2freensel I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

bastard wisher This is a great film. If this is any indication, than Hong Sang-Soo really is "Asian cinema's best kept secret". It's very similar in style to Tsai Ming-Liang and Hou Hsiao-hsien, and covers a lot of the same ground as them thematically, but I think I actually enjoy this more as a whole than any single one of their films. The overt minimalism is slightly less pronounced here than in their work, although it still completely fits that style (the camera never moves even once), and somehow I found the film less self-consciously "slow" than Tsai Ming-Liang or Hou Hsiao-hsien, which I think is part of the reason I enjoyed it more. Plus, it doesn't keep it's subjects quite as detached as Hou does. I felt like the film was also somehow more "complete" and less open-ended (just barely) than some of their work, although that's not to say it had much of anything resembling a forward-moving plot. I would have a hard time believing that Sophia Coppola wasn't directly influenced by this film for "Lost in Translation" (scenes of a young woman wandering around by herself, and languishing in her hotel room wearing punk panties can't help but seem familiar).

J. M. Verville In the film Kongwon-do ui him it features a relatively intimate look into the meaningfulness (as well as general meaninglessness) into the lives of various Koreans; empty people seeking ways to fill themselves, enjoying the escapism of nature. From the beginning to the end of the film we observe the fallibility of the various characters; we learn of their shortcomings and their desires, the overall complexity captured within human life (and yet the overal simplicity of humanity). Although the film is slow-moving, it can be very contemplative. It does not force any ideas, but allows the ideas to come about themselves, it allows the concepts to reveal themselves.The film ends as well and as suddenly as it begins, and one truly understands the meaning of aloneness, that love is often an act of selfishness, and the many mistakes that we make. It is a look into everyday life, very well and beautifully done.If you are looking for action or for intense drama, this is not the film for you. However, if you enjoy honest, original, and meaningful films that are not forced and without glitz, this is a great film to watch.

mlovmo-2 I really don't know, but this is probably the first and only Korean film that that doesn't have any reaction shots. No pans, no dolly shots...nothin'! No professional actors were cast. Very basic filmmaking. The subject matter is trivial, everyday life. Overall, it's a beautiful film to see.

hkwak An awesome innovative film under conventional look. The film questions and deconstructs everything--our normal concepts, philosophical notions, and cinema itself. To trace how the film deconstructs the traditional idea of narrative cinema could be a first step to the reading of this profoundly bizarre film.