financialburger
Spoiler !!!! This would have never happen in real life the movie was OK but the whole story line is a load of crap. If this woman tried this in the real skulls group she would of never saw the Iight of day. Skulls are 1 of the most powerful groups in America. Other than that the fantasy was fun to watch. As far as the skulls being arrested and shot + killed is Something that I don't think would ever happen. So I put this film in the fantasy selection like Disney films. So I gave it a 2 cause it's was based On something that would never happen. It's no way a woman would b able to even get close to the head of the skulls Let alone have this happen.
Sherazade
I didn't see part 1 or part 2 of this film but after catching part 3 just 15 minutes away from the beginning, I was hooked. I have to say that this part looked like a made for telly movie but it was nevertheless very engaging.The plot deals with a college girl struggling to come to terms with her brother's death as well as her father's growing distance towards her. When she is unable to solve neither conundrum, she decides to take on "The Skulls" a society at her school (also one that her brother had been trying to get in to) and challenge their prejudices. The dean of the school hear's her plight and taps her as a front-runner to become the first female member of the 250 year old fraternity whose membership doesn't end at graduation. Slowly but surely, she begins to discover that all is not as it seems.
sol
***SPOILERS*** Back for a third time "The Skulls III" has more or less the usual kind of story-line that the previous two Skull movies had with a bunch of young collage students running around the town at midnight, in one case with only their underwear on, doing all kinds of wild and crazy things to qualify as future Skulls. The only difference in Skulls III is that this time a young women Taylor Brooks, Clare Kramer,is allowed to become a Skull, if she can cut the mustard, and it's that slight variation that makes Skulls III watchable, especially when Taylor takes her clothes off.Getting a bit ahead of itself the movie starts with Taylor being interrogated at the local police station about a murder that was committed the night before. Spilling her guts out Taylor tells Detectives Staynor & Valdez, Dean McDermott & Maia del Mar,about living with the thought of her brother's Sam, Toby Proctor, suicide and how she has nightmares about it. It was Taylor who discovered Sam's body.As Taylor tells her story to the police we start to get an idea of how she ended up where we see her now, a suspect in a murder case. Taylor bucked the system by wanting to be a Skull and even worse she had her father Congressman Martin Brooks ,Ken Pruner, go against the the very motto of that secret organization that The Skulls stand and pledge their careers reputations and lives for:"A Skull Above Any Other".As in the last two Skull movies The Skulls in Skulls III are anything but the powerful and omnipresent Boggie Men that their made out to be but a bunch of clumsy and incompetent boobs who can't get anything done right.The core of the movie has really nothing at all to do with Taylor or her getting tapped to become a Skull, the first woman in that exclusive club. The film has to do with the goings on behind the scenes of big time businessman, Nathen Llyod ,Barry Bostwick, who needs Congressman Brooks' vote to get his company, Llyods Communications, to have all the telecommunications contracts for the US military. Congressman Brooks, a man of conscience, knows that "Llyods Communications" is incompatible with the US Army Navy and Air Force's telecommunication systems and would result in countless deaths of American soldiers if a war ever breaks out.It turns out that Taylor's induction into The Skulls was a plan cooked up by Llyod to get her into a compromising position and use it to blackmail both her and her father to do what Llyod want's from him; vote for his company to get the military contract that would result in billions of dollars going into his pocket.Getting Taylor drunk and on drugs at a Skull party at Llyod's mansion Llyod also used Taylor's computer to E-mail her boyfriend Ethan ,Shaun Sipos,to show up there in order to meet her about becoming a Skull. He then plans have him murdered with all the evidence rigged in order to implicate Taylor.Predictable ending with Llyod using all his influence as a Skull to get Taylor's new boyfriend Brian ,Steve Braun, to entrap her by acting as if he's trying to help Taylor in finding Ethen's murderer. Llyod's entire plan falls apart when his son Roger, Bryce Johnson, finds out the truth that it was his father who not only murdered Ethan but tried at first to frame both Brian, in order to get him to set up Taylor, for the killing and then had him betray the totally innocent Taylor.Being the jerk that he is Llyod spills the beans on himself in his involvement in Ethan's murder to both Brian and Taylor not knowing that Taylor secretly dialed her cell-phone to 9/11 and had the police listen in hearing what turned out to be Llyod's confession!The movie "The Skulls III" looks like the final nail in the coffin of the Skull saga. With The Skulls looking so ridicules and brainless that no one with even half a brain would ever wan't to join that lame-brain organization again. The Skulls thankfully went out of business due to lack of interest in the fact that anyone in the entire country who has any amount of brains in his Skull would not be idiotic enough to join a blockhead club like that.
Tom Smith
I really liked the original Skulls. There were good actors, writing/script/plot etc. And I haven't seen Skulls II yet (I didn't know there were any sequels until I saw Skulls III was on TV).Skulls III is poor. The actors are fine, but the plot is so easy to predict. There's no suspense. No surprises. And I'd almost call Skulls III slow most of the time. Skulls III certainly gives you nothing worth watching for 2 hours. You'd be better off renting/watching the original Skulls again, than to watch this version.If they plan to make a Skulls IV, bring back the writers and director types which made Skulls (I) a success.