AutCuddly
Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Bessie Smyth
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Erica Derrick
By the time the dramatic fireworks start popping off, each one feels earned.
Lela
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
morrison-dylan-fan
Taking part in a Film Noir challenge on ICM,I started trying to decide which two US Noir's I could watch as a double bill. Checking up titles on IMDb,I remembered a Noir fellow IMDber XhcNoirX had told me about,which led to me meeting a guy,whose face looked oddly similar.The plot:Arriving home, Charles "Chick" Graham is faced with his wife Cora Cox Graham saying she has never seen him before,and a lookalike of Chick's called Albert "Bert" Rand,who is pretending to be him. Failing to get the police on his side,Chick goes undercover,when he finds out that Bert has linked him to a bank robbery. Surviving an attempt on his life,Chick sets his sights on unmasking his fake self.View on the film:Shot on location in Puerto Rico, director Edward Montagne & cinematographer Fred Jackman Jr. give the Noir face off a sun-kiss elegance against rugged rocks and dusty tunnels underneath the welcoming sights of Puerto Rico. Made on a low budget,Montagne does give the place the feeling of being a small village,with the leads easily crossing paths with each other,and it looking like the island only has one cop.Slowly sinking the realisation into Chick that he has been played, the writers give their adaptation of Samuel W. Taylor's book a Noir playfulness that covers some of the sketchy marks over how Bert was able to make everything perfectly fall into place,thanks to a murderous dog keeping the exchanges between Bert and Chick clouded in a mood of danger. Playing not one,but two roles, Barry Nelson gives terrific performances as Charles 'Chick' Graham / Albert 'Bert' Rand,thanks to Nelson balancing Chick being at his Noir wits end with Bert's abrupt wise-guy asides to the man whose face he's stolen.
Michael O'Keefe
Barry Nelson plays a double roll in THE MAN WITH MY FACE. "Chick" Graham arrives home after work and steps right into a weird situation. His wife Cora(Lynn Ashley)and brother-in-law Buster(John Harvey)are dumb-founded looking at him as if he was a stranger. When Graham comes face to face with a man that looks just like himself, he knows that his life, as he knows it, is bound to change in a hurry and not in a good way. His life spirals out of control with no boundaries. He struggles to find an explanation, but not before he is implicated in not one...but two murders.This story proves how much confusion and suspense you can fit in 76 minutes. Other players: Jack Warden, Henry Lascoe, Jim Boles and Chinita Martin.
Jay Raskin
Barry Nelson starred or guest starred in about 60 T.V. shows from the 1950's to the 1980's. He even starred in three different television series in the 1950's, none of which lasted a full season. His triumphs on television included being the first James Bond on film/video in a 1954 "Climax" episode based on Ian Fleming's "Casino Royale" and an excellent made for television suspense movie called "The Borgia Stick" (1967). Three "Alfred Hitchcock Presents" and a "Twilight Zone" episode also adds to his reputation.This is only one of four theatrical features that he starred in. "Undercover Maizie" (1947), "The First Traveling Saleslady" (1956) and "Mary Mary" (1963)were the other three. In truth, the female leads: Ann Sothern, Ginger Rodgers, Debbie Reynolds were the stars of these three movie. Thus this is really the only theatrical movie where Nelson was the main star.It is a showy part with Nelson being both the protagonist and antagonist. He handles both part well. Nelson was never a flashy actor, but he always brought sincerity and charm to his roles.Carole Matthews also was known mainly as a television actress from the 1950's and 1960's. She was in about 50 television shows, but only playing leading roles in a half dozen or so. She also starred in about half a dozen low budget movies like this one. Like Nelson, she is also a fine actress who is quite believable even in unbelievable movies like this one. It is sad she never got better roles and never became a star.Like D.O.A., this film noir starts with a totally fantastic plot and then tries to convince you that it is possible. A man arrives home one day to find that a double has taken over his life. Unlike D.O.A., this one doesn't convince you that such a thing is possible, but it is fun, nevertheless and you have the give the script credit for trying.Perhaps the real star of the movie is a Doberman Pincher who does his best to convince you that he is a trained assassin. He doesn't quite make it, but he is a handsome and well trained dog.The movie is nicely photographed and has lots of great shots of Puerto Rico circa 1954. This is no masterpiece, but it is interesting and original enough to keep one watching for its short length of 70 minutes.
MartinHafer
The plot for "The Man With My Face" is 100% ridiculous--there's no better way to describe it. It's so ridiculous, you'll probably have a hard time suspending disbelief in order to enjoy the film. It's mildly enjoyable...but stupid.The setting for the film is very unusual--Puerto Rico. I can't recall another film set there other than "Mr. Moto in Danger Island" and for some odd reason the island hasn't been used as a setting very often. Barry Nelson plays two roles. One is a cold-blooded crook who has stolen a HUGE amount of money in a robbery in Miami. The other is married and has a business partner. Unfortunately, this nice Barry Nelson doesn't realize that the wife and 'friend' are working with the crook--and are more than happy to let the evil Barry assume the nice Barry's life. And so, when nice Barry returns home, the wife throws him out and calls the police--saying evil Barry is her husband. The setup is pretty complete and they are able to convince everyone amazingly quickly that the phony Barry is the real McCoy. This doesn't make sense for two reasons. First, you do NOT have 100% exact duplicates out there--not completely like you in every freaking way. Second, you'd think the police would take BOTH men in to headquarters and take better efforts to ascertain the truth. It just doesn't make any sense. For the rest of the film, nice Barry runs about trying to get help from friends and family as well as tracking down people who know the evil Barry. The film does have some snappy dialog--as well as a ridiculous doggy that seems A LOT smarter than nice Barry! Is the film worth seeing? Well, if you are crazy like me and watch a bazillion films a year, sure....you could do a lot worse. It is oddly watchable despite the silly plot and flat acting. But for the average person, this is an imminently forgettable and VERY flawed film--one that just isn't worth your time unless you are a family member of Barry Nelson or if you are a Puerto Rican living in the continental US and want to see a glimpse of home.By the way, although the film was made in Puerto Rico, it was VERY odd--as NO ONE seemed to speak Spanish and the accents were minimal. I've spent time in Puerto Rico and I sure would have loved it if everyone spoke English and had very slight accents--but instead, I mostly had to speak Spanish (very poorly) because fluency in English is not all that common in this part of the United States.