The Screaming Tiger

1973 "The Scream Of The Tiger Is The Cry Of Revenge!"
5.4| 1h36m| NR| en| More Info
Released: 16 August 1973 Released
Producted By: Orange Sky Golden Harvest
Country: Taiwan
Budget: 0
Revenue: 0
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Synopsis

Rare was the film in 1973 that incorporated the star's name in the title. One of the few such films was Screaming Ninja, aka Wang Yu, King of Boxing. The story is set in China in the early 1900x. Essentially playing an extension of himself, action-star Wang-Yu spends much of the time defending himself against evil martial-arts masters. He also tries to make sense of a tragic incident in his past.

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Reviews

ChicRawIdol A brilliant film that helped define a genre
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Leofwine_draca I saw this Jimmy Wang Yu vehicle under the title THE SCREAMING TIGER. IT was one of the films he made in Taiwan immediately following his split with the famous Shaw Brothers studio. The plot is a straightforward one for Wang Yu fans; he plays a kung fu fighter whose village is slaughtered by the ruthless Japanese, causing Wang Yu to travel to Japan in order to get revenge on the Japanese people as a whole. After a time, he discovers that there's an even worse race in existence: the Koreans! This is a nondescript vehicle for the actor which lacks the finesse and enjoyment factor of both his Shaw vehicles and later, funnier efforts like THE ONE-ARMED BOXER. The plot is simple and the action even simpler, merely consisting of the actors kicking and punching until one dies. A standard basher, then, only enlivened by the lengthy chase climax. Regular heavy Lung Fei gives a fun turn as the villain of the piece.
Uriah43 This movie begins with a young Chinese man named "Ma Tai Yung" (Jimmy Wang Yu) walking into a small Japanese village in the midst of a festival. Because this festival typically attracts a good number of tourists a small gang of pick-pockets have also emerged who are more than willing to separate these visitors from their purses. However, when a few hoodlums try to take the purse belonging to Ma Tai Yung they get more than they bargained for and are quickly beaten and subdued. Not long afterward Ma Tai Yung notices that a Komuso monk is following him and after awhile Ma Tai Youg confronts him. It's at this time that we learn that Ma Tai Yung has come from a small village in China to avenge the death of his family at the hands of some Japanese thugs. It is also disclosed that Ma Tai Yung has developed a hatred for all the people of Japan for which no amount of reason by this monk can alter. They then go their separate ways with Ma Tai Yung heading back to the village whereupon he bumps into a beautiful woman named "Ying Chu" (Cheung Ching Ching) who skillfully proceeds to snatch his wallet and hand it off to a nearby accomplice before Ma Tai Yung realizes what is going on. When Ma Tai Yung discovers what has happened he belatedly confronts Ying Chu about it. This results in yet another fight with several more hoodlums which Ma Tai Yung quickly dispatches as well. After this fight he returns to the task of recovering his wallet with Ying Chu following him every step of the way. It's then that he realizes that Ying Chu isn't nearly as bad as he once thought and with her help he also gets closer to finding the people responsible for murdering his family. Now rather than reveal any more I will just say that this was an interesting old-style kung fu movie from back in the day which has quite a bit of action yet also manages to convey an underlying message about racism and xenophobia in the process. Additionally, the fact that it had two beautiful actresses in Lan Chi (as "Mao Chi") and the previously mentioned Cheung Ching Chang certainly didn't hurt either. On a separate note, I should probably add that this film goes by several different titles which vary in length, quantity and quality. For example, the VHS tape I bought several years ago under the title of "The Screaming Tiger" is 75 minutes long and leaves out most of the interaction between Ma Tai Yung and Mao Chi. The picture was rather grainy as well. However, there is another version titled "Wang Yu-King of Boxers" which is about 88 minutes long and includes the scenes involving Ma Tai Yung and Mao Chi--but omits the first part of the film explaining the reason Ma Tai Yung is in Japan and his conversation with the Komuso monk. Likewise, it also goes by the titles of "Screaming Ninja" and "Ten Fingers of Steel" which are apparently 101 minutes in length. Be that as it may, while this clearly isn't a top-notch martial arts film in the same category as those starring Bruce Lee or Jackie Chan, it wasn't that bad either and I have rated it accordingly. Average.
Crap_Connoisseur I have no idea what 'The Screaming Tiger' was about. The story is basically incoherent but I gathered it had something to do with a Chinese fighter who travels to Japan in order to avenge a massacre.It would have been nice to have understood what was going on, the weirdo who walks around playing a pan-pipe with a basket on his head is particularly perplexing, but a finely nuanced plot is hardly essential for an enjoyable martial arts film and what this film lacks in character development, it more than makes up for with some inventive and highly entertaining fight sequences.Some of the martial arts highlights include a scene where the Chinese fighter takes on a group of Sumo wrestlers and an exhilarating fight sequence that takes place on the top of a moving train, a bridge and on the edge of a waterfall. The lead actor is competent and I enjoyed the actress who played his sarcastic love interest.Recommended for fans of the genre.
madduma Upon viewing this film once I was unable to observe the subtleties, the complexities that are encompassed in this masterpiece. From subsequent viewings, I saw it! The beauty and finesse of Lo Mien Dung's directorial ingenuity. A classic by all rights!