The Locusts

1997 "Every betrayal begins with trust."
6.1| 2h4m| R| en| More Info
Released: 03 October 1997 Released
Producted By: Orion Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Delilah Potts has always had her choice of men to work her ranch and fill her bed. But from the moment Clay Hewitt, a handsome drifter with a mysterious past, arrives at her door, Delilah knows that her life will never be the same. And when he spurns her affections, she unleashes a torrent of forbidden passions and deadly secrets that will prove to Clay that the only thing darker and more dangerous than the past he's escaping... is the one he's about to discover.

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Reviews

Brightlyme i know i wasted 90 mins of my life.
Tedfoldol everything you have heard about this movie is true.
Yash Wade Close shines in drama with strong language, adult themes.
Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.
tamila_gill There are so many words that can be used to describe the emotions that I felt while watching this movie, and I'm not sure how to display them. But, I must preface my comments about this movie with the following: I am an unapologetic, unabashed fan of Vince Vaughn's acting, and I'm pretty sure that I always will be. I am, however, unbiased when it comes to a movie role, and can admit when I'm unimpressed with his work (his hosting of SNL back in 1998 quickly comes to mind). Having said this, here is a brief synopsis of what I received from this movie. My comments are based on the assumption that you have already watched this film.I felt that Vince Vaughn was amazingly convincing as Clay, a drifter on the run from his past. His portrayal of Clay Hewitt was nothing short of genius. I'll never understand how he successfully pulled off this role, because the script in itself left a lot to be desired, in my opinion. Somehow, Vaughn balanced a tough, gritty, emotionally unattached character with one that was gentle and loving at the same time. I was also surprised at how well the actors displayed various trust and emotional issues throughout the film. Flyboy (Jeremy Davies) gradually opens up to Clay, which allows him to gradually expose Flyboy to a whole new world little by little. Flyboy trusts Clay with everything, even to the point of eventually revealing the awful truth to him about "The Anniversary". Clay eventually feels comfortable (or desperate) enough to disclose information to Kitty (Ashley Judd) about tragic events that occurred in his recent past.He reveals that he has been lying to protect himself from his past, and hopes to move on and start over. The irony is that upon arrival to this rural Kansas town, Clay is unknowingly placed at the center of a family web of murder, suicide, lies and deceit. I also appreciate the dynamic between Clay and Kitty. He is emotionally detached from her throughout the entire film, and his emotional capacity is dominated by his concern for Flyboy. Kitty is spurned by Clay on every attempt at affection and communication with him. It turns out in the end that Kitty is all that Clay has emotionally and he instantly becomes desperate for her support; he literally needs her help to physically stand up in the end. I enjoyed how this played out.Flyboy's mother, Delilah, actually sets the whole stage for the tragedy that ends their branch on the family tree. In the last scene of the movie, it is obvious that she is plotting in her mind how everything will play out, and things turn out tragically according to her plan. Clay is the one person that Flyboy was correct in knowing that he could trust with his life. The fact that Flyboy died believing that Clay committed the ultimate betrayal is a devastating end that was admittedly almost too much for me to handle. This is especially considering that Clay's whole existence throughout the last 3/4 of the movie was centered around his interest and eventual love for Flyboy. One may think to himself that it's horrible for Clay to have entered Flyboy's life only for Flyboy to meet such a tragic demise. It may even appear indirectly that Clay is the reason for Flyboy's death. But I believe that had it not been for Clay, Flyboy may have lived longer, but remained miserable. He would never have known what it felt like to be loved by someone who truly considered Flyboy to be his best friend, or cared for by a woman that showed him genuine affection and considered time spent with him as "the best date she ever had"...to sum it up, had it not been for Clay entering his life, it's safe to assume that Flyboy would never have known what true love was. It's amazing to me that these actors (namely Vaughn and Davies) could work together in a way that allowed me to receive this much from this movie. I was truly touched by this film, and it has become one of my all time favorites.
Dana Wang WARNING: SPOILERSSet in the 1950s, this intense drama is about secrets, lies and misfortune. Personally, I think it is well-done. Clay Hewitt (Vince Vaughn) comes to a small town from St Joe and while on his way hitching to California, where he can get together with his brother who serves in the marine corps. With only seven bucks in his pocket, he has to find work in order to get some money. Immediately he is hired by Mrs Potts (Kate Capshaw) to work at her cattle ranch and lodge and board are provided. He notices that Mrs Potts has a young son, Flyboy (Jeremy Davies) who never speaks to anybody but his beloved bull. Later Clay befriends Flyboy and tries to guide him to the outside world, which he has been excluded from for years due to his stay in a mental hospital. They say he has a shock when his father hangs himself.Meanwhile, local girl Kitty (Ashley Judd) falls in love with Clay. Flyboy starts talking to people and makes steady progress, but at the same time, the whole thing is about to go extremely wrong- Clay's brother has long been killed in a friendly fire and the reason why he's going to California is because, back in Kansas, a sixteen-year-old girl with whom he has had sex accidentally hurts herself and dies, so Clay has to flee from being executed. Eventually, Clay decides to take Flyboy with him, away from the domination of Mrs Potts- Flyboy has been treated as a slave and has been emotionally abused by his promiscuous mother who cuts the balls of his pet bull. But when Mrs Potts has found out Clay's intention, she threatens him that if he took her son with him, she would inform the police as she already has learnt about what has happens in Kansas. It is at this very moment, the dirty secrets of Mrs Potts and her son are revealed. Clay can take his wages and leave on one condition- he has to do what Mrs Potts asks him to. When Flyboy finds the two of them in Mrs Potts' bedroom, following his father's (not even his birth father) footsteps, he hangs himself. Soon afterwards, Mrs Potts takes her own life as well. Despite such catastrophes, Clay and Kitty manage to escape.In my opinion, this is a very fascinating, twisting story. The whole cast is good, especially Vince Vaughn and Jeremy Davies. In 'The Locust', every main character is a victim, except perhaps Kitty (Ashley Judd), who actually has strength to give Clay a helping hand. Clay is a victim of his mishap, Flyboy is a victim of his mental trauma due to his father's death, his mother's behaviour and the unintentional betrayal by Clay, Mrs Potts is a victim of her incestuous father and Mr Potts is a victim of his wife's infidelity. This film is about deaths- there are five of them, three of them are suicides.P.S. Clay seems to have endless cigarettes to smoke. Where does he get the money for them?
angel4l The Locusts was a good movie. I say good because after watching it, I wasn't very impacted. The only memorable aspect of this film was the outstanding performance of Vince Vaughn. Though the story concept seemed very original, the script seemed to be lacking in the kind of lines that stick in your head. See it if it's there but don't go out and look for it.
Steve-280 This came on at 4:40 AM this morning, and I was tired, but tried to catch it all. I didn't, and so want to see it again, but I think I caught most of the necessary details. Vince was much better, more thorough, full, than what I've seen him in before (which isn't much) and now I'll expect more. Judd, Davies, and Rudd are also fairly unfamiliar, but now I'll get at them too. They were all fine, but I want that second viewing. I'll probably tape it, but it only came on once this month here. Maybe I'll rent it. Certainly not upbeat, but so is life sometimes. The actors had me reacting with both anger and tenderness, so I hope that won't be lost next time. As for other mentioned films, Cat left me cool, Hud I love, and remaking Streetcar sans Leigh, Brando, Hunter, et al, is fruitless, even with full dialogue. I'm much more on the positive side with this one so far...hope it lasts...