Inadvands Boring, over-political, tech fuzed mess

Cleveronix A different way of telling a story

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

moonspinner55 James Coburn (gaunt, and with a thick mustache) plays an American diplomat and future adviser to the US President who needs his former life as a secret agent permanently scrubbed; unfortunately, he has four acquaintances in London (a civil servant, a prostitute, a thuggish masseur and a scientist doing research on a device that kills with a high-frequency sound) who know too much about his past. He orchestrates a plan to have the four unwittingly eliminate each other, though a sideline romance with former-flame and uptight writer Lee Grant might be his undoing. Very clever thriller from screenwriters Barry Levinson (who also produced) and Jonathan Lynn, adapting Mort W. Elkind's book "Internecine", though it does take a while to get this plot into motion (and involves a great deal of telephone ringing). Director Ken Hughes is attracted to intricate details and technicalities, but a snappy pace doesn't seem to be his thing. At least one of the killings (with the victim in the shower) is especially ungainly, however the film isn't terribly violent or bloody--Hughes and his writers are more interested in plot development than circumstance. Good performances all around, including Grant as the lover. Grant matches up well with Coburn, and she has a funny, natural reaction when he tells her she should be working on something more her speed--a cookbook. **1/2 from ****

Woodyanders Shrewd and unscrupulous former secret agent Prof. Robert Elliot (a marvelously ruthless portrayal by the always commanding and charismatic James Coburn) gets a chance to become a top adviser to the President of the United States. However, Elliot must devise a plan to eliminate four people who know about his shady past in order to achieve this goal. Capably directed by Ken Hughes, with a gripping and ingenious script by Barry Levinson and Jonathan Lynn, a steady pace, lively cinematography by Geoffrey Unsworth, a gritty, serious, no-nonsense tone, a robust and rousing score by Roy Budd, a substantial amount of tension, several startling moments of savage violence (a shower murder set piece is especially harsh and shocking), a tough and cynical central theme about the vicious extremes some people will resort to so they can acquire true power, and a real corker of a surprise ending, this unjustly overlooked item sizes up as one extremely effective and engrossing affair. The first-rate cast helps matters a whole lot: Lee Grant as pesky reporter Jean Robertson, Harry Andrews as brutish misogynist Albert Parsons, Ian Hendry as the antsy and squeamish Alex Hellman, Michael Jayston as the reluctant David Baker, Christiane Kruger as the sultry Christina Larsson, and Keenan Wynn as evil businessman E.J. Farnsworth. Moreover, the cold stream-lined efficiency of Elliot's brilliantly diabolical scheme gives this picture an extra potent and chilling edge. Recommended viewing.

dbdumonteil The movie begins (and ends) like a political movie,a la Pakula .But if the "hero" is blamed for butchering democracy ,the essential is a thriller ,some very special "domino theory" .To get rid of some people who become embarrassing,the professor (a spy) ,pushes the "divide and rule" concept to its absolute limits and ,although completely implausible (all works out much too well) , displays an implacable logic in his sinister plans.Probably not great,but not derivative,and rather gripping.Main objection: Lee Grant's character is almost useless and her would be feminist journalist is only decorative.

JoeytheBrit This largely forgotten film from the darkest days of the British film industry probably deserves to be better known, if only for the fact that it manages to make a long sequence in which one man sits alone in a room waiting for the phone to ring quite suspenseful.James Coburn plays Robert Elliott, a former secret agent who must erase all evidence of his dirty past before taking a job as adviser to the US president. That past comes in the form of four former colleagues – nervy diabetic Ian Hendry, misogynistic cat-lover Harry Andrews, scientist Michael Jayston and call-girl Christiane Kruger. Eliot hits upon the ingenious idea of getting each of his intended victims to do the deed for him, leaving him completely unconnected to the murders. It's a fairly unique idea, and quite well-handled with some quirky characters thrown in (not of least of which is Harry 'A *woman*, Sir?' Andrews), and it is to writer Barry Levinson's credit that he manages to stretch what is a fairly thin plot over a reasonable running time without losing the viewer's interest.The ending belongs in a James Bond movie – although given the recent murder of a dissident Russian journalist, maybe that's not quite true – but it is a delicious pay-off and a fitting fate for an urbane character who is totally lacking in scruples.