The Plumber

1979 "When your waterworks come back to haunt you!"
6.5| 1h17m| en| More Info
Released: 08 June 1979 Released
Producted By: Australian Film Commission
Country: Australia
Budget: 0
Revenue: 0
Official Website:
Synopsis

At first simply grating, the presence of a hard-edged, macho plumber who damages more than he repairs and returns day after day soon turns menacing for the intellectual wife of a distracted doctor.

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Reviews

Interesteg What makes it different from others?
Matcollis This Movie Can Only Be Described With One Word.
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
margielove 'The Plumber' is an excellent movie.There have been other films about outsiders encroaching on a household and attempting to take over - but none (as in 'The Plumber') where the other characters are so oblivious to what is actually happening: 'The Servant' 1963 - Dirk Bogarde - wherein a manservant takes over the house and 'Ring Once for Death' part of the 70's 'Thriller' Compendium - (created by Brian Clemens ) starring Nyree Dawn Porter - wherein her manservant tries to poison her and also take over . But 'The Plumber' eclipses both of these in its complexities and the various layers/elements to the film. There is the 'mystery' element: When Max enters the lift to go to Jill's apartment his hand hovers over several buttons in the lift before resting on the one which leads him to Jill's apartment and then calls her 'Jilly' without ever being introduced. There is also the mystery as to the plumber's intentions: "He's really very sweet" says friend Meg. "He's really very cunning " replies Jill. There is a disturbing sound of wind encircling the Uni. apartment block - whenever it is viewed - emitting an instantaneous sense of menace. No wonder that Peter Weir added the cheerful restaurant scene with the Italian music - as a foil to the 'evil' - towards the climax of the film. There is the fact that the other characters in the film - no matter how close to 'Jilly' as the plumber calls her - don't seem to have an idea as to what is going on and how the plumber's presence/actions have affected Jill. In fact, Max - the plumber - seems to work at getting her husband / friend 'on side' by chatting to them or fixing their cars - perhaps to ingratiate himself because of what he sees as 'class' differences - very obvious when Jill - now exasperated - picks him up on misusing grammar.There is the 'men vs women' aspect of the film - in addition to Max - the plumber's relationship with Jill - we have the man aggressively watching the women performing their yoga, and admonishing them that other people need to use the hall. Add to the plot the revolting story which Meg tells Jill about a woman entering someone's home to use the bathroom , and the lady finding that it is really a man in drag. There is the subject matter about which Jill is writing her thesis - her experiences with the 'Bitu' man with whom Jill had interactions in New Guineu - and the intermittent sighting of the Bitu man during the movie via the artifacts and pictures in the flat.A humorous sideline of the film - is the overseas visitors' dinner to sight her husband's nutritionist work - and how one of them - hilariously - gets trapped under the bathroom rubble. Brian (the husband) is doubtful about getting a post in Geneva - but after the dinner - is successful - which he irronically puts down to 'collapsing bathrooms and cognac.' I believe that Jill gets rid of the plumber in the same way that she dispensed with the Bitu man - by use of cunning, and I believe that the ending - in which Jill is looking down at the plumber whilst he screams "You bitch- you set me up" - New Guinea drums ablazing- is near to perfect. A wonderful little gem of a film which doesn't give you answers - but makes you think.
yob14 I found my copy of "The Plumber" at a yard sale. I have this silly habit of renting or buying what appear to be low-budget, very campy, or exploitive features to enjoy a good laugh or perhaps spot a popular celebrity paying their dues in the early days of their career. To those degrees, I was a little disappointed with The Plumber (although the low-budget part appears to be true).I fully expected a "slasher-fest" and screams galore. Instead, The Plumber is about a doctor's wife left alone in the company of an annoying fellow (perhaps a plumber, perhaps not) who proceeds to annoy the hell out of her for the duration of the movie. I agree with the previous reviewer that this theme was duplicated later in "The Cable Guy" with Jim Carey. This bloke is dying for someone to either impress or simply alleviate the loneliness in his life. In the end, we're not sure if he's getting what he deserved or we should feel sorry for him. Indeed, this was a story of psychology, and how we may react in a similar situation.It's possible I may watch this one again one day, but it's not a movie I would keep with my favorites. Still, it's funny, a little creepy, and definitely worth the 50¢ I paid at that yard sale :)
Infofreak This obscure Peter Weir TV movie from the late 1970s is a little dated, but still very entertaining and suspenseful. The three main actors (Judy Morris, Ivor Kants and Robert Coleby) aren't exactly household names here in Australia but will be familiar to most TV viewers over the age of 30 for their roles in various soap operas and the like. All three are excellent here in what could be their best work. Morris and Coleby play married academics. Coleby is distracted and concerned about an exciting career opportunity, Morris is currently working at home engrossed in her studies of New Guinea culture, and is timid and less confident socially than her husband. One day the plumber (Kants) arrives at their flat, and from then on her life will never be the same again. Kants is charming but rough, and very odd. A Dylanesque folk singer with a "Liberals = less tax" message on the back of his jacket (Non-Australians note the Liberal Party is our equivalent of the Republicans in the US or Conservative Party in Britain), he plays mind games with Morris, who becomes increasingly uncomfortable, and ultimately terrorized. Weir keeps things quite ambiguous and we never really know whether Kants is a dangerous psychopath or just the biggest pain-in-the-arse you could ever wish not to meet. I enjoyed 'The Plumber' a lot, it's a very effective low-budget, low key thriller shot through with plenty of black humour.
CharlieB-5 Peter Weir shows how a good film can be made from a solid script and very little money.A student of anthropology attempts to understand aboriginal tribes, but is completely baffled by the cultural chasm that separates her post-graduate sensibilities from the working-class plumber who is sent to work on her apartment. Is he malicious or misunderstood? The script is delightfully ambiguous.A little low-budget gem.