The Innocent

2018 "Visconti's Sensual Epic of a Diabolical Marriage"
7.4| 2h10m| R| en| More Info
Released: 09 June 2018 Released
Producted By: Rizzoli Film
Country: Italy
Budget: 0
Revenue: 0
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Synopsis

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

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Reviews

Interesteg What makes it different from others?
2hotFeature one of my absolute favorites!
mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
gavin6942 Tullio Hermil (Giancarlo Giannini) is a chauvinist aristocrat who flaunts his mistress (Jennifer O'Neill) to his wife (Laura Antonelli), but when he believes she has been unfaithful he becomes enamored of her again.This movie is notable for being the last film made by Italian director Luchino Visconti, perhaps best known for "The Leopard". This time around he has really brought himself up to the 1970s and is not shy with the sensuality. Even the film's promo art seems to highlight the nudity, which is odd.What strikes me about the movie is the casting of Jennifer O'Neill. I suspect that it was largely due to her look. She was a weak actress in "Rio Lobo", but seems to recover here (helped by the dubbing). She would go on to appear in "Scanners"... anyone who has worked with Visconti, Hawks and Cronenberg deserves some respect.
colin-cooper The languid pace of Visconti's last film is not a problem for me. He was an old man, directing from a wheelchair, and had slowed down a lot. Think of it as the long slow movement of a symphony by Mahler - whose music, you will remember, he used in Death in Venice - and it will make more sense.What I want to know is more about Gabriele D'Annunzio's novel. One commentator claims that the male lead is a kind of 'atheistic hero' faithful to his beliefs, and that Visconti subverts the author's intention by showing him as a rich aristocrat as selfish as he is unpleasant. Can any authority on Italian literature shed any light?
denappel love often used misspelled abused love taken for a selfish game manipulating shamehe loved himself apart from that a selfish search for someone to confirm he is what he only pretends to bewas she crazy or insane was her love so true she bared the pain for her it was no game and yet she lost...beautiful movie, timeless! delightfull to see how this movie takes his time to tell a story, the script is strong, the music emotional, the actors impressive, I can only write down positive aspects, thanks to visconti's perfectionism and talent this movie became more than a traditional story about love and hate. the thin line between the beauty of the movie and the manipulating selfish desire of the story creates a strong emotional masterpiece that will no one left untouched
gridoon After this film is over, you'll probably feel that you've just seen a quality movie for serious movie-goers. But while you're watching it, you may find yourself thinking than it needed a shot of adrenalin. It's an elegant and insightful drama, but very languidly paced. Apparently, everybody involved with it tried to give the (rather soapy) material more weight than it could hold, so almost everything - direction, acting, dialogue rhythms - seems kind of overdeliberate. Great last shot, though. (**1/2)