Blucher One of the worst movies I've ever seen

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Salubfoto It's an amazing and heartbreaking story.

Walter Sloane Mostly, the movie is committed to the value of a good time.

richardpfau This was a movie unlike anything I have ever seen. A real eye opener into life in a war-torn country. Fascinating, lovely, and tragic.

info-763-822590 A story of pain, resilience, loyalty and terrible choices which those of never (yet) subjected to the everyday horrors of war on our own doorstep have had to face. Brilliant story, well portrayed in subtle terms. No high drama which made it all the more poignant and human. Not one for the wham bang brigade, more one for the thoughtful watcher. Exquisitely shot: colours, set ups, scenes - everything was admirable. Unlike any film I have seen before. Brings home the pity of war, the damage it does to ordinary lives. Brilliant performances from everyone. See it. Remember it. Learn from it - in every way, as a human and as a film-maker.

maurice yacowar Atiq Rahimi's The Patience Stone examines that understudied thesis: Islamic terrorism is rooted in a repressed and perverted sexuality. As the heroine's worldly aunt remarks, the men who make war can't make love. Though the film is based on Rahimi's novel, its sexual and moral paradoxes smack of the films co-scripter Jean-Claude Carriere wrote with Bunuel. The terrorist officers are proud to rape virgins but refuse to rape a whore. That saves the virtuous heroine (Golshifteh Farahani). Conversely, the young soldier who approaches her as a whore is the first man to treat her with respect and affection. As the victim of his commander's sadism he empathizes with the supposed whore. The woman who personifies the will and capacity to survive is the prostitute aunt. That fate awaits the heroine's two young daughters -- if they are lucky enough to survive the male world of war. The reversals are as surreal as the bombed landscape. The central marriage is totally aberrant. The young girl was by arrangement both engaged and married to the terrorist hero in absentia. As a lover he's even more absent when he's there. His "love" making is brutish and violent. The closest the woman comes to a happy relationship with him is when he lies comatose and she can for the first time unburden herself of her secrets. After ten years of silence and misery she comes to like him when he ostensibly listens to her. For the first time she has a voice. For the first time she can express herself. For the first time he can not spurn her kisses and caresses. The confession that breaks through, that returns him to life, is her revelation that because he is sterile she arranged for another man to sire his two daughters. The woman needed to procreate to sustain the marriage. When he returns to himself his impulse is to kill her. Again male violence is rooted in a perverse concept of masculinity. For more see www.yacowar.blogspot.com.

Arashpit For people form middle east it would be good to know that women are as human as men. For the rest of the world its good to know that human feeling exist the same way even under hijab! The most impressive line is "those who don't know to make love, make war". Golshifteh is a pioneer in breaking the control freak nature of middle eastern culture which I believe is the main factor that underlies sexual complexes and subsequent dysfunction in the layers of society. She, aware or not, is the first person who is putting an end to this. The picture and landscaping is realistic and the motion of the lens is so touchable in alternative induction of life threatening vigilance and peaceful love making moments. Filmography explains the culture for non-afghan viewers pretty digestible.