Solemplex To me, this movie is perfection.

Tacticalin An absolute waste of money

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

adonis98-743-186503 New York, Christmas Eve, 1999 at the dawn of the new millennium a subway construction crew unearths an eight hundred year old Celtic skeleton and a mysterious key. The Minion is nowhere near as good as it could have been actually it's silly, goofy and pretty much damn awful and not even Dolph Lundgren could have saved it plus the storyline was a bit similar at places with 1999's End of Days starring Arnold Schwarzenegger and Gabriel Byrne but unfortunately? Nowhere near as charismatic as that movie was and it's very disappointing i guess. (0/10)

Comeuppance Reviews When archaeologist Karen Goodleaf (Robertson) goes to investigate a burial site found underneath New York City, she gets way more than she bargained for. Among the relics is an ancient key. This key just happens to unlock the hiding place of "The Minion", a devil or demon of some sort. Luckily, Lukas (Dolph), is sent from a monastery in Jerusalem to help recover the key before it falls into the wrong hands. As it turns out, Lukas is a direct descendant of The Templars, and his "warrior priest" status helps Karen fend off the powers of The Minion, whose spirit can inhabit the bodies of others. What will happen to the mysterious key? The Minion has some noteworthy ideas, such as modern-day Templars, and the dialogue is fairly interesting, or at least attempts to be. For example, The Minion has the ability to turn you into a were-minion. So many DTV movies seem like they're not even trying. Say what you will about The Minion, you could tell the filmmakers were at least putting forth some effort into delivering a product with some worthwhile thought put into it. The dialogue to convey said ideas is delivered convincingly by Dolph, who must have chosen this role because it's a bit different than what he's usually known for (or he was hitting a rough patch in his career and had no other option but to go to Canada and shoot this).Now while there are historical references (among plenty of mumbo-jumbo, of course) - the film borrows heavily from such contemporary movies as The Relic (1997), but crosses it with C.H.U.D. (1984), of all things. Dolph can only stop the evil with a huge spiked glove, highly reminiscent of The Glove (1979). But it's one of the cooler aspects of this movie nonetheless. Actually, an entire movie could - nay - MUST be made of Dolph fighting more baddies and punks with a spiked glove. Come to think of it, forget all this mystical demon noise. Dolph and "The Glove" forever! Who's with us? Anyway, add in a demon in some kind of supernatural prison, and Dolph as the most badass dude to wear a white Priest's collar, and you have a decently entertaining Dolph vehicle, despite its flaws.It may not be one of Dolph's shining moments, but The Minion really isn't all that bad. It's a good one-time watch.For more insanity, please visit: comeuppancereviews.com

xtrospawn This movie had the potential to be really good, considering some of the plot elements are borrowed from the sci-fi actioner THE HIDDEN. And Dolph always lends some cheesy appeal to his roles. But someone somewhere really dropped the ball on this one.Dolph plays a butt-kicking monk (!) who travels to New York to retrieve a key that unlocks a door beneath his monastery that has imprisoned the antichrist for 2000 years. He must battle the minion, who is a spirit that jumps from body to body much like THE HIDDEN and JASON GOES TO HELL. The minion, naturally, wants the key so it can let the antichrist out. Along for the ride is an annoying female archaeologist and together she and Dolph are chased by the minion-possessed bodies.If I'm making this sound entertaining, forget it. The pacing is very awkward and sluggish, the acting subpar at best, and the fight scenes staged poorly. Dolph sleepwalks through his role and spouts some of the worst dialogue of his career.The cheese factor really picks up at the end when the minion battles an army of machine-gun wielding monks at the monastery, but the rest of this flick is a snoozefest.Too bad, I really wanted to like this.

Yonhap S The Minion is about... well, a minion. A servant of Satan and whose goal is to get the key that will unlock the door where his master is trapped. He is some sort of demon who possess human beings and when the body dies will possess another. Anyone who happens to be possessed will go on some berserker rage. Dolph Lundgren plays Lukas, a member of a secret order of Templars, who is tasked to keep the key away from the minion. The movie begins a thousand years ago, in the Middle East where a couple of knight templars flee from the minion. Then flash forward to 1999, where the key winds up somewhere underground in New York. An archeologist is assigned to study/dig the place where the key was found. Needless to say, the minion is after the key, and the movie becomes a long winded chase scene between the minion and Lukas and archeologist.The movie, is just that, a low budget B-movie flick. The movie lacks energy, and just trods along. You'll follow the chase but you won't ever feel involved in the story which willfully takes ideas from previous movies (especially The Terminator films). The fight scenes with the minion is troublesome, in that you never get the sense of how good or how bad a warrior this demon is. It "skillfully" becomes a one-man army when fighting a squad of templars but sucks when it comes to one-on one. And it's supposed to be around for a long time. All this goes to show that any sense of logic is just thrown down the drain for convenience. The whole idea of a secret order of Templars, a door to hell, and the key isn't well explained. We are merely to accept that they just exist. The movie seems to have been made with the feeling there's not much potential to the story but only enough to make a few bucks. Dolph Lundgren sure looks like he wish he were somewhere else.The verdict: 2 of 5 stars.