The Millionairess

1960
5.4| 1h29m| en| More Info
Released: 18 October 1960 Released
Producted By: Dimitri De Grunwald Production
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Budget: 0
Revenue: 0
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Synopsis

When her father dies, Epifania Parerga, an Italian in London, becomes the world's richest woman. She feels incomplete without a husband and falls in love with a humble, Indian physician, Ahmed el Kabir, much loved by his indigent English patients.

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Reviews

Hellen I like the storyline of this show,it attract me so much
Matialth Good concept, poorly executed.
Helllins It is both painfully honest and laugh-out-loud funny at the same time.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
rcraig62 The Millionairess reminds me of why people will sit through generally stale movies sometimes instead of just packing it in, the odd glitter or chemistry between two major movie stars who one does not often get to see together. This is a flat uncompelling piece of work about a newly minted heiress (Sophia Loren) who can't find the right man to marry and a devoted Indian physician (Peter Sellers) who has no interest in money- or women. Sellers performance is about the only thing that takes this picture above banality; he has so much integrity as an actor that he raises the level of the mostly shoddy material. He has some truly wonderful, charming moments as the doctor who resists the stunning Loren at every turn (the same could not be said off-camera; Sellers wrecked his first marriage over the obsession). Loren, is a good, but not great actress; her appeal lies heavily in her charm and good humor. Here, those qualities are muted by the character she plays: a self-obsessed bombshell who has no real love to give- only money- and doesn't understand why a man of true integrity won't respond to that. But what's wrong with the screenplay is fairly obvious. In the typical Hate At First Sight movie romance, the characters learn and grow to see the virtue of the each other's worth, then fall in love. Here, they don't. Sellers character gives no indication of wearing down, Loren's never stops being exasperating (in one scene, she fakes an illness at 4:30 AM so Sellers will come over to examine her). When they hook up at the end, it's totally implausible and not very satisfying (she fakes committing suicide to draw him to her). That said, the movie is not quite boring, the audience may be drawn to the radiance of the stars in spite of itself, but it has no real spark and no drive. The look of it is quite nice, it's expensive without being gaudy. But it doesn't serve the actors very well; even the great Alastair Sim isn't well-used. I suspect watching The Millionairess is something like being super-rich, one gets the feeling of having too much time to kill. 2** out of 4
zach19 I loved this film as a boy growing up in the 60s, and I love it today. In today's society in which sex is flaunted and perverted in the movies, it's nice to be able to take a trip back in time and see movies in which sex was depicted more as an "innuendo". Sophia Loren is one of the most beautiful women of all-time; and Peter Sellers was one of the funniest comics of all-time. Together they made a romantic comedy that could compete and surpass many of today's romantic comedies.
apass Rather memorable on the whole. Not a great deal of laughing to be had, but certain vignettes are tasteful and entertaining, e.g. Epifania's three-month poverty-to-riches test, the doctor's futile three-month 500 pound give-away. Placing in the top quartile of my movie experiences, it's a light comedy well worth seeing.
Bob Mass I loved watching Alastair Sim, Sophia Loren and Peter Sellers in action. Alastair's voice is still bubbling in my head as is Peter Seller's Indian accent. And all the beautiful cheesiness of a 1960's movie. If any of that appeals to you see the movie.