Jeanskynebu
the audience applauded
Sexylocher
Masterful Movie
Spidersecu
Don't Believe the Hype
Nicole
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Neil Doyle
There are so many elements of the storyline for THE KEYHOLE that were obviously re-worked years later for 1948's "Romance on the High Seas," Doris Day's first starring vehicle directed by Michael Curtiz, who is the director here.This one too is about a suspicious husband who hires a private detective to follow his wife when she sails off to Cuba. Only big difference is that she's escaping the clutches of a former lover who wants to blackmail her. Naturally, it's the perfect set-up for KAY FRANCIS to wear fancy gowns and to carry on an affair with GEORGE BRENT, who is the man her husband hires to keep an eye on her.It's predictable stuff, very formula and with the usual weak comedy support from GLENDA FARRELL and ALLEN JENKINS in an attempt to put some much needed life into the script. It doesn't work.There are very few Curtiz touches in the direction but the photography is fluid and the sets are fairly interesting. Still, it's a minor item when you view it as a typical Kay Francis vehicle in the early '30s.
mukava991
THE KEYHOLE has a clear plot hook, strong characters (you love 'em or hate 'em), non-static cinematography and colorful details that keep you entertained from the first frame. A number of Kay Francis movies had a similar plot structure: wealthy, beautiful, fashionable, sophisticated woman with man problems, usually triangular, but in this case quadrangular. Michael Curtiz keeps this one moving at a fast clip. In this particular plot, Francis's nasty ex-husband (Monroe Owsley) is blackmailing her while her jealous, aging current husband (Walter Kolker) hires a dapper private eye (George Brent) to follow her to make sure she's not seeing another man and of course Brent and Francis fall in love. Allen Jenkins (as Brent's dopey sidekick) and Glenda Farrell (as a crooked golddigger) are on hand as comic counterpoint to the lead players. Francis is charming as usual, exhibiting her trademark "look" - the raven hair swept back to show off her natural widow's peak, the unique eyebrow penciling that curves around her melancholy eyes, and the statuesque grace; and of course her character goes through about 15 costume changes in the 69-minutes of running time (a different drop-dead outfit for every segment of the day). The public inevitably tired of her, which is why she is forgotten today; she was more interested in her salary than in the quality of her roles, as she freely admitted. But when she was in her prime, wow, what a prime. Moving with feline grace in backless satin gowns, she is phantasmal and ravishing, yet still earthy, accessible and even vulnerable. You can't look away. So what if she couldn't pronounce her r's?
Ron Oliver
Peeping through THE KEYHOLE we find an unhappy wife who sails to Cuba to shake off a blackmailing former lover, not knowing that her millionaire husband has sent a handsome detective to compromise her...This elaborately plotted little picture is a very fine example of the kind of film Warner Bros. produced so effortlessly in the 1930's. Frothy, a bit silly & fun, it boasts entertaining performances and good production values. Depression audiences sat through scores of movies just like this, generally well made, but with interchangeable plots & stars.Kay Francis & George Brent handle the romantic situations very nicely. Sophisticated & charming, they keep their stock characters from ever becoming dull. The humor is supplied by brassy blonde Glenda Farrell as a gold digging shill & dumb-as-dirt detective Allen Jenkins.Henry Kolker as the suspicious husband, Helen Ware as his elderly, sympathetic sister, and Monroe Owsley as the oily Lothario, all add to the fun in their supporting roles. Especially enjoyable is little Ferdinand Gottschalk, appearing in only one scene as a comically flirtatious old banker.Movie mavens will recognize sour-faced Clarence Wilson as the head of the detective agency.
elpep49
Kay Francis plays a woman being blackmailed by a former partner (Monroe Owsley). She discovers that he never got the divorce he promised and her new marriage is illegal. Hatching a scheme with her sister-in-law (Helen Ware), she flees to Havana, hoping the cad will follow. He does but so does the detective (George Brent) her husband hires to spy on her. Wild storyline becomes more believable as the film goes on because of the chemistry between Francis and Brent. Good support from Glenda Farrell, Allen Jenkins, and Clarence Wilson. This ranks as one of Kay Francis' best women's pictures of the early 30s--with One Way Passage and Confession.