The Last Horror Film

1982 "She's Dying To Be In His Film…"
5.6| 1h27m| R| en| More Info
Released: 12 August 1982 Released
Producted By: Winters Hollywood Entertainment Holdings Corporation
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.

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Reviews

Solidrariol Am I Missing Something?
ShangLuda Admirable film.
Manthast Absolutely amazing
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
Nigel P Disillusioned New York Taxi Driver Vinny Durand (Joe Spinell) is obsessed with cult film actress Jana Bates (Caroline Munro). He tells his mother, with whom he shares an apartment - actually Spinell's home), that he intends to go to the Cannes Film Festival, meet Bates and direct her in a film that will kick-start his career as an acclaimed film-maker. His mother (played by Spinell's real matriarch Mary – the star of the film, in my view) isn't convinced. In a warning uttered without punctuation, she says, "Stop thinking about those crazy ideas, you'll only get yourself upset again, I made baked macaroni, you don't eat right."Caroline Munro seems to be re-dubbed throughout, with an American accent. Visually, she's as 1980s as it is possible to get, her natural beauty often smothered by make-up and hair colouring and styling. She features in my favourite scene – wrapped only in a towel, running hysterically, barefoot down the middle of a bustling night-time road. This includes what appears to be real news footage, charting the assignation attempt on then President Ronald Reagan (himself an ex-film star) in an attempt by an obsessed fan to impress actress Jodie Foster.'The Last Horror Film' is by turns dreadful and very funny (especially the last scene). Every few minutes, we are treated to tracking shots of beaches, movie premieres and parties, incessantly accompanied by tuneless 80's 'songs, with hoarse-voiced singers, guitars and Linn Drums (which help to ensure the running time seems a lot longer than 90 minutes) – against this backdrop, Durrand comes across as a splendidly drab failure, who might even be responsible for a series of gory murders that seem to follow Bates around …Filmed, without permits, at and around the Cannes Film Festival, this is somehow saved from being 'a bad film' by the genuine warmth and heart that belies the bad acting (although Spinell has moments where he is genuinely unnerving) and zero budget. It goes some way to explore whether or not horror films inspire real life horrific events. Bates' comeback is that people watch the news, which is more terrifying than any horror films she has ever seen. It's difficult to argue with that.
lastliberal I don't know about a film that starts off with a man (Joe Spinell) pleasuring himself in a movie theater as an inflated babe (J'Len Winters) gets electrocuted in a hot tub.This film brings back Spinell and Caroline Munro, who made Maniac two years prior.In this film Vinny (Spinell) is a taxi driver and wannabe director that stalks Jana Bates (Munro) at Cannes trying to get her in his film. Thing is, people around Jana are dying and she is receiving ominous notes. Is it Vinny? Set in Cannes, you can be sure that there is an overabundance of boobage. There are more tatas than blood. Vinney is getting nowhere as his New York cabbie appearance doesn't get him in any doors at Cannes.So the whole film is Vinney trying to get in touch with Jana with the background of a film festival.You've seen enough to know how this is going to end.Good job by Joe Spinell, but there just wasn't enough to keep the interest for a full 87 minutes.
BA_Harrison Joe Spinell and Caroline Munro, co-stars of William Lustig's grimy sleaze-fest Maniac, reunite for this tacky slasher that was shot almost entirely on location during the 1981 Cannes Film Festival, and, thanks to its technical shoddiness and pretty awful script, also feels like it was written, produced, and edited during those few weeks as well.In typical slasher fashion, The Last Horror Film opens with a nekkid blonde being murdered in a hot tub, but, in the first of several plot twists (there is a double whammy right at the end), this death is quickly revealed to be a scene in a film that is being watched by Vinny Durand (Joe Spinell), a sweaty, lank-haired, delusional low-life who, infatuated with horror-star Jana Bates (Munro), travels to Cannes to try and convince the actress to appear in his non-existent movie.When members of the cast and crew of Jana's latest flick (called Scream) begin to disappear, only to turn up dead several days later, the finger of suspicion naturally points to Vinny, the crazed, drooling fan who has been stalking poor Jana, but is he really responsible, or is someone else killing time by killing in Cannes?Spinell, who was completely convincing as a deranged psycho in Maniac, fails to generate the fear this time, instead putting in a rather weak performance which sees him rapidly switching from 'threatening' to 'whimpering mummy's boy' in a rather laughable manner. However his performance is practically Oscar worthy when compared with that given by his real-life mum, Filomena Spagnuolo: she plays his on-screen mother and somehow even struggles to make this role convincing!Also disappointing is Munro, an actress who usually compensates for her wooden acting by looking absolutely stunning; here, however, sporting big hair with blonde streaks, she looks far from her best (who the hell thought it would be a good idea to make her look like a cross between The Bride of Frankenstein and Elvira?). And she doesn't even get her kit off, despite a scene that requires her to run full pelt down several flights of stairs in nothing but a towel!Fortunately, despite the iffy plot, and even iffier performances, The Last Horror Film isn't a COMPLETE waste of time: there are a couple of squishy murders (a throat slashing/decapitation and a bullet to the head); lots and lots of topless ladies (this is Cannes, after all!); clever references to some thematically appropriate current affairs stories (John Hinckley's assassination attempt on Reagan and the shooting of Pope John Paul II); and the film also acts as a nifty time-capsule—a reminder of days gone by, where titles like Cannibal Holocaust could be found adorning the billboards of sleazy flea-pits around the world.
r-kanne Plot: Joe Spinell plays a guy who desperately wants to make a movie with his dream-girl a famous actress portrayed by Caroline Munro. His mom thinks the idea` is cuckoo but he travels to Cannes anyway to make his movie......Form: The acting is splendid. The story has twists and hints all the way through and the ending, the finale, it`s eminent. Lovely movie by all means.Who is it for?: Sensitive viewers should be advised, the movie is pretty harsh and contains violent images and a haunting atmosphere in the horror-filled scenes. It is not suitable for kids. Adult horror-fans with a taste for blood will probably enjoy this movie a lot.Grade: 7 out of 10