Interesteg What makes it different from others?

Redwarmin This movie is the proof that the world is becoming a sick and dumb place

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Leofwine_draca THE KILLING OF JACOB MARR is a typical indie horror film which follows a bunch of holidaymakers as they stay in a cabin in the woods and uncover a dark secret dating back a couple of decades. The titular character owns the cabin and as a boy he discovered a weird object in the woods, an object which possessed him and caused him to commit violence. The arrival of the youths leads to more violence. This is a film which is slow and amateurish throughout, not very novel, just tired and inept. The script is a little better than most and things do build to a grisly climax, but overall there's little here to enjoy.

Andy Van Scoyoc Seriously, just not good. First, the plot is totally stupid.Kid finds a meteorite and it makes him instantly crazy? How? Better chance is, he'd get radiation poisoning, then go crazy.Nope...finds it, goes nuts and kills his parents.Okay, whatever. Stupid plot, but I've watched worse.This movie is extremely tedious and boring. I honestly only sat through it due to morbid curiosity.It had to get better, right? Wrong.What really gets me is, who rented the cabin to the friends? Was it the nutty guy? If so, when did he learn to talk? Bad, BAD lighting. I could hardly tell what was going on half the time.Bad lighting doesn't make a movie scary...it just makes it bad.If you have no other choice, this movie is okay.Otherwise, avoid...

hilde-christina There's good low budget and there's bad low budget, this movie is horrible low budget.  How many times did they put an awkward and horribly misplaced "f@!# no!" in there? I dare you to count. 1. The actors are bad, all bad. Most of them sound like they aren't talking, but reading their words from a piece of paper. Not believable at all, where did they get these people, craigslist?! 2. Lighting is really bad, at times you can't even see what you're suppose to see. When the characters are driving to this cabin of theirs, you mostly see darkness with two or four headlights moving, which gets boring quickly. This goes on for way too long which brings me to my next point: 3. The movie drags on. Typical low budget movies, they contain a ton of unneeded scenes and meaningless conversation. They could have cut down a lot, there's too many moments of meaningless nothing in this. 4. I can't stand obvious errors in movies. Two cars drive down a dark road in the middle of nowhere, the first car stops and there's no sign of the other car behind them? Very likely.  The characters are talking about how lovely the cabin area is, when it's PITCH black outside, unless they have excellent (and inhuman) eyesight, there's no way they could tell. As for being scary, not at all. The special effects are horrible, the movie tries to be funny when it's so not and in short, this movie was nothing but boring. Oh and the twist at the end makes no sense. They really tried to create a smart and unexpected ending, but they failed miserably. Avoid!

Greg One of the key components that helped Kevin Smith's Clerks connect with audiences was his knack to write characters that talked just like his target audience. The dialogue was felt genuine and it was easy to relate to Dante and his gaggle of customers.Finding relatable dialogue in film is like trying to match all your socks on laundry day. It ain't easy. And finding intelligent dialogue in a horror themed film is even more rare. But that is exactly what we found in the wonderful gem of a film, The Killing of Jacob Marr.As we popped the screener DVD into our Playstation 3, we had no prior knowledge of the film's production or synopsis outline. But the film captured our interests from the opening scene where a young boy finds a strange object that drives him to murder both of his parents.As we then settled in for what was going to be a very pleasurable and rewarding 107 minutes, we followed a group of five vacationers that have rented a remote cabin in the woods – the same cabin that was the site of the family murders 20 years prior. Their entrance to the cabin is immediately immersed in mystery when they notice the cupboards to be full of food and the rooms to have clothes and supplies that would suggest that others might also be occupying the wintery retreat at the same time.The group elects to stay in the cabin and await the return of any subsequent renters, but when the morning arrives and one couple venture out into the woods, they will regret they ever travelled to the home of Jacob Marr. And whether anyone will survive the evil that lurks outside will be focus of the film's story arc.The Killing of Jacob Marr was produced with a $15,000 budget (Source: IMDb.com), but that is hardly evident in the resulting production values. Writer/director Brad Rego works the camera masterfully in building the Jenga blocked tension. Brad shows the wherewithal to know what scares audiences (something moving in the background, a face appearing in a window) without resorting to a constant barrage of jump scares.But it's the dialogue that really jumps off the screen. From how the small cast relates to one another to their smart decision making (another rarity in horror films), The Killing of Jacob Marr separates itself from its peers in the genre by being smart, genuine and routinely funny. The sharp script allows audiences to relate and accept each character (who doesn't have a friend with a dominating girlfriend or the comic relief that doesn't mind being a third or fifth wheel?) and has very few miscues (I couldn't get past one character's utterance of the line "Now, now").The acting troupe which consisted largely of Morgan White, Brandon Beilis Alyssa Mann, Elizabeth Drake and Chris Keating are all stellar in their respective roles and commit to Rego's script with pinpoint delivery.In fact, the acting and dialogue were so spot on that when the film got to the eventual gore, it seemed a bit out of place. The violence that does occur in The Killing of Jacob Marr is graphically grotesque, maybe even unnecessarily so.It is clear that Brad Rego has an appreciation for the horror genre and he is not afraid to meet it head on with a wink wink nod nod. Friday the 13th gets a subtle reference a few times in the film, and one of the lead characters is wearing a sweater that shouts Nightmare on Elm Street.A release date for the DVD has yet to be established (the film has a theatrical release date of December 11th in Jacksonville, Florida). But if you are lucky enough or you can remember this title when it is available, it comes highly recommended.www.killerreviews.com