The Klondike Kid

1932
7| 0h7m| NR| en| More Info
Released: 12 November 1932 Released
Producted By: Walt Disney Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Mickey plays piano in the Klondike Bar. He rescues a depressed, half-frozen Minnie. Pegleg Pierre comes storming in and steals her away, after a gun battle. A dogsled chase follows, with Pluto pulling Mickey's sled. There's a battle at Pete's cabin that features a sequence with Pete and Mickey wearing bedsprings and bouncing. Meanwhile, Pluto, chasing a rabbit, makes a giant snowball that sends the cabin downhill and eventually traps Pete.

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Reviews

SunnyHello Nice effects though.
SpecialsTarget Disturbing yet enthralling
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Aspen Orson There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.
OllieSuave-007 Mickey Mouse plays the piano in the Klondike Bar, with a bunch of characters dancing and drinking. He rescues Minnie from the freezing cold, only to see her kidnapped by Pegleg Pierre after he comes storming in for a comically staged gun battle. Mickey goes to the rescue to get Minnie back.Plenty of fun in this cartoon short as well, with a cameo by Goofy in one of his first cartoon appearances. Pluto is in this one as well, helping transport Mickey to Pierre's cabin. Overall, a good mixture of humor, music and action.Grade A-
Robert Reynolds This is an early Mickey Mouse cartoon produced by the Disney studio. There will be spoilers ahead:This is an example of Disney at its creative best, at least for the time. Disney would set new highs in the future, but this is one of their best.This is a melodrama, set in the frozen wastes (cue Robert W. Service). Mickey is playing piano at the Klondike Bar. There's a beautiful bit of animation with a glass of beer on the piano. The crowd in the bar is singing and dancing, including proto-Goofy, who is dancing with a pig.Mickey sees Minnie outside the window and rescues her from the cold. This begins a very warm and tender sequence between our hero and heroine. There are a couple of posters which lend some foreshadowing of what's to come. Mickey cheers Minnie up and feeds her.Suddenly, Pegleg Pete (aka "Terrible Pierre") enters and all hell breaks loose. He spies Minnie, puts Mickey out of the way, wrecks the joint, scares almost everyone and flees with Minnie on a dog-sled.Mickey gives chase, with Pluto pulling his sled. There are several excellent animated bits, most notably some owls on a tree. Mickey winds up separated from Pluto and on skis. Pete gets to his cabin, followed by Mickey.There's some great gags and animation in the fight scene between Mickey and Pete, including the standard chamberpot gag. Pluto has an encounter with a totem pole and actually winds up in a mess which ultimately saves the day. The ending is cute, funny, tender and charming.This short is available on the Disney Treasures Mickey Mouse In Black and White, Volume One DVD set and it and the set are well worth getting. Most highly recommended.
wmorrow59 When the Disney organization re-released Fantasia to theaters in the mid-1970s, they included on the bill a black & white Mickey Mouse cartoon from early talkie days called The Klondike Kid. This six-minute opus is one of those simple, straightforward affairs in which Mickey rescues Minnie from the clutches of the dastardly Peg Leg Pete (renamed "Terrible Pierre" for this Arctic saga). I suppose the rationale for including the short on the bill, aside from offering a touch of nostalgia, was to demonstrate how far and how quickly the Disney staff had advanced in their technical mastery of animation during the eight years that elapsed between this comparatively primitive item and the far more sophisticated Fantasia. If that was the intention, however, then my memory suggests it backfired on them, at least at the screening I attended. The cartoon short really rocked the house, getting big laughs throughout and a round of applause when it was over, but when the feature began it seemed to take people a while to adjust to the artsier tone and more solemn mood of Fantasia. To some degree I think the added attraction stole the show, and watching it again now I can see why.There's a lot of great material packed into this brief cartoon, starting with the perfect mood-setting opening shot of the remote Klondike Bar. Snow is falling as jaunty piano music plays within, but poor Minnie struggles through the snow in thin clothes and a shawl. Inside the place Mickey is at the keyboard, pounding out a jazzy rendition of "Frankie and Johnny" and performing a cute sight gag involving a stein of beer. It's a pretty tough-looking crowd at the Klondike: the drinkers at the bar are mostly grizzled dogs and wolves while, amusingly, the dance hall girls are portrayed as actual pigs. Within a few years (thanks to Will Hays, Joe Breen and that prissy Production Code) the cartoons had to clean up their act just as much as the live-action productions did, and you wouldn't catch Mickey Mouse anywhere near booze, cigars, or wild wild wimmen, but when The Klondike Kid was made all that goody two-shoes stuff was still in the future. In this cartoon you'll see Pluto excitedly sniff a tree, Minnie dangle from a stuffed moose head by her panties, Terrible Pierre shooting a bar patron's pants off, and similarly earthy gags involving chamber pots, etc. Yet somehow smack in the middle of this sordid atmosphere Mickey and Minnie are as sweet as ever, like two incorruptible innocents in the Belly of the Beast; later on, unfortunately, the settings of their adventures would be just as sanitized and G-Rated as their relationship.Meanwhile, however, this Pre-Code entry is fast-moving, funny, and just a little racy, building nicely in tempo right up to the closing gag, and it exists solely to entertain. This is one of Mickey's best cartoons, and it deserves to be ranked alongside the most satisfying gems produced by Tex Avery and the guys at Warner Brothers's Termite Terrace. (In fact, Avery's 1939 short Dangerous Dan McFoo owes a thing or two to The Klondike Kid.) It's great that Disney's animators went on to develop more sophisticated techniques and produce those unforgettable features, but when watching this freewheeling, fun-for-fun's sake cartoon it's hard to avoid the notion that they lost a little something of value along the way.
Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.A bunch of the boys were whooping it up in the Klondike Bar's saloon, when Peg-leg Pete arrived out of the Arctic blast to kidnap poor waif Minnie from the arms of THE KLONDIKE KID.Inspired by Robert W. Service's famous poem - `The Shooting of Dan McGrew' - this is a splendid little black & white film full of humor and action. Mickey gets to show-off his talents as a ragtime pianist, while an early version of Goofy makes a brief appearance dancing with a piggy hostess & Pluto acts as Mickey's single sled dog. Typically, the animators subject helpless Minnie to a rather cruel panties gag. Walt Disney provides Mickey's squeaky voice.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.