ada the leading man is my tpye

SpuffyWeb Sadly Over-hyped

Smartorhypo Highly Overrated But Still Good

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

mrnunleygo This is clearly a dreadful movie, but it's still difficult for me to rate, since I think it's a contender for So-Bad-It's-Good status. It's a last-judgment-end-of-days-prophecies supernatural horror thriller, and it had a pretty decent budget, enough to hire a few name actors and to film on location in Italy and Israel (as well as the U.S.) Even so, the special effects are amusingly crude for 1999; there's no suspense, since the ultimate battle between Evil and Good comes off a bit like "Bambi meets Godzilla"; and it suffers from the prophecy movie problem that none of main characters' actions seem to have any effect whatsoever on the outcome. But what's wonderfully awful about this film is the way the non-supernatural events are vastly more implausible than the supernatural ones: that is, it's possible to suspend one's disbelief when viewing the supernatural plot elements, but you can't watch the supposedly human action without thinking "no effing way would that ever happen." A good one to laugh at with bad-movie-loving (and at least somewhat irreverent) friends.

Uriah43 This movie starts off with a Jewish scholar by the name of "Rabbi Rostenberg" (Yehuda Efroni) completing research on a Biblical code which can unlock secret messages of prophetic importance from within the Bible. Because of the significant advantages to be gained from its possession, evil forces want his work and send a hit man named "Dominic" (Michael Ironside) to kill him and acquire it. They succeed in killing him and they get most of the code. But not all. When the news of Rabbi Rostenberg's murder leaks out a popular motivational speaker named "Gillen Lane" (Casper Van Dien) is called upon by television reporter "Cassandra Barashe" (Catherine Oxenberg) to explain to her audience the importance of this Bible code. Not long afterward the man recently appointed as the Chairman of the European Union, "Stone Alexander" (Michael York) calls upon Gillen Lane to be his public relations spokesman as he launches an effort to consolidate the world under his leadership. Anyway, rather than disclose the entire plot and ruin the mystery for those who haven't seen this movie I will just say that while this film is entertaining the story itself is mishandled a bit. The main cause of this is the fact that it spends a great deal of time on setting up the story but condenses way too much material at the end. As a result the ending leaves much to be desired. Still, both Michael Ironside and Michael York, along with Catherine Oxenberg to a lesser degree, performed in a reasonably good manner and their performances make the film watchable. However, I cannot say the same for Casper Van Dien as he just didn't have the presence required to be a lead actor. In any case, this isn't a bad Christian film and I think it deserves an average rating.

clydestuff The Omega Code, as we are quickly informed, is some secret words hidden in the Torah which will unlock the prophecies that will bring about the end of the world as we know it and with it the Rapture. As it turns out, God being all knowing and all seeing, saw to it that these codes could only be unraveled by computer.Before the opening credits have finished rolling, there's this guy named Rostenburg (Yehuda Efroni) sitting at his computer where he has just finished deciphering The Omega Code. Just before being eliminated by a bullet hole to the chest, he rips part of the code out of his book and hides it in his shirt pocket. The guy doing the killing turns out to be Dominic (Michael Ironside), who is prancing about in the most ridiculous Rabbi disguise straight out of the Halloween Costume Department of Wal-mart.After stealing the CD Rom which contains the computer program that unlocks the code, and not for one minute thinking to search the corpse, Dominic begins his escape where he is quickly confronted by two strange characters, who after showing Dominic that his pistol is no match for their "angelic" prowess, tell him to be on his way like a good little boy so he can kill a few more rabbis or priests or whoever crosses his path the wrong way.Later on we will find out that Dominic is employed by a guy named Stone Alexander (Michael York) whose goal it is to rule the world by making sure the biblical prophecies are fulfilled. The best part of this opening sequence is that it let's us know early on that nothing in this film is going to involve logic, but at least the opening credits were finally over.We quickly zoom back to the good old U.S.A. where we meet Tony Robbins wannabe Gillen Lane (Van Dien) just as he is about to appear on an Oprah TV like show hosted by Cassandra Barashe (Catherine Oxenberg). She doesn't seem too enamored of Lane as he comes bouncing out like Dr. Phil on steroids and immediately gets the audience applauding and laughing along with his antics as he preaches to them how they can release their own "empowerment." The funniest thing about this whole sequence is that the audience looks as if they were paraded over from TBN's Praise the Lord show and their laughter sounded like it was stolen from an old I Love Lucy episode canned laugh track.Shortly thereafter we meet Gillen's wife, Jennifer (Devon Odessa) who is not at all amused by his globe trotting, book selling antics. Jennifer has two personalities, glum and glummer. There's also his daughter Maddie (Ayla Kell), who simply loves her papa regardless of what her dour mother thinks. Later, Gillen once again runs into the Oprah host Cassandra, who has mysteriously quit her television show to become a globe trotting reporter completely in awe of Stone. Stone, with Gillen's help starts shaping world events so that the prophecies of The Omega Code can fall into place, which in turn will make Stone more powerful than a locomotive, faster than a speeding bullet, and holier than Jesus Christ himself.All of the events in The Omega Code take place over a period of about seven years, but the way this film is edited it could easily have been two days or two hundred years. We are never given any logical sense of time and place. Often, when Gillen is running from Stone's men or the police, he escapes but we are never shown exactly how. And he does a lot of running. At least a fourth of this film's running time is taken up with shots of Gillen running up the street or down the street or onto another street, running out of an alley or into a tunnel.In another sequence he returns home and at first his wife Jennifer won't talk to him. Then she holds up a sign saying the house is bugged and immediately they begin talking about their escape plan. In another goofy moment, Gillen is at the home of a friend who is secretly working for Stone. Coincidentally and right on cue, when the friend has to pop into the bathroom, the phone rings, Gillen picks it up and it just happens to be Stone once again which enables Gillen to escape.As for the rest of the cast, I have to admit I didn't mind Michael York's over the top portrayal of Stone. He made me fondly remember the lineup of villains on the old Batman TV series. As for Dien and Ironside, both of who took a right turn out of the bug hunting of Starship Troopers to appear in this mess, my suggestion is that they both re-enlist in the marines. Oxenberg does nothing more than appear as needed when the plot calls for it. Just about anybody could have phoned the part in . Too bad they couldn't get the real Oprah at least that would have been interesting, but you won't find Oprah within a thousand miles of this fiasco.If Crouch and Company were trying to win over some converts with this film, they probably failed. I'm sure it pleased those who are already sending in their nickels and dimes to the TBN conglomerate, but it certainly won't convince too many others. The plot is convoluted and totally incoherent. The dialog is stilted and goofy. The directing and editing wouldn't even pass the mustard on a network hour long television show. Anyway, if you're a good Christian, I am sure you can find some good causes to send your money to instead of lining the pockets of the Crouches. It'll get you closer to heaven then this mess ever will.

tblutes-1 This hideous waste of celluloid warrants less than a 1. The problem with movies like this - other than the obvious low production value of this one - is their conflation of religious mythology and suspense/thriller genre techniques. Even for those who believe in the fairy-tale nonsense of ancient prophecies, this movie strains the imagination. Casper Van Dien offers what is probably the flattest performance of his lackluster career. Michael York - an otherwise brilliant actor - shows an unappealingly hammy side. Catherine Oxenberg, York's protégé, gives the best performance in this otherwise worthless piece of hysterical religious propaganda. Michael Ironside looks like he'd rather be somewhere else.... I couldn't blame him! But, hey you take what you can get. The graphics are very obvious and overdone. The entire movie fails to suspend one's disbelief - except in disbelieving that anyone could make such an awful flick. Thanks to the fans of Christian TV, it will sell some DVDs.