The Midnight Patrol

1933
7| 0h20m| NR| en| More Info
Released: 03 August 1933 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Novice policemen Stan and Ollie bungle a burglary investigation.

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Reviews

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Benas Mcloughlin Worth seeing just to witness how winsome it is.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
mark.waltz A couple of moronic rookie cops prove that they live in the state of confusion which explains how they got their badges. Thieves steal their spare tire while they eat in their squad car; they allow a jewelry robber to escape, mistaking him for the proprietor, and then destroy a mansion where a break-in was in progress. Amusing in spots, I still didn't laugh a that much, although there are the usual pratfalls that do create smiles, especially concerning the safecracker who continues to work while Officer Laurel calls the station. The best parts are more ironic than funny. The conclusion is really questionable and just left me cold.
John T. Ryan BEING AN EXAMPLE of the old switcheroo, this entry into the Laurel & Hardy series of 2 reelers puts the Boys into the role of Cops; rather than their being at odds with the Law. The resulting mayhem is pleasant and more than mildly amusing; even if it is decidedly on the predictable side.TO START WITH, the night scene filming is really impressive and does give us the feel of what has long been called "the Dog Watch" in Big City police department circles. The street scenes are authentic in appearance and make for a high classed, impressive and convincing setting. The sets, including the sight of a residential burglary call, do seem to be familiar. No doubt they were the very same shoot sights that were used in so many of Mr. Hal Roach's productions; dating back to the Silents.THE SITUATIONS THAT make up the scenario (such as it is) are mainly unrelated; held together only by their being the assignments of the rookie L & H cop team. Of course, this may be an unintentional concession to reality; for a real tour of duty day would be made up of many different assignments, which would be seldom related.THE CAST OF this one is quite sparse, with only three other players in the early goings on. The burglary suspect and the radio dispatcher's voice are the most prominently featured, other than the store burglar. The largest number of on screen actors appear at the end of the story in the police station. Though unbilled, the actors that filled out the cast are names familiar to the Hal Roach comedies, such as: James C. Morton, Tiny Sanford, Harry Bernard, Billy Bletcher (dispatcher's voice) and Charlie Hall.THE ENDING IS one that we would have to stretch to view as being truly a funny way to leave us laughing. Rather, it could be said to be an example of the surreal on the screen.
Steve Pulaski We've seen Laurel and Hardy as bums, unionized workers, manual laborers, Christmas tree sales man, and men soon to be married, but never before have we seen them as police officers (that work was presumably left to the Keystone Cops). The Midnight Patrol shows Laurel and Hardy as two late night police officers, who are informed of a burglary at a nearby mansion. After being completely oblivious to another thief attempting to crack a safe at a local store until he tries to steal the boys' car, Laurel and Hardy arrive at the aforementioned mansion and need to find a way inside. The boys attempt to use a solid stone bench as a battering ram to break the door down, which results in one of the funniest Laurel and Hardy stunts in any of their shorts, as they cause complete destruction to property and end up in a barrel of sauerkraut (don't ask) before being scolded by their superiors in the harshest, most evil way.The Midnight Patrol is a much more downtrodden, morbid short by the boys, dark and noir-ish in lighting and tone, only complimenting the early 1930's time period. Laurel and Hardy are intensely watchable here, but the humor is traded for a much more casual approach to a narrative that isn't always funny nor interesting, and, frankly, sometimes boring. However, the frightening and unexpected ending and the setup here are unique enough for Laurel and Hardy standards that The Midnight Patrol merits a watch in some respect.Starring: Stan Laurel and Oliver Hardy. Directed by: Lloyd French.
Ron Oliver A LAUREL & HARDY Comedy Short.Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.