Pacionsbo Absolutely Fantastic

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Michael H You know that when Mr. Wood made a film he did put all of his heart and soul in each one of the films (ok the ones I saw and the 50's films that most people see) The problem being is that he was completely incompetent as a director. You can't polish a turd and all of these films are turds. But he did try his best, in my opinion this is one of the best and funniest, with or without MST. A fairly static film, the only action happening with a fight scene. The rest of the film consist of all the actors explaining about the plot. Carl Anthony is the most static of this bunch. Kenne Duncan and Duke Moore, two of the laziest cops on the beat. Then the rest, Jaffe, Mr. Taxpayer, Dirk (a swell guy), Kline (KLINE!!!!!) and best of all: GLORIA. The scariest woman on the planet who's probably passed on by now of throat cancer, or squeezed to death by some of those outfits, likely from Mr. Woods own collection. Why this film is not on DVD like the rest of the Ed Wood collection I don't know. Somebody get out there and pester Wade Williams productions and get this on DVD too.

thepringlegame its true, this film is one of the worst i have seen yet that Ed Wood did. i will never get that hour and 11min back. once again there was the on going repetition of police, baddies, women in distress, cross dressing and insightful wisdom from our elders. however, the stock fotage was minimal so big up. i am beginning to realise that once you've seen one Ed Wood film, you have as good as seen the rest. it makes me wonder why people who knock his films continue to hunt down new ones. it makes me wonder why i still watch them. i think Ed Wood was a man who lived, made films, lived his life happily and then died probably happy despite being an alcohlic and penniless. to be honest i don't think he cares anymore, why should we?

madsagittarian What a night. The stuff of which legends are made.In 1995 in beautiful downtown Toronto, when Tim Burton's mighty biopic ED WOOD went into second-run, one of our rep cinemas had a never-to-be-forgotten quadruple bill of films by everyone's favourite cross-dressing auteur. JAIL BAIT, BRIDE OF THE MONSTER, NIGHT OF THE GHOULS preceded this, the final programme of the evening, and perhaps Ed Wood's final masterpiece (well, for his "legit" non-porn movies anyway). From the expected pimply nerdy geeks to one dignified old gentleman who said that they SHOULD have given Mr. Wood a star in front of Grauman's, this, the least seen of all of Wood's pictures from his "classical" period, was a real crowd pleaser.THE SINISTER URGE is a must for anyone with even a passing interest in the films of this precious Gonzo genius, or, like myself, who have a strange attraction to works made by people who eke out an existence way way way in the back alleys of Tinseltown. This riotous "expose" is classic Edward D.: long scenes which don't go anywhere (including an extract from his uncompleted JD epic- HELLBORN), priceless dialogue which waxes profundity about everything and nothing, and a strange attempt at morality while also delivering whatever exploitation elements that unsuspecting people paid to see. My favourite bits include: 1) the long scene where the two hardworking cops out to bust the porn ring must explain to an anonymous taxpayer who comes to the station, and tell him exactly why they are spending his hard-earned tax dollars on such a seemingly trivial matter; this scene wouldn't even pass the green light in a pre-production meeting for an educational film, however with typically Woodian panache, the taxpayer leaves afterwards shaking his head in amazement over the great public service these man are performing. Once again, within his ridiculous subplots, Wood slyly inserts bits where you realize how subversive his scenarios really are. The ever-critical writer-director is simultaneously praising and damning these intrepid cops for a seemingly superfluous service-- remember, only two years later the US government spent a huge wad of the taxpayers' money to decipher the lyrics to "Louie Louie" because the song was considered to be corrupting the minds of impressionable youngsters.2) the director's cameo appearance; since one of the main subplots concerns some knife-wielding loony who attacks women in the park (apparently looking at semi-clad girls in magazines drove him to his social deviance), the two cops talk about sending an undercover male officer in drag to the park and foil the psychotic pervert (right here, the audience knowingly began to applaud), and in the next scene, there is Mr. Wood in a dress and mop wig trying to ferret out the guy in the park. A cameo appearance to save some money instead of hiring another bit player? In most likelihood, a good excuse for the eccentric auteur to insert his personal baggage-- a Brechtian cry for identity.3) a bizarre climax, featuring a decapitated head in someone's bushes!Man, they sure don't make them like this anymore. Seeing THE SINISTER URGE is like a breath of fresh air. As much as PLAN 9, GLEN OR GLENDA and BRIDE OF THE MONSTER are important works of this pioneering independent filmmaker, the stories about their creation, and their dialogue is cited so often that perhaps they no longer seem new. It is great to see this, and also JAIL BAIT, and appreciate the charms that even his under-hyped works have.

Stefan87 I saw this movie, only because it was on MST3K and even then the movie was terrible... Don't see it, please..... But if you see it in MST3K, root for Kline, he rules... hehe Other than that, bad movie... Crowe rules