LastingAware The greatest movie ever!

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

OG (no actual plot specifics are revealed) I had high hopes for this and was quickly brought down to earth. And interminable movie, made longer by an interminable preamble that did little to enhance anything with the meat of the movie. Based on a book by Shuhei Fusjisawa, who's Twilight Samurai novel was so masterfully adapted by the talented Yoji Yamada, this is a glorified Harlequin Romance of love interrupted. And interrupted. And interrupted. The whole movie could have been cut by 40 minutes, including some scenes which were repetitive and others that made no sense. Perhaps it was even longer and the editor was at a loss?Without revealing anything specific, suffice it to say that this chanbara movie builds up to the one big sword fight scene, doesn't even do it justice after all that foreplay, then falls back to more love interrupted. You feel like hurling your dime store romance paperback at the screen. A few nice camera shots don't make up for endless preamble of furtive glances and halting touches. In fact, I don't think the two lovers touch more than three times their whole lives together. Any allusions to traditional Japanese customs in feudal Japan is bogus, because marriage and divorce was common then, especially in the samurai class.Skip this and watch Twilight Samurai 2x instead to see how a real movie should be made.

WILLIAM FLANIGAN THE SAMURAI I LOVED / CICADA CHIRPING (LIT.) (SEMISHIGURE). Viewed on DVD. Subtitles = seven (7) stars; score = seven (7) stars; costumes = four (4) stars; choreography = four (4) stars; surround sound = four (4) stars; cinematography = two (2) stars. Director Mitsuo Kurotsuchi (who is also credited as co-screen writer) delivers an Edo period non-starter "love story" that is uneven, snail-paced, and mostly emotionless as well as poorly photographed, costumed, choreographed. The movie might be summed up as: teenage boy meets teenage girl, boy loses girl (and Vice Versa), boy (now grown) re-meets (after two hours of confusing plot trivia) mature girl, but its way, way too late (including for the audience that hasn't fallen asleep). To say that the actors lack direction would be a bit of an understatement. A noticeable mismatch in the similarity of teenage actors and their adult counterparts does not seem to help matters. Inter-scene continuity also falls by the wayside as editing makes for nonsense in the last quarter of the movie. Costumes (even those worn by characters at court) look cheap. Sword-swinging choreography (there is about five minutes in total) appears fairly phony with stunt actors being permanently incapacitated from a sword whacking while "good-guys" after being slashed in the same way seem fine and/or recover completely in the next scene or two! Except for medium shots using a telephoto lens to capture shimmering waves of heat, cinematography (wide-screen, color) is a disaster zone. Scenes (especially exteriors) are fuzzy-filtered as if photographed through mosquito netting! Many are also not quite in focus. Lead actress Yoshino Kimura's different size eyes are usually on full display (particularly in close-ups due to the use of unflattering camera angles) which can distract from her performance. Surround sound fields are poor to nonexistent. Score is very good and ranges from rousing music played by a small orchestra to haunting single notes from a piano. Subtitles are well done. The viewer has a choice of colors for expository text and lines delivered by different characters. Inter-scene consistency for the latter is fine. Great shots of cicada and snakes. WILLIAM FLANIGAN, PhD.

deetya What a wonderfully shot film. It's films like these that theaters (or big screen TVs) are meant for :-) For example, when the disgraced Samurai is showing his friend to his new hovel, located in an alley, when it's raining with mud puddles everywhere. However, the scene starts by an overhead shot showing two umbrellas going down the narrow alley, and is shot such that at first we think it is two flower petals floating down a stream. That's a good shot. There's also the acting, with all the emotions indicated simply by a look or a small gesture.The only drawback is that it is too much of a tearjerker kind of movie. I mean, a samurai movie that is also a chick movie? A clang-slash movie that your girlfriend will also like? Oh, wait, that would be a good thing wouldn't it?

itmflmt Mitsuo Kurotsuchi's tender love story, "The Samurai I Loved" is a beautifully shot and crafted gem of a film. Rather than streams of words, Kurotsuchi gives us nuanced emotion conveyed through few words, the actors' eyes, and supported by superb camera work and a soft color palette.Closeups of natural scenes and ever present healing water become metaphors for the deep emotions in the film. Kurotsuchi pays a high compliment to his audience by not using easy gimmicks to get his message across. A master of subtlety, he draws in his audience through the camera lens allowing viewers to feel and intuit the emotions and thoughts of his characters which swirl just below the surface.Applause to The Egyptian Cinemateque in Los Angeles for screening this sensitive film of feudal Japan. It deserves to be released on DVD.