FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Kayden This is a dark and sometimes deeply uncomfortable drama

weezeralfalfa Certainly, a classic portrayal of the gentleman riverboat gambler who excels at playing cards when no trickery is involved. He is also an expert swordsman, taught by his father. Along with dancing, these seem to be his main skills, but should be sufficient to support a wife and children, in the right environment. We might contrast Mark with Gaylord Ravinal, of "Showboat", also a riverboat gambler. After marrying Magnolia, his gambling luck turns sour, and he leaves Magnolia. Her father says "Ï told you so". In contrast to the aristocratic Leia in the present film, who tried to deny her attraction to this social underling, Magnolia practically threw herself at Gaylord, who was handsome, dressed as a gentleman, and was an excellent singer, besides apparently skilled at gambling. Gaylord left Magnolia, but eventually came crawling back to her. In contrast, in the present film, it's Leia who comes running to Mark, asking forgiveness for all her putdowns.John McIntire, as John Polly, serves as Mark's sidekick, sharing Mark's dream of creating a no-cheating gambling establishment. Ralph Dunke, as Caldwell, tries to prevent the two from accomplishing this goal, as he has made his fortune cheating at gambling. His goons try to rough up and dump overboard Mark and Pool. The two manage to beat their opponents and dive overboard in a shallow stretch, to take another boat the rest of the way to N.O.. Surprisingly, the pair don't seem to encounter Caldwell in N.O..Another villain is Laurent(John Baer): Leia's brother, and the son of Edmond Dureau(Paul Cavanagh), who runs a fencing club in N.O., and knew Mark's father in Paris. Both Laurent and Edmond are marked for death in the near future. Laurent considers Mark an unqualified upstart in the quest to win the hand of Leia. He challenges Mark to a formal duel. Surprisingly, Mark chooses pistols instead of rapiers as the weapons. Laurent cheats by firing his pistol before the count is finished. He misses, in his haste, leaving Mark to spare his life. However, Laurent was ostracized for his cheating. Why did Mark choose pistols rather than rapiers, which he was sure to win with? Apparently, he wanted to be seen as giving Laurent a sporting chance. Laurent would later again attempt to kill Mark, but only succeeded in killing himself. Laurent's father was mortally wounded in another duel. His death symbolically opened the way for Mark to become his successor as the champion swordsman of N.O..Yet another villain is George Elwood(Ron Randell). He is a banker and becomes Leia's husband. Some rumors are spread about what he does with the bank's money, causing a run on the bank. He absconds with the remaining money, and Leia has the marriage annulled.Piper Laurie, as Leia, isn't exactly a pleasant character. If I were Mark, I would have chosen the non-aristocratic Ann(Julie Adams)over her. Apparently, Mark preferred aristocratic breeding over personality and usefulness. Tyrone Power isn't my favorite actor, and I find many of his films dull. However, this one is OK, although he can look menacing when he scowls, at this age.In the middle, the acclaimed Gwen Verdon stars dancing to ""Haitian Devil Song". It's pretty long and ornate. See all at YouTube

bkoganbing Mississippi Gambler was Tyrone Power's first film since Darryl Zanuck loaned him to MGM for Marie Antoinette away from Twentieth Century Fox. Ty produced this one and filmed it under the banner of Universal- International. It got deserved good reviews.No actor in the history of cinema was better suited to period pieces and costumes as Tyrone Power. If Power had been possessed of a good singing voice he'd have made the ultimate Gaylord Ravenal.As Mark Fallon he's a gentlemen riverboat gambler who gets involved with a pair of women, the spoiled Piper Laurie from an aristocratic New Orleans family and Julie Adams, a down to earth person of few pretensions, but she comes to love Ty deeply. Who could blame her.Ty with partner John McIntire set out to and succeed in owning a gambling palace where honest games of chance are the rule. They don't need to cheat because they're both the best at their trade.Villain of the piece is John Baer, Laurie's weakwilled and spoiled brother. He becomes a truly hateful person in this film, the kind audiences love to hiss. Making a film debut here is Dennis Weaver as a man who goes broke at Power's tables and then commits suicide. You could tell Weaver was going to have a big career from this brief role. You can also spot Guy Williams as one of Baer's aristocratic friends.If Universal had used one of their contract players for Mississippi Gambler, the part would undoubtedly have been played by the fast rising Rock Hudson. But I don't think Rock could have touched what Power did in a role perfectly suited for him.Hopefully Mississippi Gambler will come out on Video and DVD soon. Too many of Tyrone Power's performances are unseen by today's generation.

blanche-2 "The Mississippi Gambler" is largely responsible for the downfall of Tyrone Power's marriage to Linda Christian. The film was originally developed as a vehicle for the two of them, but Universal Pictures prevailed and Piper Laurie was cast. As Laurie herself put it, "When I did the test, my competition was Mrs. Power!" Christian never forgave her husband. Add to that his affair with Anita Ekberg (who is uncredited in this movie), and you've got a recipe for divorce.Needless to say, the role was tailor-made for Power - that of a handsome, honorable, gentleman-gambler who's in love with one woman, Angelique (Laurie) and has the love of another, Ann (Julia Adams). Power is magnificently handsome, if maybe a little too old for this part. He is meticulously dressed and has the opportunity to show off his sword play. It's an excellent role for him, and one he does beautifully.The production values are sumptuous, including the sets, costumes, and a marvelous supporting cast which includes John McIntyre, Ron Randell, and John Baer, and the wonderful Paul Cavanagh, who plays Angelique's father. Laurie, once the President of her local Tyrone Power Fan Club, is exquisite in the ingénue role. The beautiful Julia Adams (who looks eerily like Connie Selleca in this film) does a great job of suffering from unrequited love.Nearly twenty years of working at Twentieth Century Fox had taught Power a lot. This film was a huge hit and, with a percentage of the gross, made a ton of money for him. He needed it for the divorce settlement.

pzanardo A joyous technicolor is the symbol of what dear old classic movies mean for us: entertainment, relax, simple but beautiful stories, nice and talented actors, great cinematography and costumes, accurate direction, and, of course, a due happy ending. "The Mississippi gambler" is a perfect instance of what I've just said.The whole cast works beautifully. I like Tyrone Power. He succeeds in the difficult task of being a beautiful man and an incredibly nice guy. He is a very good actor, too, largely underrated, in my opinion. For the talent of pretty Piper Laurie just refer to "The hustler". Here she manages to be brilliant even in the somewhat straightforward role of the spoiled girl. And then we have John McIntire: he is a member of the club of the all-time-greatest supporting actors, together with Walter Brennan, Thomas Mitchell etc. His mere presence improves a film.The story is quick-paced, interesting, entertaining, romantic, much 1800ish. The good taste rules. There's plenty of amiable 19th century cliches. Who doesn't like the old gentleman (great job by Paul Cavanagh) who faces a duel to defend the reputation of a young woman? According to the literature of the 19th century, brothers seem to exist mainly to cause major troubles and misery to their affectionate sisters. In "The Mississippi gambler" we have no less than two independent examples in this direction. By the way, John Baer is very good in the role of the debauched, arrogant but coward youngster. The photography, costumes, and locations are gorgeous. The interiors are outstanding: look at the furniture, it's magnificent. Everything is merged in a glorious, shining technicolor, the main ingredient of our dreams, the vehicle for us to be transferred into another epoch.Something to add? A fine design is made of the 1800ish psychology of the characters: romanticism, honor, duels, pride, want of adventure, and all that sort of likeable things."The Mississippi gambler" is a really good movie, worth of a golden age of cinema.