Protraph Lack of good storyline.

Dotsthavesp I wanted to but couldn't!

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Jackson Booth-Millard Also know as The Night of the Shooting Stars in some cases, this Italian film I found in the book of 1001 Movies You Must See Before You Die was one had knew nothing about in terms of the concept, but I was very much looking forward to crack into. Basically, set during the end of World War II, 1944 in Italy it seems that defeat is certain for the Germans invading the country, they may be retreating but have left a path of destruction behind them, and there is rumour that they plan to bomb several buildings in small town. The villagers of this town are told that they should gather in the church, while half listen to this and trust the safety of the church with this threat is coming, the other half of the people dress in dark clothing and leave to seek the Americans who are rumoured to be near and liberating towns that they come to. Of course on the journey to find salvation the villagers cannot escape the pain, exhaustion and of course potential threat of incoming attacks around them, but they all stay close together to get through this and find the Americans and whatever hope for the future. Starring Paolo Hendel as Dilvo, Omero Antonutti as Galvano, Margarita Lozano as Concetta, Claudio Bigagli as Corrado, Massimo Bonetti as Nicola, Norma Martelli as Ivana, Enrica Maria Modugno as Mara, Sabina Vannucchi as Rosanna, Dario Cantarelli as Priest, Sergi Dagliana as Olinto and Giuseppe Furia as Requiem. I admit that on occasion this was a little hard to follow, but I understand the story well enough, there were some interesting moments of surrealism and humanity, the feeling of unity is good and obviously the fear of war is terrific, all in all it is a worthwhile Second World War drama. Very good!

feofanova Great pictures and memorable details will convince all viewers, that this movie is a depiction of personal memories above anything else. But from a dramatic point of view I never felt anything during the film. I honestly didn't give a damn about the characters, since I never felt I got to know anything about them. They were nothing but desperate, hopeful villagers, full of emotions I did not quite understand apart from the obvious horrors of WW2 and the believable uncertainty of liberation from the Nazis and Fascists.But there was no psychological drama at all. No portrayal of single characters. The villagers are nothing but a social group all the time. A pregnant woman, a god-fearing child, a priest... But who ARE they really? They walk, run, die, walk, cry and walk again. But nothing much happens, and we don't know what's going on outside their small social community. Perhaps this isn't the point of the story, but I'd like to know it anyway.The acting is (in my humble opinion) very Italian. The theatrical approach, and the intense emotional expressions are predominant throughout the movie. I simply cannot relate to it, even though I tried my best (I bought the movie, so I would be a fool not to give it a try). But it did not work out for me.

jotix100 The night of August 10th, when the feast of St. Lawrence is observed, is the time of the year when meteor showers can be observed in the sky. It has been a tradition in the western culture that wishing for a favor when watching the falling stars in the sky is a way to ask for love, riches and luck. The sky watchers can expect a spectacle like no other because of the way those distant lights are seen falling, fast and furious.The brothers Taviani, Paolo and Vittorio, have always come out with interesting films that involve simple people, usually connected to the land. In "La Notte di San Lorenzo", the Tavianis take the viewer to witness a group of people from Tuscany during the last days of WWII. The story is told by a 6 years old girl who was too young to realize the horrors around her in those final days of the conflict.In spite of the approaching American liberating army, there are still the horrible local Fascists, who knowing they were fighting a losing battle, terrorized their neighbors into submission. These misguided people, having mined most of the houses in the town, are feared by the local population. Some flee into the countryside, but some remain in the town, convinced that being in the big church will protect them against evil.Things go from bad to worse. We see different vignettes involving some of the people, as they cope with the situation. There is Galvano, who has loved Concetta in silence and is finally, as in a miracle, gets his wish granted in the way that she acknowledges that she has always love him, even after both have been married to different people. There's the young pregnant young bride, who is expecting and who gets married at the beginning of the film, only to be separated from her husband in an ironic twist.The Tavianis painted a huge canvas in which they situated the action. Tuscany in the summer is a lovely place to be, but one can't even comprehend that it was also the scene for the tragedy lived in Italy in those tragic years. The music by Nicola Piovani is effective in the background. Franco DiGiacomo's photography does wonders to make the film a great experience. The large cast does an excellent job for the Tavianis, who are ultimately, the ones to thank for their courage in presenting us this lyrical movie of beauty and death.

Claudio Carvalho In the World War II, part of the citizens of the Italian Tuscan town of San Martino decide to leave their homes in the night of San Lorenzo, escaping from the Germans, and searching for the Americans. In the way, they fight against the Fascists, and most of them survive. The story is told by the character Cecilia, an unpleasant six years old girl at that time. Yesterday I watched this famous movie for the first time. I do not know whether was the high expectation I had, but I find it too personal and disappointing. The amateurish cast has not passed emotion to me. The story is very simple and too personal and has not engaged me. I would not like to be unfair, but I have not seen anything special in this small budget realistic movie. I usually do not read any comment of a film before writing mine, but I read the review of Howard Schumann (Vancouver, B.C) and I found it excellent. My vote is six.Title (Brazil): `A Noite de São Lourenço' (`The Night of San Lorenzo')