stiffness and a script that sounds like it was penned by the "Scooby Doo" staff during a prime time writers' strike ("try and open up this old writing desk . . . these things are usually crammed with old letters and papers" declares Babs, perhaps unaware that she's channeling Velma Dinkley). Still, Miss Barbara Stanwyck offers a primer on how to maintain your dignity during the twilight of your career. Someone should have forced Bette Davis to watch this movie.
bayardhiler Recently I had the good fortune of coming across an old ABC movie of the week called "The House that would not Die", starring the always talented Barbara Stanwyck. In the movie, Ms. Stanwyck and her niece buy an old, charming house in the country, thinking that they have found their dream home. However,as is always the case in these films, strange things begin to happen, such as disembodied voices, bizarre wind gusts that seemly appear out of no where, and Stanwyck's niece, Sara, begins acting as if someone or something has taken her over. The result is a well done ghost film that relies on creating a spooky atmosphere rather than any gore or violence. Such a shame that television does not have more movies like these anymore. God, how I miss the age of the miniseries. If you get a chance, check this out on you tube. We won't be disappointed. 9 out of 10.
Kelly E.F. Wiebe I've had the chance to view many of the movies I saw as a youth and have found that many of them have not withstood the test of time. This is not the case with "The House That Would Not Die" I saw this movie of the week when I was ten years old and can remember enjoying it. The next time I saw it was when I was 17 and again I enjoyed it. Twenty-two years later, in 1992 I was able to record it when it was shown on TBS. I found the movie very enjoyable. Especially considering the fact that it was made for TV. The only visual effects applied was that of character overlay. If only I could see and compare this with another movie of my youth - The Norliss Tapes (1973).
Gallard-2 Back in the late 1960's and through the early part of the 1970's the occult became an extremely popular subject for TV and movies. ABC was making "Movies Of The Week" that appeared usually on a Wednesday night. This was one of them. This one involves a haunted house which was recently bought by Barbara Stanwyk and soon she with the help of family and a helpful neighbor Richard Egan try to get to the bottom of things. Literally.I was 14 when I first saw this and for weeks I wouldn't go into our basement. Don't watch it alone!