Onlinewsma Absolutely Brilliant!

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

malmborgimplano-92-599820 As much as I love this show (practically wore out my original London cast album and even enjoyed the much-maligned film version) I've never actually made it to a live performance, so this was a lot of fun to watch. I was delighted to see Sierra Boggess and Ramin Karimloo perform the original show, having admired their performances in the same roles in the otherwise wretched sequel Love Never Dies. In fact the only thing I didn't enjoy was Andrew Lloyd Webber coming out onstage after the curtain call. I realize the curtain speech is an old English theatrical tradition but way to ruin the magic.I've been a fan of the Phantom since childhood and saw as many versions as I could--Lon Chaney, Claude Rains, Herbert Lom, and my favorite, Maximilian Schell. As a little girl I liked the idea of being a heroine with two men fighting over me and thought being abducted to a secret island under an opera house was a cool adventure. Now I see the Phantom for what he is--a despicable murderer, racketeer, kidnapper and stalker--and I like the way his villainy is played up in this version rather than the pathos. It's not really healthy to encourage young women to find the Phantom romantic. We need more Raouls in our lives.

TheLittleSongbird The Phantom of the Opera is one of my personal favourites, and for me easily Andrew Lloyd Webber's best musical(though I do have a soft spot for Joseph). Anybody who loves The Phantom of the Opera will fall in love with this Royal Albert Hall performance, and while I didn't hate the 2004 film as much as others did this performance is a huge improvement. The costumes and sets are sumptuous and exquisite to look at. The camera work allows you to admire the production design and does so unobtrusively, often it has a very cinematic look which I loved without feeling overblown. The sound is resonant and clear, giving the feeling that you are actually there at the ROH watching it live. The orchestra give the score the powerful sweep it should have, a great thing in itself as it is one of those musicals where every song works. The chorus enunciate clearly and have a vibrant and carefully-blended sound. The stage direction is hugely compelling all the way, you are thrilled, terrified and moved to tears throughout and you do empathise with the characters and are fully engaged in Phantom and Christine's love-hate relationship. Nothing feels overdone or stillborn, you do miss the falling chandelier set-piece but at the same time you can understand considering the venue why it wasn't done. The singing is fantastic, embracing the somewhat exposed- from my experience having performed at ROH with various choruses at 3 Christmas concerts, one concert as a guest choir and 2 prom performances- acoustic.Ramin Karimloo is an incredibly powerful Phantom, imposing in stature, somewhat scary, somewhat seductive and very affecting, and he has a gorgeous voice, one of the most beautiful of anybody in the role in my opinion. His make-up is genuinely hideous, and Music of the Night is really heartfelt. Sierra Boggess' Christine is alluring, charming and her stage presence is as moving as Karimloo's. Her soprano voice is bright and lyrical with no breathy sound(despite some of her breathing having a gasping quality), and I personally prefer her high notes to Sarah Brightman's finding them much clearer. Wishing You Were Somehow Here Again had me weeping buckets. Raoul is I agree more abrasive than usual, but Hadley Fraser still sings beautifully- especially in All I Ask of You- and doesn't forget to act. All the supporting roles are filled solidly, but I want to really credit Kiera Duffy, she is every bit the Prima-Donna diva Carlotta ought to be but displays also a sympathetic and vulnerable side that I have rarely if ever seen from past Carlottas, most of which are basically caricatures. We are also given the bonus of having the likes of Sarah Brightman, John Owen Jones, Anthony Warlow and Colm Wilkinson performing, Michael Crawford doesn't sing but it was still a pleasure to see him. I was less taken by Peter Joback, it is a rather a lightweight sound and sounds rather nasal, a sound that is not very easy to warm to. But he isn't enough to bring down the performance in any way because everything else is so good. The appearance also of Andrew Lloyd Webber himself was also very touching. In conclusion, amazing, if you love The Phantom of the Opera this is everything you could possibly want and more.10/10 Bethany Cox

ihab-azar Andrew Lloyd Webber's the phantom of the opera is the world's most successful entertainment event of all time to date grossing about 5.6 billion dollars worldwide and seen by over 130 million people. i personally love this musical, having seen it in London last year and became a "phan" i went on to check the 2004 film adaptation starring Gerard butler as the title role. and absolutely hated it. luckily for me i heard about this special royal Albert hall production released on DVD celebrating the show's 25th anniversary and when i saw it i absolutely loved it. it was spectacular in every sense of the word. the thing that matters most in any production such as phantom is the cast, since one cast member that isn't rightfully cast can ruin the entire show (for instance, butler's casting in the film), but here every cast member was brilliant. ramin karimloo's phantom was exactly what the phantom character needed, having a voice that is intimidating yet caring and tender at the same time, and his acting was also superb. sierra bogges was also perfect as Christine, with a great voice that completely blew my mind away. all the other cast members were also brilliant in their roles, and the casting was ideal in my opinion. the scenery and effects were good, but not perfect. the sets for example was replaced by screens (due to the fact that the royal Albert hall is a concert hall not a theatre, and the sets of phantom are enormous) which was okay, but not as jaw-dropping as in the original London production, also the chandelier effect was barely believable here, instead of rising over the audience like in the original production, the chandelier simply shoots some fireworks and move a little, and at the end of act I instead of crashing down the stage, it shoots fireworks again and turns off it' lights, which might have been effective for the audience sitting in the royal Albert hall, but not very effective for the DVD viewer. still those flaws didn't bother me from enjoying this tremendously. at the end of the show the composer Andrew Lloyd Webber (whose music is nearly perfect in every way no matter how much criticism it received over the years) says a few words about the show and introduces the creative teams and original London company to the stage, which was very exciting. the grand final consisted the original Christine daae, the wonderful Sarah brightman performing the mesmerizing title song with 4 phantoms from the past, present and future was wonderful despite the fact that you could hear her breath a little during the first part of the song, but she hit those really high notes at the end perfectly, then the phantoms performed the iconic "music of the night" for one huge encore. all n all this production was awesome, and the next best thing to seeing the show in person, it proves why phantom is so loved and appreciated around the world and why it celebrated 25 years. a huge recommendation to fans of the musical and i think people that aren't familiar with the stage musical will like it too (not everyone though, if they don't like musicals and don't like this kind of repetitive musicals, which doesn't bother me). Andrew Lloyd Webber's the phantom of the opera: the most successful musical of all time is as timeless and haunting as ever in a sweeping breathtaking production. well done to all the ones involved in it.

ben83 Finally a full staging of my favourite musical and the second longest running one in the U.K is here for the first time on DVD. This live production filmed straight from the iconic Royal Albert Hall in London, which was broadcasted to cinemas and theatres around the world and celebrates 25 years of the Andrew Lloyd-Webber musical, is nothing short of a lavish treat for the eyes and ears, with amazing performances and acting from the cast, including all the songs that fans of the show will know and remember.The 25th Anniversary production stars the amazingly talented Iranian born Canadian Ramin Karimloo as the Phantom and American Broadway star Sierra Boggess as Christine Daae, with a great supporting performance from Hadley Fraser as Christine's love interest Raoul. Karimloo and Boggess incidentally are no strangers to the characters, having played them previously in the London production of the sequel to this show 'Love Never Dies'. Their chemistry on stage is perfect as are their performances. Ramin is terrific as the Phantom and injects emotion and passion into the show playing the phantom as essentially a victim, with a voice that at times can be vengeful and deadly, yet soft and vulnerable at others. His delivery of the 'insolent boy' line near the beginning strikes fear right around the Albert Hall. I would even go as far to say that he is the best Phantom that I've watched so far, having previously experienced others on stage live and unfortunately the terrible 2004 movie version starring Gerard Butler. His acting is great without being over the top, and you really feel for the character. Sierra Bogges is also amazing displaying sensitivity, vulnerability and sexuality all throughout the show. Her performance of 'past of the point no return' being a particular highlight. The two leads work very well together and make the show believable. There are also good supporting performances too. Hadley Fraser's Raoul is dynamic and energetic without becoming too irritating and makes quite a good match against the Phantom in the battle for Christine's heart. Wendy Ferguson and Wynne (Go Compare) Evans are very funny as the diva Carlotta and Piangi, the two Italian opera supremos who are the subjects of Phantom's rage and eventually driven to obedience. Equally as funny and memorable are the opera house managers Firmin and Andre, played brilliantly by Barry James and Gareth Snook, who camp it up and provide some additional comedy. The staging and scenery is spectacular, with the doomed chandelier hanging above the audience and the on stage sets, especially the bridge leading to the Phantom's lair, featuring prominently. Due to the venue they had to make a very slight change to the chandelier scene at the end of the first part of the show, but it isn't a big deal and still has a great impact in my opinion. The show is pretty much identical to that of the theatre version that one may see in London's West End or anywhere else it may be on. Some lines were changed ever so slightly but nothing noticeable or significant. The performances throughout will leave you astounded and definitely not disappointed. In fact there are simply no scenes or performances that can be criticised. If you are a fan of the show you will love this and not be disappointed. As in usual 'anniversary style', like the Les Miserables 25th concert, they bring back all the old Phantom's and stars who have performed over the years in various productions. Including Michael Crawford and Sarah Brightman. Andrew Lloyd-Webber also makes a speech about the show and it's legacy. So now finally you can watch the show like you were in the theatre itself whenever you want. One advantage this production has over seeing it live is that you get to see all the facial expressions and emotions up close, thereby really getting a feel for the show almost like a movie in some parts (but definitely much better than the actual movie).