The Impostors

1998 "Why be yourself when you can be somebody else?"
6.5| 1h41m| R| en| More Info
Released: 02 October 1998 Released
Producted By: Fox Searchlight Pictures
Country:
Budget: 0
Revenue: 0
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Synopsis

Wrongly accused of physically abusing a fellow actor, starving thespians Arthur and Maurice find themselves pursued by the law aboard a cruise ship.

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Reviews

Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Micitype Pretty Good
Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
Winifred The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
WisdomSeed I found this DVD for $4.99 at K-Mart, so I took a chance with it. I began to watch it and lost interest, and so for about four weeks in a row, I would put the movie on and start doing something else and not really watch it. Once time I caught the credits rolling and I new then I had to see how they came to this conclusion. The first time I sat down and actually paid attention to it, it was hard to watch, until they got on the ship, then I was in love with this movie. Since then I have gained a great amount of appreciation for he beginning of the movie as well. I have always loved the farces of the 30s and early 40s and this movie a big fat wet kiss to those movies and the fun they looked like they had making them (the actors looked like they had a ball making this movie). I love this movie now, I look forward to seeing it and have to deprive myself of it at times. I love this movie because it is a very well crafted tribute to movies I have loved since I was a child. Laurel and Hardy, Astaire and Rogers, and a bunch of artists who love the art. This is a wonderful movie. There are times I wish I could tell Stanley Tucci just how much joy I get from this silly little movie and to thank him for making it.
Greg Couture This one was shown tonight on the Independent Film Channel and, unfortunately, I tuned in a little late after the opening scenes which, by common consensus, are considerably better than what follows. The cast works hard, the film doesn't look bad (although some of the art direction seems a little threadbare), the music score was obviously a bow to Woody Allen, who makes a brief uncredited appearance, but, oh my! how things went downhill fast.I love good slapstick, lots of slamming doors and such, but this effort just wasn't up to its aspirations. Methinks that Stanley Tucci should have asked for some help with the script and let someone else, with a surer touch, take over the directorial reins.For me, a disappointment, though not without a few smiles here and there, as it bungled its way to that silly conclusion, with the entire cast doing a jig, exiting the set, past the film crew, on their way out onto the studio's street.
Red42386 The first time I saw this movie I fell in love with it. Tucci's use of classic comedy techniques (title screens and slapstick) along with impressive set and costume design give this oddball movie a unique flavor that will make you want to watch this cute flick again and again. Platt and Tucci head up this amazing cast but the movie wouldn't be half as good as it is without a brilliant supporting cast, filled with albeit one-dimensional characters which are a lot of fun despite their lack of depth. If you like Charlie Chaplin, the Marx Brothers, or Laurel and Hardy, you'll appreciate this modern day homage to old-school comedy. It's hard to find in video stores; I saw it once on the IFC and then had to find it on NetFlix, but if you have a chance to see it, you won't regret it.
Pepper Anne The Impostors was great, though probably not side-splittingly funny if your not willing to lose yourself in the simple comedic antics that occur throughout the film. Two actors, Aurthur (Stanley Tucci) and his tall, chubby companion Maurice (Oliver Platt), are hard up for work, but they always seem to have an opportunity to use their acting talents, even if not working onstage. During a plan to weasle some food from an unsuspecting baker, the actors outwit themselves, fumbling their plan. Instead of the starving pair getting free food, they get tickets to a Shakespeare show. After watching the dreadful Bernardo (William Hill) butcher 'Hamlet', they insult the actor and get into a scuffle, forcing Maurice and Aurthur to hideout. Consequently, their choice of hiding places was not great, since they become stowaways on a ship. The same ship that the trashtalking-Bernado was travelling on. Things become a mess as Maurice and Aurthur scurry around the ship, pretending to be everything from bellhops to a British gentleman and his lady, in an effort to avoid Bernardo and several other extremely weirdo passengers, including Happy Franks (Steve Buscemi) as the horribly depressed singer who fumbles every suicide attempt; a couple disguised as French tourists (Alison Janney and Richard Jenkins); a furiously gay Scotsman (Billy Connoly); a Russian Communist disguised as an easy-going shipmate (Tony Shaloub); an annoyingly hypocritical German (Campbell Scott); and many others to make it a furiously hilarious odd assortment of characters. These secondary characters are really the ones who make the film so funny whereas Aurthur and Maurice are more like mild mannered guys who just found themselves in a bad situation, but seem to take it rather well. And again, as the introduction indicates, styled along the lines of silent-film comedy, that is the kind of comedy this film goes for--the slapstick/misconception comedy of Vaudville, matched with overdramatic movements and chases and whatnot of early silent film comedies and dramas. It is not blatant stupid-comedy Carl Reiner films (such as the Cheap Detective), because it doesn't drive the whole movie (there is more attention paid to the story), nor is it overdone. Best of all, the humor is delivered at great moments. For example, the Captain, looking for his long lost lover, seeks out a woman at the bar who veils her face as much as she can from him. He seems to anxious to know if this is the same woman he has searched for for so many years. He approaches her, "Are you you?" It certainly isn't the kind of thing you expect a guy to ask if he think he's just found the woman he's been searching for that long. It's really good stuff if this is the kind of comedy you enjoy.