Rijndri Load of rubbish!!

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

mark.waltz Two decades before her debacle of the movie version of the Broadway musical "Mame", Lucille Ball had a truly wretched film which she herself had badmouthed. It was all to get out of that Columbia contract, hopefully to appear in the big Cecil B. Demille smash, "The Greatest Show on Earth", but of course, that didn't happen. Instead, she ended up on TV and the rest was immortality.Lucy's a princess here, beyond miscast as an obviously non-Arab Arab princess. This is miscasting at it's worst, with Lucy acting like she's ready to have a cat fight with the first actual Arab to come along and reclaim the title she seems to have stolen from them. She's the sister of the caliph, the subject of affections by the caliph's right hand man (Raymond Burr) who is twice as evil as the usurper caliph, having nefarious intentions himself. Years before, the rightful caliph was murdered, and his heir is sent off on a magic carpet, growing up to be John Agar, a common thief. Hired as the caliph's doctor simply because he cured his hiccups, he soon finds out his real identity and becomes involved with both Lucy and Patricia Medina, a peasant girl who is no Maria Montez or Yvonne De Carlo. Corny to the end, this is a quota quickie (produced by poverty row producer Sam Katzman) that was perfect for Saturday matinée audiences but forgotten soon after. Burr is appropriately sinister, with Lucy obviously phoning in a performance. George Tobias provides comedy relief while the actual carpet is pretty impressive allegedly flying through the air with the greatest of ease.

bkoganbing Harry Cohn making use of those sets he constructed for Cornel Wilde and A Thousand And One Nights made this B film The Magic Carpet that starred John Agar, Lucille Ball, and Patricia Medina. It looks like it should have come from Universal which specialized in these Middle Easterns in post World War II America churning them out by the dozen for its young contract stars, Jeff Chandler, Tony Curtis, and Rock Hudson.But John Agar never attained the stature of these guys and doesn't quite cut it in sword, sandal, and camel. Poor Lucille Ball she was just waiting for I Love Lucy to start and just running out her contract. Lucy especially put all the emoting of George Raft into her role as the usurper princess. Of course her red hair looked as out of place in these films as Maureen O'Hara did.As this story opens the Caliph of Bagdad is proclaiming his infant son his heir when he's struck down in a palace coup. Before the revolt is finished the Queen is also killed, but not before she dispatches the infant like Moses not in a waterproof basket, but on the family flying carpet, set on autopilot and to the home of William Fawcett a physician who brings up the kid in his profession never revealing to the kid who grows up to be John Agar his true identity. Fawcett even keeps the carpet which proves of immense help.Patricia Medina who appeared in more than one of these kind of films has the proper spirit playing the girl who Agar really likes. But I sure can't believe she's George Tobias's sister. Raymond Burr who appeared in some great films and some not so great like this one is always good, here as the villainous vizier of the false Caliph who discovers who Agar is and tries to destroy him. The Magic Carpet is a mediocre sand and scandal story with leads who just can't really summon up any conviction.

ptb-8 THE MAGIC CARPET is great fun. A Sam Katzman Supercinecolor bargain counter costume extravaganza with Lucille Ball and John Agar... what's not to like? It made me want to see Monogram's ALADDIN and HIAWATHA made he same year also in Super cine-color... which I thought was fantastic and rich in every mad hue possible. What a calling card for Super Cinecolor! You actually could have a whole weekend watching all these films and top it off with RKOs SON OF SINBAD. Any scene with Lucy and a very confused Raymond Burr is hilarious and she clearly is between TV shows and running not walking through this silly funny film. Tin swords that clatter, people stamping about on the floor, and a flying carpet that looks like a stiff beach towel..... yippee! It's a masterpiece of razzle dazzle cine-color whizziness. See it and laugh.

Charles Reichenthal Lucille Ball didn't have to do THE MAGIC CARPET and chose to make it just to finish off her contract with Columbia and move onto her planned new TV show, and we all know the result of THAT. Columbia did not believe that Ball would accept the role in this film, but she outfoxed them all and played the villainess in this Arabian Nights-type fun film. I saw it initially when it was first released, and I LOVE LUCY was already a smash hit on the tube. It was the second half of a double bill, and the audience enjoyed every minute. It was an unintentional(??) riot to see Ball so out of the character that we had come to expect already from LUCY. The SRO audience hooted, laughed, giggled, and had a great time. I don't even recall what the main feature was.... But THE MAGIC CARPET is still remembered, and I would love to find a copy.