The Panther's Claw

1942 "A Shriek Of Death - As The Sleek Nocturnal Prowler STRIKES Again!"
5.8| 1h10m| NR| en| More Info
Released: 03 March 1942 Released
Producted By: Motion Picture Associates
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The police arrest a man climbing over the wall of a cemetery after midnight. He claims that he is being blackmailed and is following instructions he received by mail to leave $1000 on a certain grave. It turns out that he's not the only one who got a blackmail letter from the same person--calling himself "The Black Panther"--and it also turns out that all the recipients are connected to an opera company.

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Reviews

Incannerax What a waste of my time!!!
Smartorhypo Highly Overrated But Still Good
HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
susanctoo This is a cute blend of comedy and mystery as others have said. It is at least as good as a modern TV sitcom. I thought Byron Foulger did a great job as the suspicious character who just might be a bad guy. He is so addled being questioned by the police and so scared of his wife and 5 daughters it makes for a sympathetic and charming hero. The plot slowly bumps along with plenty of red herrings thrown around and more humour stirred in with the stereotyped black elevator operator doing the step and fetch it style humour good for a little chuckle. If hubby who really does not like B and W movies stayed interested, then that is enough to recommend it.
bensonmum2 A seemingly innocent, harmless man, Everett P. Digberry (Byron Foulger), gets caught up in blackmail, extortion, and murder. The DA suspects Mr. Digberry isn't as innocent as he appears. Can the police find the real criminal before the DA presses charges?The Panther's Claw is a very misleading title, evoking menace and horror. A more apt title (both literally and figuratively) would be The Kitten's Paw. The movie is more of a comedy with some weak mystery elements (I knew the killer's identity the moment he appeared on screen) than harrowing as title would lead you to believe. Despite the misleading title, The Panther's Claw is a decent little movie. Fortunately, some of the comedy works and at times is quite funny. Most of the credit has to go to Byron Foulger (I just wrote about him and his appearance in Honey West). He's good. The best I can say about the rest of the cast is they're serviceable. No one really stands out. Being a PRC film, it has that dark and dirty look I've come to expect. Lighting must have been beyond PRC's limited budgets. And the sets look as if they were furnished from a local second-hand store. The movie is only 70 minutes long and, generally, flows well. Unfortunately, there are a couple of plot points that left me scratching my head. Like, how did the killer's suit end up in Digberry's closet? Or, why wasn't Digberry more forthright and honest with the police from the beginning? Would have saved himself a lot of trouble. But in the end, this isn't brain surgery and it's enjoyable enough to deserve at least a 5/10.
MartinHafer "The Panther's Claw" is a B-movie from tiny PRC--a tiny studio that made a ton of cheap low-budgeted Bs. While this film isn't that much different from the norm for PRC, it is, inexplicably, more enjoyable than most of their output. Now I am NOT saying it's an especially well made film--it's full of plot holes and the ending is one giant plot hole! But, despite all this, it is fun to watch and much of it is because of the inexplicable choice for a main suspect in this murder mystery.When the film begins, a very mousy man, Everett Digbury (Byron Foulger) is caught climbing over the wall from the cemetery. According to Digbury, he HAD to go to the place to drop off extortion money from an unknown person who calls them self 'The Panther'. However, the cop insists on taking Digbury downtown and he's treated like a criminal! Fortunately, the Chief of Police isn't as stupid as the rest of the cops and he feels sorry for Digbury and feels that he is a victim of a crime--not some evil perpetrator. However, over time, this confidence is shaken as several times murders occur and all the evidence points to poor old Digbury!As I mentioned above, seeing one of the meekest men in all of Hollywood playing a guy who MIGHT be a multiple murderer and extortionist is pretty funny. Additionally, despite a few plot holes, the script actually is pretty good--particularly when it comes to snappy dialog. Although this is far from a great film, it is entertaining and fans of old B-mysteries would surely enjoy this one.
kevin olzak Anthony Abbot's fictional detective, Police Commissioner Thatcher Colt, inspired only two little known Columbia features, 1932's "The Night Club Lady" and 1933's "The Circus Queen Murder," so after a decade's passing, Poverty Row's PRC took a crack at the character with "The Panther's Claw," intended to be only the first in a new series that came to naught. Replacing two-time Colt Adolphe Menjou with dependable Sidney Blackmer (an excellent choice), the often comic story is derived from Abbot's 1940 short story, "About the Perfect Crime of Mr. Digberry." In keeping Digberry (Byron Foulger) at the forefront, Blackmer's Colt is reduced in stature, conducting a too leisurely investigation as other annoying suspects get an abundance of screen time until he comes on strong at the end. Sadly missing from this PRC Colt are his faithful assistant Miss Kelly, delightfully portrayed by Ruthelma Stevens, and his unique lip reading abilities, which at least made him stand out from his inspiration, Van Dine's Philo Vance. Speaking of which, this would be the screen finale of Thatcher Colt, just as PRC also brought Philo Vance to his end, in a three picture series from 1947. Both characters suffered the same fate on television, as neither were ever revived for small screen incarnations. In hindsight, I believe that PRC was not only better than Monogram with mysteries (Charlie Chan), but also the horror genre, as their stories usually wasted no time getting underway; feel free to disagree.