Stometer Save your money for something good and enjoyable

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

jjnxn-1 What could have been a potentially interesting glimpse at a talent that has receded in the public memory is instead a garish collection of disconnected scenes. To start the framing device of having George Jessel mounting a biography of Eva Tanguay is a wasted and contrived waste of time and should have been scuttled. Then the story such as it is tells you nothing of the real Miss Tanguay.Mitzi is a talented girl, an excellent dancer and pleasing personality but she is given little too work with but she does wear feathers well. None of the male actors are given characters that make any sense. At least Oscar Levant gives his patented amusingly dry performance and gets a spotlight piano number which is the best thing in the movie. The leading man Bob Graham playing the fictitious Larry Woods is so bland he practically evaporates from the screen and makes no impact in the picture at all. If you like flashy production numbers, staged by the legendary Jack Cole, than this has plenty to enjoy but if you want narrative structure along with them you won't find that here.

rowan1925 In spite of its imperfections, the film contains one of the most inspiring performances of any song in any film. Mitzi Gaynor becomes Eva Tanguay, insists on coming out into the audience, hits a star quality personality in the song "I don't care" when she sings - "Let down the gangway, for I'm Eva Tanguay, and I - DON'T - CARE!!!" I have tried to find this on DVD, but it does not exist. CAn someone get this changed??? Does it exist on CD or MP3 anywhere? I believe that Judy Garland sang the song in the film "Good Old Summertime" but I can't find that either. I have been remembering this song for over fifty years now, which shows how memorable it is. Not many songs have this power to impress itself on the memory, and it is only because of the great performance of Mitzi Gaynor, who is apparently still going today with live performances!

boblipton The musical comedy biopic gets the Rashomon treatment in this faked-up biopic of Eva Tanguay, one of the great stars of turn-of-the-century vaudeville. Mitzi Gaynor, as always, gives a great performance and it's a pity that, with the exception of the movie version of SOUTH PACIFIC, she was always Fox's B musical star, doing whatever they gave her. The musical numbers are all overdone, as if choreographer Jack Cole is mocking the form; the semi-strip-tease to jazzed up Mozart (I'm not making this up! It's the most out-of-place dance number outside of Sally Forrest's weird one in EXCUSE MY DUST) and other numbers that recall LADY IN THE DARK -- all very modern for the era and absolutely bizarre in context.Oscar Levant plays the piano magnificently a few times and David Wayne gives a typically graceful performance in support.

marcslope It begins, even before the credits, with an onstage production number in which Mitzi, as famed vaudevillian Eva Tanguay, emerges hoarse and uncertain onstage, thus forcing the stage manager to ring down the curtain. AND IT NEVER COMES BACK TO THIS. That's how ineptly cut this Fox backstager is, leaving a major plot thread unacknowledged for the next 78 minutes. Along the way we get some clichéd show-must-go-on situations, the unappealing Oscar Levant (especially unappealing when deprived of good dialog, which Comden and Green provided him the same year in "The Band Wagon") plunking away on some classical piano, David Wayne in what first appears to be the leading-man role but turns into an inconsequential supporting part, the pleasant-voiced Bob Graham as Mitzi's love interest, George Jessel playing himself pretending to be a nice man, and several big, big production numbers. These have nothing to do with the vaudeville milieu and are set to undistinguished music, but the color's great, and Gwen Verdon gets to do some sinuous Jack Cole choreography in one of them. The whole thing's framed in a desperate-looking "Citizen Kane" conceit, as two studio boys are exhorted by Jessel to "come up with the REAL Eva Tanguay story," but the movie never wanders anywhere near the real Eva Tanguay story -- maybe it just wasn't that interesting. Worth looking at for the blazing Technicolor, the dances, and Mitzi, who's never less than professional, and never more.