The Saint's Double Trouble

1940 "Master criminal meets his match! All-new thrills on the double-quick as he tricks slick sleuths."
6| 1h8m| NR| en| More Info
Released: 26 January 1940 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Reformed jewel thief Simon Templar lands in hot water when a look-alike smuggles stolen goods out of Egypt.

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Reviews

SincereFinest disgusting, overrated, pointless
Micransix Crappy film
Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
DipitySkillful an ambitious but ultimately ineffective debut endeavor.
JohnHowardReid George Sanders (Simon Templar/The Boss), Helene Whitney (Anne Bitts), Thomas W. Ross (Professor Bitts), Jonathan Hale (Inspector Fernack), Bela Lugosi (Partner), Donald MacBride (Chief Bohlen), John F. Hamilton (Limpy), Elliott Sullivan (Monk), Pat O'Malley (express man), Byron Foulger (receiver), Donald Kerr (card player), Stanley Blystone (Detective Sadler), Ralph Dunn (uniformed policeman at final round- up), William Haade (Dutchman), Walter Miller (Mac, the bartender), Jack O'Shea (pedestrian), Lee Phelps (police sergeant at Bohlen's office), Lal Chand Mehra (Cairo express clerk), Pat McKee (card player), Edward Gargan (turnkey), Sammy Stein (policeman). Director: JACK HIVELY. Screenplay: Ben Holmes. Based on characters created by Leslie Charteris. Photography: J. Roy Hunt. Film editor: Theron Warth. Art director: Van Nest Polglase, Albert S. D'Agostino. Music composed and directed by Roy Webb. Special effects: Vernon L. Walker. Costumes designed by Renié. Assistant director: Doran Cox. Production executive: Lee Marcus. Sound recording: Hugh McDowell, jr. RCA Sound System. Producer: Cliff Reid.Copyright 26 January 1940 by RKO Radio Pictures, Inc. New York opening at the Rialto: 12 February 1940. U.S. release: 26 January 1940. Australian release: 28 March 1940. 6,215 feet. 68 minutes. SYNOPSIS: A look-alike gangster plants the Saint's card at several murders.NOTES: Number four of the nine-picture "The Saint" series. Film debut of socialite, Helene Whitney.PRINCIPAL MIRACLE: George Sanders has a dual role in which he confronts himself through a clever use of the process screen.COMMENT: Unlike other actors who embarked upon dual roles, Mr. Sanders has chosen not to differentiate his performances. It's impossible to tell one character from the other. Both have the same accent and mannerisms; the same walk; they even dress the same way.Halfway through, one of the characters tells us that he can tell the look-alikes apart because they are wearing different suits. By this time, however, the rest of us are all hopelessly confused. And anyway, who's looking at suits? They seem to be identically designed, though they do have a different pattern or shade.Fortunately, other members of the cast try to make up for Mr. Sander's lapse, particularly Jonathan Hale as the ambivalent detective, John F. Hamilton as a lopsided crook, and the lovely Miss Whitney as the star-crossed heroine. Fans of Bela Lugosi, however, are likely to be very disappointed. Mr. Lugosi not only has very little to do, but the few scenes he shares with such distinguished players as Lal Chand Mehra, he handles in a spiritless and surprisingly low-key fashion. Lively's (sorry, Hively's) direction is anything but.
TheLittleSongbird While some are better than others, pretty much all of the Saint films starring George Sanders are watchable at least once, even the lesser efforts. 'The Saint's Double Trouble' is a contender for the weakest of the series, and somewhat of a let-down after one of the best of the series with 'The Saint Takes Over'.There are good things here. The sets are suitably atmospheric, it is one of the better looking films of the series and jauntily scored. The best thing about the film is Sanders, not just playing the title role but also his criminal double. He is super-suave, sophisticated and wonderfully caddish, while also giving a charming and humorous edge and delivering some cutting lines with aplomb.Jonathan Hale is also very good, while the ending is effective.On the other hand, the script is a complete mess and is enough to bring the film down more than one notch. It is just too underdeveloped and has too many loose ends, with a lot of corn and very little mystery. The story is also one of the series' least involving, it fails to maintain momentum and gets needlessly over-complicated with very few twists and turns.It is interesting for featuring Bela Lugosi, who tries to depart from his horror roles to prove that he could do more than that. However he makes very little impact in a role with nothing to it whatsoever, a real waste. The characters are just not interesting at all and sometimes confusingly written.In summary, a contender for weakest of the Saint films with Sanders. Sanders and Hale are fine but the script and story certainly aren't and bring the film down significantly. 5/10 Bethany Cox
bkoganbing George Sanders, in fact two George Sanders, arrive in the City of Brotherly Love to investigate a nice little diamond smuggling racket. But what a place to smuggle diamonds, in the sarcophagus of a long dead Egyptian mummy. What interests Simon Templar however is the fact that the head of the racket is a dead ringer for him and also played by George Sanders. He might well be responsible for the unsavory reputation the Saint has in some quarters.Jonathan Hale as Inspector Fernack is in from New York and as the most authoritative expert on the activities of Simon Templar is drafted by the Philadelphia police in the person of Donald MacBride. In fact Fernack knows of a telltale scar on the wrist of the real Templar and can tell them apart. That fact proves most handy.Bela Lugosi has an inexplicably small role as 'the partner' in the smuggling activities. I'm betting the editors at RKO probably left a lot of Lugosi on the cutting room floor. The film would have been better had Lugosi been left in.As it is it's an OK B programmer and a plus for fans of Leslie Charteris's modern Robin Hood.
masercot I'm seeing some complaints about this movie that I don't think are warranted. Plenty of movies use the "exact double" angle...most don't pull it off very well. I think that this one did.Sanders delivers a subtle performance as the Saint's double; then, as the Saint, he lets the personality of the Saint out. It is very effective. The movie doesn't have the clichés one tends to see in this type of movie. Sanders not only outsmarts the bad guy, but he gets his revenge as well.Bela Lugosi is in this movie. Unfortunately, his role could've been played by any competent actor.This is a short, fun little movie. If you've got an hour and are in the mood for an enjoyable black and white, with a suave hero and a few thrills, this is your movie...